Students perceptually investigate found natural objects, extracting shapes and textures through observation. They then transfer and transform this visual information into mixed-media drawings that explore interpretation, composition, and visual problem-solving. To play, press and hold the enter key. To stop, release the enter key. FOUNDATIONS: ARTS 103 In Line with Nature by Dawn Hunter, Project Author and ARTS 103 Course Director “The question is not what you look at, but what you see.” —Henry David Thoreau, Journal, August 5, 1851 ARTS 103, The Fundamentals of Art course, is a beginning level art class that sets the stage for inquiry while encouraging students to explore visual perception, material, and artistic design practices through the medium of art and design thinking. The four interconnected portfolios use a recursive process of discovery, perception, interpretation, construction, deconstruction, and re-construction to facilitate students’ transferable knowledge of visual practices. Throughout the course, students will apply knowledge from previous assignments to new problems and projects. Continued: Drawing, abstraction, multiple media, repetition, feedback and re-construction are strategies students learn to perceive, think, make, problem solve and communicate within various art and design situations. Students learn to make purposeful artistic and design decisions and eventually develop sufficient visual vocabulary and independence to meet future goals in various disciplines of art and design. Students who take ARTS 103 are majors and non-majors. This is a student work example by a USC School of Visual Art and Design BFA major, Jianna Schirmer: Image 1: Final project, In Line with Nature, Image 2: Thumbnails for In Line with Nature, Image 3: Texture Inventory, Iterative composition development (juxtaposition studies). Images courtesy of Jianna Schirmer. Visit my Mixed Media Drawing Adventure blog post to learn more about the project. Trusting One's Own Perception Sensory Perception and Interpretation: Students begin the project by selecting a found object from nature. They proceed to perceptually investigate its textures, shapes, forms, and structures through a series of mixed-media drawing inventories and thumbnails. They then advance the inquiry by considering format, context, and compositional hierarchy, creating a final drawing that places the observed object within a visual environment constructed from textures and shapes previously extracted from the object itself. Through this process, students carry visual information from one investigation into another, transforming close observation into an interpretive composition grounded in the perception and investigation of natural design. Students who take ARTS 103 are majors and non-majors. This is a student work example by a USC McCausland College of Arts and Sciences, Psychology, BA Major, Khalon Thompson: Image 1: Final project, In Line with Nature, Image 2: Thumbnails for In Line with Nature, Image 3: Texture Inventory, Iterative composition development (juxtaposition studies). Images courtesy of Khalon Thompson. Visit my Mixed Media Drawing Adventure blog post to learn more about the project. The Assignment Sheet Click on the assignment for the full page to pop-up! Student work, Madi Rawlings, Final Project, In Line with Nature, graphite, ink and color pencil on paper, 18" x 24" Foundations in Practice: From Observation to Application In Line with Nature introduces a recursive practice, where the results of one investigation can become the starting point for another using the same or different visual information. The processes of close observation of natural forms, use of shapes and textures from those observations in their inventory drawings, and gradual development of those forms in complex compositions are of value to use in subsequent Foundation courses as well as in later upper division courses. The value of this process extends beyond a single Foundations assignment. As students progress into upper-division coursework, the visual strategies developed through observation, interpretation, iteration, and reconstruction can be retrieved and adapted to new creative problems. Former student Katlin Jeffcoat provides a particularly clear example. She transformed the leaf forms from ARTS 103 into a composition for In Line with Nature in addition to continuing to explore them in her upper-division design work. She continued to manipulate and transform the images through color, composition, etc. in order to continue to create within the boundaries of the visual language she had established in her Foundations work. What began as a means to learn how to see was able to be transformed into a visual language which she continued to grow and to make her own. Follow Katlin Jeffcoat's Foundations Curriculum Arc Above, Kaitlin Jeffcoat's 1. Texture Inventory, 2. In Line with Nature Thumbnails, and 3. In Line with Nature Final work. Below, Kaitlin Jeffcoat's Merch Menu project from ARTS 266. More Inspiration: From Thumbnails to Finished In Line with Nature Projects. Click on the carousel gallery below to engage with the images. If the gallery does not automatically load, please refresh the page. Conclusion In Line with Nature demonstrates how close observation can become a foundation for continued visual inquiry. By carrying shapes, textures, and discoveries from one investigation into the next, students learn that creative work is not a series of isolated assignments, but a recursive process in which ideas can be revisited, transformed, and applied in new contexts. These habits of seeing, thinking, and making provide a foundation students can continue to draw upon throughout their studies in art and design.

Explore a visual narrative and a dedicated 'Tumblr' page showcasing the creative journey of South Carolinian artist, Dawn Hunter. Experience her past, present, and upcoming projects through this captivating photo essay Studio Visit A PHOTO ESSAY AND "TUMBLR" PAGE FEATURING PAST, PRESENT AND FUTURE PROJECTS BY SOUTH CAROLINIAN ARTIST, DAWN HUNTER. Table of Contents Icons Currently featuring work inspired by Santiago Ramón y Cajal, exploring neuroscience through drawing, painting, and archival research. In Line with Nature In Dawn Hunter's ARTS 103, The Fundamentals of Art class, students closely observe found natural objects, extracting shapes and textures through perceptual drawing before transforming those discoveries into a new mixed-media composition. The project introduces a recursive approach to learning in which visual information is carried forward, reinterpreted, and applied to increasingly complex creative problems. Students begin by selecting a found object from nature and perceptually investigating its textures, shapes, forms, and structures through a series of mixed-media drawings. They then advance the inquiry by considering format, context, and compositional hierarchy, creating a final drawing that places the observed object within a visual environment constructed from textures and shapes previously extracted from the object itself. Through this process, students carry visual information from one investigation into another, transforming close observation into an interpretive composition grounded in the perception and investigation of natural design. More The Last Art School of the Living and Dead This painting has developed over time and remains a means of holding together the memory, experience and influence that it has embodied from the start. It was a painting about loss which has become a very complex, deeply layered and multi-layered work. The physical marks on the painting’s surface evolve from early explorations into marks and color, to more assured and complex uses of all of these in order to paint personal memories and the influences of earlier art. Portraits, shards and other symbols appear in the painting. Often they have been developed from a variety of sources and then reworked and recombined in non-linear fashion and, on occasions, returned to the surface of the painting at a later date in order to revisit an earlier experience or to reflect upon it. More Drawing Neuroscience Legend Pasko Rakic The Studio Visit above is a drawing of neuroscientist Pasko Rakic by Dawn Hunter at the Cajal Club Social at the Society for Neuroscience meeting in San Diego. Dr. Rakic, one of the leading researchers on the developing cerebral cortex, has maintained contact with the Club over the years. He was invited to join the Club by founder Wendell Krieg. In this Studio Visit Hunter drew the neuroscientist while Rakic discussed his early interest in art and how the drawings of cortical structures by Santiago Ramón y Cajal influenced his decision to become a scientist. The drawing shows the moment of conversation between the artist and the scientist, totally absorbed by what is going on while the artist is completing the work in one sitting. The drawing is more than a portrait of Rakic. It shows the artist’s position within the tradition of art and neuroscience and how his observation, memory and influence of Cajal’s visual approach to neuroscience is being extended to the contemporary scientific and artistic practice. More Atlanta Travel Drawings This studio visit highlights a recent sketchbook series made on a trip to Atlanta, where I carried my book everywhere and drew from life. At the High Museum of Art I made studies after two large acrylics by the celebrated South Korean painter Kim Chong Hak's works Autumn and Pandemonium . Responding to Kim’s luminous florals and mountain imagery, my drawings explore how line, rhythm, and simplified shape can translate the vitality of another artist’s vision while remaining unmistakably my own. Beyond the galleries, I turned to the people of Midtown. At the bar Politan Row, Colony Square, I worked rapidly, building pages of caricature-like portraits of the guests. One encounter became a sustained portrait: Kree, a young pregnant nursing student on a staycation with her boyfriend. The drawing slows the pace of the environment around her, describing calm poise amid the crowd. More Foundations Curriculum Arc Katlin Jeffcoat’s Foundations Curriculum Arc traces her development from observational drawing to sophisticated visual design. Beginning in ARTS 103, she transformed natural forms into structured compositions through studies of shape and texture. In ARTS 107, she deepened this inquiry using Johannes Itten’s color harmony theories to explore how hue and contrast shape perception and emotion. By ARTS 266, Katlin synthesized these foundations into a cohesive merchandise project—merging craftsmanship, conceptual clarity, and color design rooted in the same perceptual principles that first inspired her work. More Bridging Intuition & Analysis: Tactile Technology The course ARTS 107: Color, Technology, and Form teaches students to practice color theory as an active physical method which connects conventional artistic methods to digital artistic techniques. Students use the Adobe Ideas application on their touchscreen device to generate tactile "blobbies" through their body movements and touch pressure. The hand extends through technology to create new artistic possibilities which help students develop analytical skills and intuitive artistic abilities. Students develop their memory skills and perception abilities and creative problem-solving competencies through their work with structured color theory and unrestricted experimental activities. Students achieve complete control of color relationships and create their own visual style while learning to use digital tools with the same care as they would traditional artistic materials by the end of the semester. More Cajal Club Life-Time Achievement Awards I had the honor of designing the Krieg Lifetime Achievement Awards for the Cajal Club two years in a row—celebrating Dr. Charles E. Ribak in 2023 and Dr. Larry Swanson in 2024. Each award features two historic certificates, one signed by Santiago Ramón y Cajal and the other by Wendell Krieg, founder of the Cajal Club. Drawing on their shared legacy as neuroanatomical illustrators, I approached the project as a visual homage and narrative translation—combining historic symbolism, hand-rendered elements, and custom presentation cases to reflect the scientific and personal contributions of each recipient. More Dawn Hunter Art ® | Collected Works Welcome to the online portfolio collection of Dawn Hunter, an Associate Professor at USC, a Fulbright Scholar, and a passionate, prolific visual artist. With two decades under her belt, exhibiting her art at leading educational institutions and professional galleries, she's made a profound mark in the art world. In an effort to provide an effortless browsing experience and ensure her diverse portfolio themes are accessible, Dawn has curated a collection of specialized websites, each dedicated to a distinct theme and content. Consider this your gateway to a vast array of Dawn's creative endeavors and portfolios, each a testament to her extensive career and artistic evolution. More The Dance: A Cell Block Tango Biological Pun Unleash your imagination and explore the captivating connection between dancers and the intricate world of cells. Picture them gracefully moving at the center of the cell, akin to the nucleus—the very command center that orchestrates growth, division, and gene expression. Prepare to be enthralled by Dawn's latest painting series, a fusion of the mesmerizing "Cell Block Tango" dance and Santiago Ramón y Cajal's legendary neuron imagery. Through a blend of art and science, these figurative works unravel the narrative of a cell's function, weaving together the beauty of movement and the intricate workings of cellular life. Join this artistic journey where art and science harmoniously intertwine. More Cajal: Scientific Drawings and Landscapes Step into the world of Cajal's Scientific Drawings and Plein Air Landscape paintings of locations where he lived. Cajal's remarkable scientific illustrations are a testament to his keen observation and remarkable talent for visually conveying complex concepts. Inspired by Cajal's legacy, Dawn embarks on a creative journey by painting landscapes from his birthplace, interweaving them with rendered neuron imagery. Through this artistic fusion, she aims to capture the environment that fueled his scientific pursuits visually. More Portraits 2022 Immerse yourself in the world of Facetober, created by critically acclaimed illustrator Charly Clements. "I use the opportunity of this social media challenge to focus on the sub-theme of my daughter, Darcy. I experimented with portraiture, color, and patterns to create a warm and intimate atmosphere. Among this series, Darcy's favorite portrait, featuring blue braids and gold hoop earrings, exudes sophistication and mystery. These expressive images depict our evolving relationship, showcasing our collaboration and the joy we share." ~Dawn Hunter More SciArt September 2022 Embark on a journey of artistic discovery with SciArtSeptember, an enriching social media event in which Dawn has had the pleasure of participating in for the second time. What truly excites her is the opportunity to respond to thought-provoking prompts through her artwork, exploring various topics within science and art. This event catalyzes connecting with other talented artists, providing a platform to learn and grow together. She is grateful to Liz Butler (@liz_lagomorph ) and Glendon Mellow (@FlyingTrilobite ) for creating and hosting this annual SciArtSeptember initiative, fostering a vibrant community of creative minds. More Summer Drawings Welcome to the Summertime Drawing Board of Rodin's artwork! During this summer, Dawn's artistic focus revolved around historical subjects such as the Rodin exhibition at the Columbia Museum of Art and the picturesque scenes at the Riverbanks Zoo , which inspired her Plein air sketches. In a fusion of these experiences, her studio became a hub of creativity. This photo essay showcases a glimpse of the various artistic processes involved, including drawings of Rodin statues completed in Madrid (distinguished by an orange background) and her CMA Rodin drawings featuring either white or yellow backgrounds. Rather than simply a sketchbook, she prefers to refer to this collection as a "drawing board." Back in the studio, she had the opportunity to develop these artworks further, exploring new dimensions and possibilities. More Art of Neuroscience "I am thrilled to share that my artwork, "Dueling Cajals," received an Honorable Mention prize in the prestigious 2022 Art of Neuroscience competition out of the Netherlands. The jury was struck by this submission, which uniquely explores the history of neuroscience. The piece weaves together diverse periods of time from Cajal's life, emphasizing the cultural and historical influences on scientific image-making. The jury appreciated the meticulous research into the sources that influenced Cajal and recognized the artwork as a potent reminder for neuroscientists to acknowledge and understand the impact of history on their work." ~Dawn Hunter More Elected to the Cajal Club's Board of Directors "I am honored and proud to announce my election to the esteemed Cajal Club Board of Directors. Words cannot express my gratitude for the opportunity bestowed upon me to create their new website. The transition from July to August was filled with hard work, collaboration, and invaluable feedback from renowned Neuroscientists I have admired for years. The new website is live, representing an ongoing endeavor akin to a flourishing garden. Stay tuned for exciting updates and content. Explore the website by clicking the MORE button below." ~Dawn Hunter More Sketchbook | Riverbanks Zoo and Garden Discover the inspiration Dawn finds at the Riverbanks Zoo and Garden every year! Explore a portfolio of her sketchbook drawings featuring the zoo's ever-evolving attractions. Some changes have occurred, like the new White Rhino exhibit and the absence of elephants; she was prompted by these changes to include past highlight subject matter intermingled with the Zoo's present-day renovations within the portfolio "image essay." More Artfields 10th Anniversary Exhibit "I am thrilled to announce that my artwork, The Darcy Inventory, has been chosen for this prestigious exhibition. In addition to preparing for the showcase, I've been keeping busy creating captivating Instagram Reels. The Darcy Inventory is a thought-provoking portrait installation I crafted in October. It explores, through visual art, profound themes such as race, identity, societal norms, and the intricate dynamics of our modern culture's daughter/mother relationship. Join me on this artistic journey and witness the power of visual storytelling at ArtFields! " ~Dawn Hunter More The Jasper Project 10th Anniversary Exhibit The Jasper Project's 10th Anniversary celebration is a momentous event commemorating a publication that showcases and illuminates Columbia, SC's vibrant cultural landscape. Spearheaded by the visionary Cindi Boiter, the magazine keeps the Cola Community informed while delving into the lives of artists, performers, dancers, musicians, and writers through captivating interviews. More Studio Visit | Cajal Biography Welcome to Dawn Hunter's studio! Explore the Cajal Inventory artworks, a series inspired by Santiago Ramón y Cajal. They were most recently on display in a solo exhibition in Las Vegas. The works now adorn Dawn's studio walls. They continue to inspire her handmade Cajal sketchbook, a testament to her ongoing creative investigation into the father of modern neuroscience life. More

Interviews with notable South Carolina figures, plus outdoor activities, cultural events, and Dawn Hunter’s award-winning art on Dawn Hunter | South Carolina Sunshine. Southern 500, Darlington, SC The Southern 500, officially known as the Cook Out Southern 500 for sponsorship reasons, is a NASCAR Cup Series stock car race at Darlington Raceway in Darlington, South Carolina, United States. MOJA Arts Festival, Charleston, SC The festival annually recognizes the African American traditions and cultural legacies of four selected West African and Caribbean countries. The 2026 festival will celebrate Barbados, Gullah Geechee, Jamaica and Sierra Leone. Sunrise at the Beach Bulls Island, South Carolina Southern 500, Darlington, SC The Southern 500, officially known as the Cook Out Southern 500 for sponsorship reasons, is a NASCAR Cup Series stock car race at Darlington Raceway in Darlington, South Carolina, United States. 1/12 Interviews, features, and discoveries across South Carolina Dawn Hunter Art ® | South Carolina Sunshine™ is a lifestyle webzine dedicated to promoting all things South Carolina and is part of the Dawn Hunter Art ® boutique web network. This website is a collaborative project of visual artist and Fulbright Scholar Dawn Hunter and her daughter, Darcy. Together, they learn about and explore the state's vibrant culture, discover its hidden gems, and learn about the great people who make up its communities. There is a particular focus on events that extend beyond local communities by featuring "happenings" with regional, national, and international connections. They feature an online listing of outdoor activities in South Carolina. For the culture enthusiast , they regularly publish photo essays of art exhibitions. Dawn Hunter Art ® | South Carolina Sunshine™ provides curated content with a unique and intimate look into what makes the state special. Along the way, Dawn is committed to sharing her creative life and process with others in the Studio Visit section. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Two New Studio Visits! First up: ArtFields 2026 Dawn Hunter's The Last Art School of the Living and Dead displayed in the Lake City, SC annual exhibition! View photos of the exhibit and read an essay about the painting developed over time—where memory, mentorship, and lived experience come together in a shifting visual landscape. Enter the Studio Visit page here! Next: Society for Neuroscience Go behind the scenes and read about Dawn Hunter's process when she drew Pasko Rakic at the annual Cajal Club social. A portrait drawn from life, capturing a moment of focus and exchange, where drawing becomes a way of seeing and engaging with the process of thought and observation. Enter the Studio Visit page here! New Interview Meet Udorji Oji, emerging artist, currently studying Biological Sciences and Art Studio at the University of South Carolina. Known for his striking colored pencil work, Oji blends realism with conceptual exploration, drawing inspiration from both academic training and personal history. A recent participant in major exhibitions like the SVAD Juried Art Exhibition and Artista Vista: Rooted, he is now focused on expanding his portfolio and revisiting the conceptual themes that first sparked his passion. Click Here to Read the Full Interview! Featured Sections About Experience South Carolina! - the inspiration behind our website, we are fueled by the remarkable talents and accomplishments of individuals in the Palmetto state. With a unique blend of art, science, and community service, we've crafted a vision for a site that transcends the ordinary. Browse our online webzine that celebrates and explores the exceptional people, enchanting culture and natural beauty of South Carolina. Go to About SC People Dawn Hunter's SC People section for South Carolina Sunshine™ provides exclusive interviews with notable individuals contributing significantly to their communities throughout the state. From community and business leaders to creatives, each story sheds light on South Carolina's rich diversity and evolving culture. Stay tuned for our following lineup featuring inspiring conversations with engaging artists, entrepreneurs, and educators shaping our present and mapping our future lives. In this photo, Nakisa Abdollahbeigi at her exhibition opening, Carry On. Go to SC People Outdoors South Carolina Sunshine™ | Outdoors section is your resource for exploring the stunning landscapes, hiking trails, and outdoor activities in South Carolina. We have organized a collection of must-see places and exciting things to do. Embark on unforgettable adventures and create cherished memories as you experience the natural beauty and charm of South Carolina's great outdoors. Go to Outdoors Culture Welcome to South Carolina Sunshine™, your ultimate guide to the vibrant cultural events that make the Palmetto State shine. Our specially catalogued content features an array of exceptional happenings across South Carolina, ensuring you stay informed and inspired. Immerse yourself in the rich tapestry of our state's culture and discover events that capture the essence of South Carolina Sunshine™. Go to Culture Dish with Darcy Join Darcy, Dawn Hunter's vivacious daughter, as she embarks on mouthwatering culinary adventures throughout the Palmetto State. Accompanied by friends, local talent, and a passion for food, Darcy showcases South Carolina's diverse and delectable cuisine. Embrace Darcy's motto, "food prepared is meant to be shared," and savor the scrumptious flavors of our beloved region with Dish with Darcy™. Go to Dish with Darcy Studio Visit Join artist Dawn Hunter for a Studio Visit. Here you'll journey through her creative world. Explore a captivating photo essays and "Tumblr" page that showcases her past, present, and future projects, reflecting the depth and diversity of her artistic endeavors and gain a unique insight into the creative process of this talented South Carolinian artist Go to Studio Visit Events Calendar - Get your 'SC Daily Sip' Unearth South Carolina's hidden gems with 'SC Daily Sip', your curated events compass to the state's best food, art, concerts, and more - click to start exploring today! Take Me There Get Outside! Explore Congaree Discover the Congaree National Park , a host to a diversity of plant and animal wild life. It is one of largest preserved stretch of old growth bottomland hardwood forest in the southeastern United States. The floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. Experience Botany Bay Heritage Preserve Explore the untamed natural beauty of Botany Bay Heritage Preserve which spans 4,600 acres on Edisto Island. The maritime forest and tidal creek of this Lowcountry beach allow visitors to see weathered trees that resemble natural sculptures rising from the sand. The coastal sanctuary provides walking trails and is home to some of South Carolina's diverse wildlife comprised of more than 100 bird species. This hidden gem, is rich with cultural and ecological heritage and is just a scenic drive from Charleston. Escape to Bulls Island Bulls Island stands as the largest of four barrier islands within the Cape Romain National Wildlife Refuge, remaining remarkably untouched and pristine. Established in 1932, this refuge is dedicated to safeguarding wildlife and their habitats across its expansive 5,000-acre expanse. Bulls Island boasts a flourishing maritime forest enriched by a variety of fresh and brackish water impoundments, alongside a picturesque beachfront. Extensive networks of roads and trails crisscross the island, providing abundant chances for hiking and wildlife observation. Brought to you by artist Dawn Hunter, recipient of awards including a Fulbright Fellowship and a Starr Foundation Fellowship, as featured in… crazyhorse/ swamp pink CIRCULATING NOW

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Bulls Island, updated 5/9/26 Bulls Island is a pristine, untouched barrier island, the largest among four islands in the Cape Romain National Wildlife Refuge. Established in 1932, the refuge primarily aims to protect and conserve wildlife and their natural habitats. Encompassing 5,000 acres, Bulls Island is a thriving maritime forest featuring a mix of fresh and brackish water impoundments and a beautiful beach area. The island's many roads and trails offer ample opportunities for hiking and observing the diverse wildlife. What is Bulls Island? “I go to Nature to be soothed and healed, and to have my senses put together.” –John Burroughs Uninhabited and spanning 6.5 miles, Bulls Island remains largely unaltered by human activity, providing a haven for countless native and endangered species. The island is renowned for its thriving bird population, boasting over 275 species in and around the area. Situated at 5801 U.S. 17 North in Awendaw, the Cape Romain National Wildlife Refuge is approximately 20 miles north of Charleston. Access to Bulls Island is limited to private boats or ferry services. Coastal Expeditions provides a variety of tours to the island, including beach drops and sunrise expeditions. To reach the island from Charleston, take U.S. 17 North through Mount Pleasant and turn off at Garris Landing. A ferry operates twice daily during the summer season (Tuesdays, Thursdays, Fridays, and Saturdays) and on Saturdays only in the winter. Embark on a journey through the estuaries, and, with a bit of luck, you may be greeted by a pod of dolphins as you approach the island. Bulls Island Photo Gallery Explore the photo gallery below and explore all that this untamed beauty in Cape Romain Refuge; a 5,000-acre maritime forest, pristine beaches, and 275+ bird species. Discover serene trails, sunrise expeditions, and possibly spot dolphins. A natural paradise, just a ferry from Charleston. Coastal Expeditions Summer 2026 Bulls Island tour Schedule The Bulls Island Ferry is operated by Coastal Expeditions and they have an updated schedule for 2024, offering more flexible options for visitors during the Spring and Fall seasons. Coastal Expeditions’ current schedule offers visitors choices from 3.5-hour, 4-hour, or 6-hour day trips to explore the island every Tuesday, Thursday, Friday, and Saturday. The spring schedule runs from March through May, while the Fall schedule is from October through December. Morning trips depart at 9 am, with a choice of returning either at 12:30 pm or 3 pm, while afternoon trips start at 12:30 pm and end at 4:30 pm. The summer schedule runs from June-September, and it is a specialized schedule to accommodate the seasonal tides and environmental conditions of summer. The summer time day trips are 5.5 hours from the beginning to end. No need to specify the desired end time when booking a 9 am trip prepare for the duration you prefer and consult with the ferry crew on the day of your journey if you have any questions. 2026 Bulls Island Ferry Schedule What is Coastal Expeditions? Since 1992, Coastal Expeditions has been committed to guiding and sharing the beauty of South Carolina's Lowcountry: its lands and waters, plants and animals, people, history, and culture. Their mission is to put people safely and securely in the path of beauty, allowing them to experience meaningful connections with nature. As lifelong students and practitioners of environmental appreciation, they strive to create awe-inspiring moments that reveal the interconnectedness of our world. Coastal Expeditions is comprised of a passionate team of "guides, explorers, and storytellers" who continuously study Lowcountry tides, flora, fauna, and history. They work tirelessly to create new routes and maps, ensuring unique natural experiences that are awe-inspiring and tantalizing the imagination and senses. Experiencing the Lowcountry's natural, mystical, and magical aspects fosters a profound love and respect for this unique region. Their goal is to facilitate "soulful journeys" that allow individuals to become part of the beauty around them. Whether it's the shimmering sunlight on the water, an ancient shark's tooth, or the rush of air through a pelican's wings, they strive to create lasting connections between people and the natural world and believe fostering these connections cultivates a deeper understanding of our place within the universe and inspires a desire to care for our environment. Coastal Expeditions Website Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Katlin Jeffcoat’s Foundations Curriculum Arc follows her path from ARTS 103 inventories to ARTS 107 color harmonies and an ARTS 266 merch brand—uniting observation, Itten’s theory, and design craft. To play, press and hold the enter key. To stop, release the enter key. FOUNDATIONS CURRICULUM ARC from ARTS 103 to ARTS 266 with Katlin Jeffcoat, by Dawn Hunter “What counts is not so-called knowledge of so-called facts, but vision—seeing." by Josef Albers Katlin Jeffcoat began her exploration of leaf motif imagery in ARTS 103: Fundamentals of Art during the fall of 2022. In this course, students are asked to start from nothing—to go out into the world and find organic or cast-off objects of interest, a kind of visual scavenger hunt. From these discoveries—often rocks, spindly branches, broken glass covered in sand, bricks, or leaves—they select three to five objects and study them closely, creating two data sets: one of shapes derived from their forms and another of textures. How It Started | ARTS 103, Fundamentals of Art, Fall 2022 ARTS 103 classes are comprised of students at many levels: some have never drawn before, while others bring extensive experience. Regardless of skill level, all are encouraged to cultivate curiosity and use drawing as a tool for inquiry. These inventory exercises function as a sensory and perceptual awakening, prompting students to translate observation into visual language through direct studies from life. Simultaneously, they begin developing intuition about composition—how shape, proportion, and format affect what is drawn within the edges of the page. Gathering natural objects from her environment, Katlin developed detailed shape and texture inventories that trained her to transform organic form into interpreted and structured design systems. These inventories became the basis for her In Line with Nature project, in which students draw one or more of their objects observationally and juxtapose them within the shapes and textures discovered, or invented, during the drawing process. The resulting compositions reveal moments where the micro and macro collide in unexpected ways—where visceral sensory perception and abstraction coexist within a dynamic, balanced design. Image 1: Shape and texture inventory drawing, Image 3: Final In Line with Nature composition, Image 4: Iterative composition development (juxtaposition studies). Images courtesy of Katlin Jeffcoat. Visit my Mixed Media Drawing Adventure blog post to learn more about the project. How It Continues | ARTS 107: Color and Composition The visual fluency that Katlin developed in ARTS 103 carried forward into ARTS 107: Color and Composition, where students explore the emotional and structural power of color through Johannes Itten’s Color Harmony theory. Building on their earlier studies of form, texture, and design systems, students now investigate how color relationships influence perception, meaning, and visual balance. Johannes Itten of the Bauhaus organized a 12-hue color wheel—composed of primary, secondary, and tertiary colors—and defined harmony as the joint effect of hues arranged in precise relational structures. His seven color contrasts, central to his teaching, link aesthetics to human perceptual and emotional responses shaped by light and nature. These contrasts include: Hue – high-noon color clarity Light–dark – moonlight and nighttime transitions Warm–cool – the shifts of sunrise and sunset Complementary – the neutralizing balance of opposites Simultaneous contrast – the mechanism by which we distinguish the lion from the grass Saturation – the tension between purity and grayness Extension – proportion and dominance, the primal dynamic of firelight and shadow Above: Color pencil studies exploring triadic and complementary harmonies by Thomas Kirsten. Images courtesy of the artist From these contrasts, Itten derived geometric harmony schemes within the color sphere. Alongside analogous and complementary pairs, artists and companies such as Disney and Duffy & Partners commonly employ triads (three evenly spaced hues), tetrads (four hues forming two complementary pairs) or hexads (comprised of three pairs of complements or three pairs of split complements). A classic tetrad such as yellow-orange / blue-violet and red / green demonstrates the balanced energy of dual complements. In the Color Harmony sequence, students create digital or physical studies of triads, tetrads, and hexads, learning to organize hues according to Itten’s principles. These structured exercises culminate in expressive compositions that merge harmony with personal interpretation, challenging students to connect color harmonies to universal emotions, conceptual ideas, or personal symbolism—bridging analytical rigor with intuitive response. Katlin’s later Merch Project draws directly from this foundation. Her use of a hexadic scheme, orange, red-orange, violet, blue-violet, green, and yellow-green followed Itten’s principles through variations in pure tones, tints, and shades, demonstrating a mature understanding of color harmony. In doing so, she transformed her earlier leaf motif into a cohesive color system that balances contrast, unity, and emotional resonance. Above: Acrylic final composition applying Itten’s Color Harmony triad comprised of orange, green, and violet by a peer of Katlin Jeffcoat's Thomas Kirsten. Image courtesy of the Thomas Kirsten. Above: Itten's Color Star set to a harmonious triad as seen in the interactive rare book Johannes Itten The Color Star published by Van Nostrand Reinhold, 1986. How It’s Going | ARTS 266 GD+I Merch Project, Spring 2024 By spring 2024, Katlin had transformed her Foundations visual research into a cohesive visual language. Drawing from the imagery she developed in ARTS 103 and applying Johannes Itten’s theory of harmonious hexad, featuring orange, red-orange, violet, blue-violet, green and yellow-green, she created a merchandise concept for her ARTS 266 GD+I class that unites design and meaning. Her work demonstrates how the foundational study of line, shape, and texture can evolve into refined visual branding grounded in both craftsmanship and conceptual clarity. Through this synthesis, her work visually traces the curricular arc of Foundations as it manifests in upper-division coursework. Visit kjn_art on Instagram to learn more! Above: Katlin Jeffcoat’s “Merch Menu” from ARTS 266. Images courtesy of Katlin Jeffcoat. Above: Itten's Color Star set to a harmonious hexad as seen in the interactive rare book Johannes Itten The Color Star published by Van Nostrand Reinhold, 1986. Katlin Jeffcoat's Merch Menu Gallery Click on the photo to enlarge each image. Katlin Jeffcoat's Merch Menu Title page Katlin Jeffcoat's Merch Menu Skateboards Katlin Jeffcoat's Merch Menu Notebooks and re-usable bag Katlin Jeffcoat's Merch Menu Notebook, stickers and t-shirt Katlin Jeffcoat's Merch Menu Entire collection

SC Calendar and Features: a daily events calendar featuring interesting activities to do in South Carolina, along with a collection of healthy juice recipes to try each month. Find your 'SC Daily Sip' of activities here! Welcome to 'SC Calendar and Features' your 'Daily Sip,' - a curated portal for daily activities and fun things to do throughout the state of South Carolina and cities in the surrounding region. Recharge yourself with the refreshment of our monthly featured sip and embark on culinary activities as we taste-test the best food and celebrate music talent. View or join in the creativity around you as we spotlight crafters, art centers, and galleries. Whether it's exploring new nooks, making visits to our landmark spots, uncovering hidden local treasures, or securing your spot in bustling stadiums, fine-dining restaurants, or dedicated volunteer stations - we've got you covered. At 'SC Calendar and Features,' we're firm believers in delivering upbeat, informative content that empowers you to engage with diversified options and feel inspired by South Carolina. Because together, we fuel South Carolina's growth. Welcome aboard; click on our responsive calendar below to learn about each day's event!! SC Calendar and Features - your 'Daily Sip' Calendar of Activities September 4-5, 2026 Edisto Beach Shag Festival Bay Creek Park next to the Marina at Edisto Beach September 5-7, 2026 Chapin Labor Day Weekend Celebration Downtown Chapin 100 Block of Clark Street, Chapin September 5-6, 2026 Southern 500 Fall NASCAR Race DARLINGTON RACEWAY 1301 Harry Byrd Hwy Darlington, SC September 6, 2026 Celebrate Anderson Balloon Launch Field at Anderson Sports & Entertainment Center, 3027 Martin Luther King Jr Blvd, Anderson, SC September 10-12, 2026 SC Apple Festival Westminster, SC September 11-12, 2026 Aiken's Makin' Downtown Aiken Along Park Avenue between Chesterfield and Union Street Aiken, SC September 17-20, 2026 euphoria Food, Wine & Music Festival Downtown Greenville Greenville, SC September 17-20, 2026 Columbia's Greek Festival 1931 Sumter Street Columbia SC September 19, 2026 Historic Downtown Summerville Hutchinson Square, SC September 26, 2026 19th Annual Palmetto Peanut Boil 2900 block of Devine Street Columbia, SC September 24-October 1, 2026 MOJA Arts Festival City of Charleston Office of Cultural Affairs Charleston, SC October 18, 2026 Teddy Swims Spectrum Center Charlotte, NC Active Sips: Below you will find a collection of fresh and healthy juice recipes. All you need are the fresh ingredients and a juicer! Beet the Blues Looking for a refreshing and reinvigorating springtime juice treat? Look no further than Beet the Blues! To create this vitamin-rich drink, you will need a juicer. This nutrient-rich recipe contains 2 beets chopped and peeled, 3 peeled carrots, 1 green apple, 1 fresh peeled sprig of ginger, and 1/2 of chopped fresh pineapple. Beetroots are known for their rich fiber content and abundant vitamins and minerals, including folate, manganese, potassium, iron, and vitamin C. This springtime treat tastes amazing and offers health benefits. Beets are known to improve blood flow and lower blood pressure, plus boost energy during exercise. Begin every day by indulging in a straightforward healthy delight... ...a Sweet Carrot Snap You will need an electric juicer, one apple, one large carrot, and a piece of fresh ginger. Chop the fruit and vegetables into pieces; peeling is optional. Juice all the ingredients together. Serve immediately and enjoy! Start each day with a simple healthy treat... ...a Cucumber Cooler You will need an electric juicer, one green apple, one cucumber, a lime, and a sprigs of fresh mint. Chop the fruit and vegetables into pieces; peeling is optional. Juice all the ingredients together, and add a generous pinch of nutmeg. Stir and serve immediately and enjoy! More?...try a Wake Up Call You will need an electric juicer, one apple, some fresh pineapple, a lemon, honey, nutmeg (powder, not whole) and a piece of fresh ginger. Chop the fruit and vegetables into pieces; peeling is optional. Juice all the ingredients together, and add a generous pinch of nutmeg. Stir and serve immediately and enjoy!

Experience the intricate, story-rich quilts of Tina Williams Brewer at Columbia Museum of Art's "Stories of Grace." Brewer's hand-stitched creations explore themes from African diasporic history to spiritual connections, capturing the resilience and grace of African American culture. Tina Williams Brewer Stories of Grace, June 10 -September 3 , 2023 Tina Williams Brewer, a West Virginia native, has a career spanning more than four decades, during which she has skillfully intertwined personal experiences, historical narratives, and vibrant textiles to create her signature story quilts. Her dynamic, hand-stitched pieces are often richly inspired by her extensive travels, including significant time on St. Helena Island in South Carolina. These inspirations infuse her work with diverse themes reflecting African diasporic history, spiritual connection, shared lineage, and migratory patterns. "My intention is to give dignity to human suffering, finding rhythms that are both mind-stirring and soul-soothing." - Tina Williams Brewer A remarkable collection of her work, the "Stories of Grace" exhibition, can be appreciated at the Columbia Museum of Art through September 3, 2023. The museum's doors are open Tuesday to Sunday from 10 AM until 5 PM, extending their hours to 8 PM every Thursday. Born in 1949 in Huntington, West Virginia, Brewer now resides and creates in Pittsburgh, Pennsylvania. She holds a Bachelor of Arts degree from the Columbus College of Art and Design, honing her unique artistic voice over 40 years. Her story quilts weave together symbolism, textiles, and an exploration of African-American history and spirituality, reflecting themes of generational healing and cultural resilience. Her work narrates stories, channeling ancestral wisdom. It expresses the profound joy of communal gathering, spiritual strength, the sting of racial prejudice, and the steps toward progress. Her art captures the tenacity of African American families and the light that elevates them. She aspires to bring honor to human suffering, finding rhythms that are thought provoking and comforting. Tina Williams Brewer, continued: Primarily hand-quilted, Brewer's artwork incorporates collage mixed-media, such as photo transfers, printmaking, and hand-beading. Each piece is adorned with symbols from African cultures and vibrant patterns that echo cultural and personal narratives, creating intricate, layered compositions that map out her heritage, the African diaspora, and the interconnection of past, present, and future. Her creations have found homes in both domestic and international exhibits, including the United States Embassy in Ghana and the American Craft Museum in New York City. Brewer has enjoyed recognition from the American Arts in Embassy Program for over two decades and has received the prestigious Commonwealth of Pennsylvania Governor's Awards for the Arts. Her pieces are also part of the permanent collections at the Westmoreland Museum of American Art, The State Museum of Pennsylvania, and The African American Museum of Dallas. Brewer's recent showcases include the 1-54 Contemporary Art Fair in NYC, selected by Omar Berrada, EXPO Chicago's Curated Selection by Eric Shiner, Christies, Rockefeller Plaza, NYC, "Knotted Ties" at DeBuck Gallery NYC, and "Threaded Memories" at the Untitled Art Fair, Miami Beach, 2021, selected by Natasha Becker, Curator, DeYoung Museum, San Francisco, CA. About the Columbia Museum of Art Situated in the vibrant downtown district of Columbia, South Carolina, the Columbia Museum of Art stands as a cultural beacon for the city. Boasting an extensive permanent collection along with intriguing temporary exhibitions, the museum establishes itself as a central hub for community engagement. With a dedication to lifelong learning, it offers comprehensive educational programs tailored for all age groups, from children to adults. Each exhibition is enriched by supplementary programming, emphasizing the museum's commitment to crafting an inclusive and enriching experience for every visitor. Museum hours: Tuesday through Sunday, 10AM - 5PM Extended hours every Thursday until 8PM More

Explore Diana Farfán's whimsical ceramic sculpture, who often offers social commentary in her art. Learn about her impactful community role in our interview. To play, press and hold the enter key. To stop, release the enter key. Artist Spotlight: Diana Farfán "My advocacy is something that I learned to use as I felt the need to implement strategies that elevate my Latino community and educate others about us." Featured in this section is a portrait of Diana Farfán in her studio taken by Will Cooks. A native of Bogotá, Colombia, our artist spotlight Diana Farfán's lifelong affinity for ceramic sculpture was sparked by pre-Hispanic figures and colonial architecture. After finishing her BFA at Universidad Nacional de Colombia in 1999, Diana expanded her horizons, gaining new perspectives at universities in Alaska and Taiwan. In 2010, she added an MFA from the University of South Carolina to her academic credentials. Now settled in the heart of Greenville, South Carolina, Diana expertly juggles multiple roles. She's not just a sculptor but also an instructor and a passionate advocate for Latino artists. From orchestrating art exhibitions to drafting strategic plans, she's got a lot on her plate but manages it all with aplomb. Known statewide for her community involvement, she's a Liberty Fellowship alumna and Aspen Global Leadership Network member. Diana's work, noted for its whimsical, thought-provoking figures, has received multiple accolades, including the Best in Show at the South Carolina State Museum's 30th Anniversary Juried Exhibition in 2018 and the First Place Award at the 2015 Pickens County Museum Artists Exhibition. Her installations, such as "The Dream Life of Broken Toys" and "The Toy Republic," revealed biting social and political commentary through seemingly innocent toys and puppets. Linthead by Diana Farfán Q & A with Diana Farfán Dawn Hunter: Diana, your work often features dolls, puppets, and toys with deep, meaningful narratives hidden beneath their playful exteriors. What initially inspired you to choose these forms as a medium for your social and political commentary? Diana Farfán: Since I can remember, anthropo-zoomorphic forms have come out of my mind and hands easily. At an early age, I perceived that I could create my stories and that my body was always available for anatomical references. I enjoyed making fabric and paper puppets that embodied my characters and staging short plays to parody family and friend situations. Bogota, where I grew up, experienced many social conflicts due to the civil war and the anti-narco battle in Colombia, so it was usual to hear hostile descriptions of violent events broadcast on the news. I remember playing with my toys, dramatizing scenes from those disturbances while giving a sense of the national and world chaos in those years with my playful characters. Years later, after finishing my BFA, I worked as an art teacher in public schools in Bogotá, Colombia, and I came across the reality of many children who came from families displaced from the countryside to the city, fleeing from social conflicts derived from those wars I used to hear from the radio. This experience redirected my gaze toward the issue of manipulation when observing these young lives in vulnerable conditions. In 2002, I began to develop a visual proposal based on marionettes, puppets, and ceramic dolls that served me well to exemplify the theme of reverie, innocence, and control. Consecutively my work was expanding in a more human-nature sense. In a capitalist and consumerist system, in which everyone is manipulated but also manipulative, we play the game of action and reaction, give and take, pull and push, victim and victimized. We are part of a social fabric with invisible strings that connect us. When our purposes are positive and collective, we are constructive and grow. When our goals are ambitious and selfish, sadly, we become destructive and obstructive. Although my social and political commentaries hold desperation and sadness, I intentionally leave traces to find light and hope in my sculptures. 1+1=3 by Diana Farfán Detail of Linthead by Diana Farfán Dawn Hunter: You've truly made a mark on the Latino arts community through your art and your advocacy work. Can you recall a specific moment when you felt your contributions really made a difference? Why does that memory stand out to you? Diana Farfán: In 2012 I joined Palmetto Luna Arts' Board of Directors, an organization based in Columbia, SC, whose mission is to foster an understanding of the Hispanic/Latino culture by promoting artistic creation and providing opportunities for cultural expression for the community in the state. It was my first experience working for a non-profit, and I needed a clear path to advocate for my community, but eventually, things started working well. I learned about cultural agency and how to use art as a tool to open dialogues among diverse groups. For example, we, Latinos, are often stereotyped as loud, colorful, party people who eat tacos, beans, and rice; and wear flower-printed clothes, braided hair, long mustaches, and sombreros. However, we are much more than that. There are 20 countries and 14 territories in Latin America, each with specific idiosyncrasies and a vast diversity of body looks, ideologies, traditions, folklore, heritage, and cultural expressions. To illustrate that, here are two examples. In 2016, 12 Greenville-area Hispano-Latino artists from 8 countries participated in Feeling Latino, an art exhibition held at the Metropolitan Arts Council whose purpose was the celebration of the different nationalities sharing the same language and territory. The opening night was a great hit, and the gallery was utterly packed with Latinos and people from elsewhere exchanging experiences regarding cultures, art, and life. Another successful event was Ecos (Echoes), conceived by The Citadel Oral History Program and orchestrated by PLA. In 2018, a group of nineteen artists from SC was tasked with listening to real stories of immigrants told by their protagonists to create artwork based on their interpretations. The creation process took approximately ten months, and every artist was asked to report the progress of their works before submitting the final pieces. I witnessed how the commotional stories profoundly touched every artist. I was surprised at the chain effect when the artists' relatives, friends, colleagues, etc., got engaged with the processes and felt identified by the works' narratives. The Columbia Arts Museum's Community Gallery was the first space to host Ecos, and once again, the opening reception was a big turnout. It was the first time for several of the attendees to visit a museum that day. It was significant for the artists' families, grandparents, aunts, uncles, etc., to feel proud of their heritage and, most importantly, included in such an important art institution. Ecos was planned as a tour exhibition for two years, but until 2021 it was visiting cities in other states, including NC and OH. My advocacy is something that I learned to use as I felt the need to implement strategies that elevate my Latino community and educate others about us. Linthead Installation by Diana Farfán in the Mill District, Columbia, SC Dawn Hunter: Your body of work is quite diverse, ranging from your earlier creations to your recent series "Bread and Circus". How would you describe the evolution of your art and what has influenced this journey? Diana Farfán: My first pieces, during the last years of my undergraduate program, were based on my interpretation of Bogota's citizens and our way of navigating a chaotic society. Aesthetically, my ceramic pieces evoked armatures and shields, as if human bodies were unearthed or hidden and protected by an impenetrable breastplate. They were large-scale with an industrial look and earthy colors, possessing a nostalgic urban presence. Then, while I worked as an art teacher for the public school system in my hometown, my ceramic production was based on my student's lives. I used babies and child-like shapes to make them articulated puppets and marionettes, joined with rusty nuts and bolts, hung from strings with movable armatures, conveying a fragile but resilient look. I wanted these ceramic bodies to communicate control, manipulation, and hope. I felt the need to speak about my home country's social and political situation, Colombia, which also reflected what was happening globally. During my graduate program, I intended to communicate my thoughts more efficiently, playfully, and poetically with casted shadows, soundtracks, built stages, and display devices such as rusty metallic swings, stools, and sandboxes made from found steel machinery or disposed of wooden components. My original puppet style branched into many toys that gained a dramatic and powerful dimension, narrating childhood innocence and the intrinsic and complex possibilities of adulthood in politics, religion, and education. The meaning of toys as objects or channels of entertainment, training, and learning is what I felt compelled to use. More recently, the human anatomy I used in my figures comes back and forth. I create specific anatomical measurements for my characters depending on the story I want to pursue, where the use of the body ranges from the classic cannon to abstract and conceptual representations. My latest ceramic production involves my concerns about the human relationship with animals and the environment and my preoccupation with overpopulation and our unstoppable consumerism. Pursuit of Happiness by Diana Farfán Dawn Hunter: Your artwork is absolutely unique and full of character. I'm curious, what does your creative journey look like? How does an idea in your mind transform into one of your distinctive sculptures? Diana Farfán: Before I start a body of work, an installation, or a singular piece, the content and physicality are the elements I define first. I enjoy exploring techniques, materials, and styles and combining different approaches to create my figures. My daily experiences are the portals to stimulate my mind, create projects, transform clay into shapes, and adjust my figures. I find inspiration in occurring that enables me intellectually and emotionally. The stories of the people around me, news of my home country, international affairs, art, a song, a movie, a conversation, a memory, and many other subjects touch my soul. For instance, my love for animals led me to volunteer for the Greenville Animal Shelter in 2019. Still, I learned quickly about the sad side of inhumane animal treatment in my area, in SC, and beyond, such as unregulated animal breeding for profit and the cruel dog and cock fights. I needed to educate myself and the kids on animal issues to prevent animal injustice in my community. That journey taught me about a particular field called Humane Education, which is an action-oriented field of study that draws connections between human rights, animal protection, and environmental sustainability. I got excited to know that HE is taught as a subject and curriculum in various US states, but unfortunately, not in SC. So, I decided to use my two preferred art mediums, ceramic sculpture, and education, to address my concerns and advocate for the voiceless. My recent body of work -Conversation Starters, Constellations, and Pursuit of Happiness- is oriented to speak out about humans' scary impact on nature, the environment, and all living creatures. I need to externalize my concerns because it burns inside if I don’t do it. Dawn Hunter: You've been recognized with several awards and exhibited at numerous prestigious venues. What would you consider your proudest moment as an artist so far and why? Diana Farfán: To be recognized is something I don't think about. However, when I achieve a goal, an award, or any accomplishment, I take it as an opportunity to grow, educate others on ceramic art, and practice to be humble. Perhaps my proudest moment achieved as an artist was my MFA graduation day because my parents flew from Bogota, Colombia, and my sisters with in-laws came from far to celebrate with me. My family and husband, all my most loyal supporters, felt my graduate degree was a mutual effort. They knew how challenging it was for me to successfully culminate three years of an academic program as an international student when I had to improve my English, develop a cohesive body of work, cultivate relationships, learn how to navigate a new city, and adjust to the American culture, all together at "the speed of light." Diana Farfán's Website dianafarfan.com Share this interview! Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Artist: Diana Farán| LOCATION: Greenville, SC Title: The Last Kiss. 2023 Competition Year. The Last Kiss by Diana Farfán

Explore South Carolina Sunshine's vibrant features: 'Outdoors' for landscapes, 'Culture' for heritage and arts, 'Studio Visit' into Dawn Hunter's artistry, 'Dish with Darcy' for culinary joys, and 'SC People' celebrating our residents. This is your gateway to the beautiful state of South Carolina! Featured Sections Greetings, friends - let us help you find the best that South Carolina has to offer! Welcome to South Carolina Sunshine's Featured Sections, where we celebrate the vibrant and diverse facets of our beautiful state! Our mission is to immerse you in the unique charm and warmth that South Carolina has to offer, showcasing the richness of our community, the arts, and our natural environment. Our SC People section puts the spotlight on the inspiring individuals who make South Carolina truly special. From community leaders to local heroes, we share their compelling stories and celebrate their achievements, showcasing the unique personalities that bring our state to life. Within the Outdoors section we guide you through the breathtaking landscapes, parks, and recreational activities that make South Carolina an outdoor lover's paradise. Discover hidden gems and reconnect with nature as you explore the Palmetto State's scenic wonders. Tailored and curated, our Culture section takes a deep dive, exploring the heart and soul of South Carolina's heritage, arts, and traditions. We focus on contemporary art exhibitions; however, we also feature local festivals and stories that highlight our region's history. We aim to weave a cultural tapestry that defines our state's identity. Dish with Darcy is your go-to source for mouthwatering culinary adventures! Join our resident foodie, Darcy, as she uncovers the best eateries, local recipes, and gastronomic delights that South Carolina has to offer, providing a delicious taste of our regional cuisine. Lastly, i n Studio Visit, we take you behind the scenes for an intimate glimpse into the workspaces and creative processes of South Carolina artist and USC professor, Dawn Hunter. Learn about her inspirations, techniques, and the stories that shape Dawn's artistic journey. At South Carolina Sunshine, we believe that every feature is a main course, while our columns, departments, and spotlights provide a delightful assortment of appetizers, sides, and desserts to complement your reading experience. We invite you to explore our Featured Sections and indulge in the diverse flavors of South Carolina. Enjoy! About Experience South Carolina! - the inspiration behind our website, we are fueled by the remarkable talents and accomplishments of individuals in the Palmetto state. With a unique blend of art, science, and community service, we've crafted a vision for a site that transcends the ordinary. Browse our online webzine that celebrates and explores the exceptional people, enchanting culture and natural beauty of South Carolina. Go to About SC People Dawn Hunter's SC People section for South Carolina Sunshine™ provides exclusive interviews with notable individuals contributing significantly to their communities throughout the state. From community and business leaders to creatives, each story sheds light on South Carolina's rich diversity and evolving culture. Stay tuned for our following lineup featuring inspiring conversations with engaging artists, entrepreneurs, and educators shaping our present and mapping our future lives. In this photo, Nakisa Abdollahbeigi at her exhibition opening, Carry On. Go to SC People Outdoors South Carolina Sunshine™ | Outdoors section is your resource for exploring the stunning landscapes, hiking trails, and outdoor activities in South Carolina. We have organized a collection of must-see places and exciting things to do. Embark on unforgettable adventures and create cherished memories as you experience the natural beauty and charm of South Carolina's great outdoors. Go to Outdoors Culture Welcome to South Carolina Sunshine™, your ultimate guide to the vibrant cultural events that make the Palmetto State shine. Our specially catalogued content features an array of exceptional happenings across South Carolina, ensuring you stay informed and inspired. Immerse yourself in the rich tapestry of our state's culture and discover events that capture the essence of South Carolina Sunshine™. Go to Culture Dish with Darcy Join Darcy, Dawn Hunter's vivacious daughter, as she embarks on mouthwatering culinary adventures throughout the Palmetto State. Accompanied by friends, local talent, and a passion for food, Darcy showcases South Carolina's diverse and delectable cuisine. Embrace Darcy's motto, "food prepared is meant to be shared," and savor the scrumptious flavors of our beloved region with Dish with Darcy™. Go to Dish with Darcy Studio Visit Join artist Dawn Hunter for a Studio Visit. Here you'll journey through her creative world. Explore a captivating photo essays and "Tumblr" page that showcases her past, present, and future projects, reflecting the depth and diversity of her artistic endeavors and gain a unique insight into the creative process of this talented South Carolinian artist Go to Studio Visit

"Dive into Ella Marushchenko's world, where art meets science in detailed scientific illustrations influencing academia and inspiring students. Her work and candid social media presence serve as a testament that personal goals are within reach." Scientific Inspiration, an interview with Sasha and Ella Marushchenko of Ella Maru Studio, Charleston, SC. Ella Marushchenko and her scientific illustrations inspire me. When Darcy and I set out to make South Carolina Sunshine a serious endeavor, we reached out to the Ella Maru Studio to see if they would be willing to be interviewed for a feature in our SC People section. They replied "yes" within twenty minutes of receiving our email. I was thrilled by their generosity. I have followed Ella Marushchenko's career as a scientific illustrator, often incorporating images of the Ella Maru Studio into my Color and Composition syllabus. UofSC students are in awe of the visualizations of chemistry, nano, and biological concepts coupled with the compelling artistic expression of the subjects. They are inspired by Ella's career path, particularly drawn to her social media accounts, where she is authentic about who she is and sometimes shares challenges that she overcame in her youth. Which, for them, is relatable and makes them realize that their goals are obtainable. Sasha and Ella Marushchenko in KUDU Coffee and Craft Beer, Charleston, SC. Photo by Dawn Hunter South Carolina Sunshine is honored to feature Sasha and Ella Marushchenko, the co-founders and owners of Ella Maru Studio located in Charleston, SC. The business specializes in Scientific design and animation. Artistic Background Ella was born and raised in Ufa, Russia. Art has always been part of her life. Her grandmother was an artist, and her mother, who also has artistic talent, always supported her creativity. She received excellent training while she assisted the famous Russian painter, the late Sergey Krasnov, and his assistant Vera Asanbaeva for eight years. While training with Krasnov and Asanbaeva she learned the importance of observation and honed this skill. Above, painting by Sergey Krasnov. After completing her apprenticeship, she earned her Master's degree in art from Bashkir State Pedagogical University, Ufa, Russia. She eventually moved to the Czech Republic and began to explore many different art forms like ceramics, textiles, and watercolor, but she focused primarily on interior and fashion design. She fully expected to pursue a profession in interior design upon arriving in the United States however, she met Dr. Sergiy Minko, who insisted that she create an illustration for an article he planned to publish in the prestigious peer-reviewed journal Advanced Functional Materials. Her image was selected for the cover of the journal. Above, artwork by Vera Asanbaeva. Ella Maru Studio Other scientists recognized her ability to summarize their content with the well-designed components (texture, lighting, and color) of her images, and she received more requests for work. Sasha and Ella Marushchenko founded Ella Maru Studio to meet the demand. Sasha, who holds a Ph.D. in chemistry, organized a business plan so that Ella's creativity and scientific illustrations could flourish. In the beginning, it was just the two of them, but Ella Maru Studio has grown and now employs eight people. Their team is a combination of Ph.D. scientists and professionally trained artists from the top universities throughout the United States. In each commission they implement Ph.D. level scientific insight with top art design talent to create engaging scientific images and animations. Her illustrations have been selected as cover art for numerous scientific journals, which include: Nature, Nature Physics, Nature Materials, NatureNanotechnology, Cell, Nanoletters, Angewandte Chemie, and JACS. Sasha and Ella have teamed up for other endeavors outside of Ella Maru Studio in the Charleston area. An example is the conservation of eagles and other wildlife in the low country. Recently, an eagle's nest was threatened by new construction. Sasha is passionate about eagle conservation, so during the peaceful, organized protests against disrupting the eagle's home, they created a painting to put at the site for public display. Through their creativity for conservation, anyone who passed by could be educated regarding dynamics in the region that are threatening to wildlife and endangered species. Ella also continues to develop and is devoted to her personal artistic practice. Occasionally, she accepts special commissions, like the painting featured below. It was a work created for Ella's friend. The painting took three months, and it depicts in rich colors and fine detail the Russian fairytale Lukomorye. Ella's Lukomorye painting is as fascinating and as full of wonderment as her scientific illustrations. We don't know about you, but South Carolina Sunshine is looking forward to the next cover produced by Ella Maru Studio! Ella Marushchenko with her painting about the Russian fairytale "Lukomorye." Follow the link below and visit the Maru Studio website. There you will find lots of examples of her scientific illustration and animated work. Ella Maru Studio

South Carolina Sunshine Presents: Celebrating the Artistic Accomplishments of Marius Valdes – Award-Winning Illustrator, Renowned Public Art Muralist, and Author of Bird Break. South Carolina Sunshine is honored to feature Award Winning ZOO Valdes Illustrator, recognized public art muralist, and author of Bird Break, Marius Valdes. Marius Valdes is an artist currently based in Columbia, South Carolina. He is a Professor in Studio Art concentrating on Design and Illustration at The University of South Carolina. He lives in Forest Acres, South Carolina with his wife Beth and daughter Emma. Valdes' artwork has been exhibited and published in throughout the United States and Europe. His work has been featured in several books about contemporary graphic design and illustration. Design publications such as Graphic Design USA, HOW, Print, Communication Arts, Creative Boom, Creative Quarterly, STEP, and industry competitions including American Illustration, World Illustration Awards, AIGA InShow, AIGA SEED Awards, and The South Carolina Advertising Federation Addy Awards have recognized Valdes' work. In 2017, Valdes completed a one year residency as the inaugural visual Artist-in-Residence at the award-winning and innovative Richland Library. In 2020, he completed a series of commissioned artworks and murals for MUSC's Children's Hospital located in Charleston, SC. Above, Dogs and Frogs sketchbook drawing by Marius Valdes. Q & A with Marius Valdes Dawn Hunter: Why did you become a Graphic Designer/Illustrator? Do you consider yourself both, or do you consider yourself an illustrator? Marius Valdes: I started college as a Psychology major and took an art class (my1st art class ever) as an “easy” elective. What I found was that I could sit in a 3-hour drawing class and never lose interest, but a 50-minute Psychology class was torture. I was a little worried about telling my father I wanted to be an art major (since I had no training) but he told me to go for it. He talked to a colleague at his job that was in the marketing department, and he suggested I look at Advertising. I joined the Ad Club at the College of Charleston and won an internship with a local designer named Gil Shuler. I spent the whole summer in Gil’s design studio and knew that design was what I wanted to go to school for. Once I learned what illustration was, that became my real passion. These days, I have resolved myself to the fact that I am an educator 1st, artist second (because I can make art whenever I want), and I do illustration for clients when I have the time and there is interest. I love design but running a design business while teaching full time is very difficult to do properly. I use a lot of my design training in my art though from technical skills to aesthetics of my minimalist and colorful style. Marius Valdes mural installation at the reception area of the MUSC Children's Hospital, Charleston, South Carolina. Above, a commissioned painting for MUSC Children's Hospital by Marius Valdes. Dawn Hunter: This year you provided the illustrations for Columbia’s Vista Lights event. Is this the first year you collaborated on the event’s promotion? Or have you collaborated on it before? Marius Valdes: Several years ago, I was approached by Vista Lights to do some new art for them. I created a huge library of art for them, and they have used various elements from that collection over the last three years. I believe there is interest in creating a new look next year and I look forward to that. It truly makes my day to see my characters on banners, billboards, and beer cups! I was stuck in traffic on I-26 when I saw my reindeer pop up on a digital billboard. It instantly put me in a good mood. Above, and example of one of Mairus Valdes' illustrations for Vista Lights, Columbia, SC. Dawn Hunter: What are the most important skills for an illustrator? Marius Valdes: Conceptual ideas and a visual language that is your own. The technical side of it whether it be computers, software, etc. is just a tool. You need to know some of those things to produce a professional level of artwork but if you don’t have a good idea or a style that is your own, you might not make work that is that interesting to produce and that will show in the work. People are drawn to something that has a bit of personality and that comes from an illustrator who has found their voice in their image making. Dawn Hunter: You are known as Zoo Valdes, and you create many illustrations that feature animal characters. How did you get started on that path? Marius Valdes: When I first started making art, I was trying to do portraits of people and I am terrible at it. Making characters that are animals and creatures is a little more forgiving when it comes to stylizing and simplifying them. Plus, I truly love animals and am quite fascinated by them. I could watch animal reels on Instagram for hours. (Sometimes I do). Also, I originally came up with Zoo Valdes because I figured it would be easier to spell than Marius Valdes. Zoovaldes.com just sounded more memorable. I have had numerous calls over the years from people calling to see if I could bring animals to their kid’s birthday party. Dawn Hunter: Where do you find your inspiration and how do you research a project? Marius Valdes: I love books and magazines and comics. If I see an illustration in any of them that I like, I immediately try to find them online and learn more about them. I literally tear things out of magazines weekly and tape them into my sketchbooks. It might be a New Yorker cartoon or a cool photograph of a rock star. It might not necessarily be of something that I would make art of myself, but it makes me want to be creative. In the last few years I have become a bit obsessed with comic book covers. I love the art, the type, the colors, and collectability aspect. I can’t make art like that, but it makes me want to make my own art. So, I have these types of things hanging in my office to inspire me daily. Researching a project is very important because it often gives you the clues to figuring out what you will make for the client. In doing a mural for The MUSC Children’s Hospital, it was very important to meet the hospital workers, see the space, and understand how my art could be used to make the hospital a better place for their patients. Dawn Hunter: Who is your favorite artist? Marius Valdes: William Steig was a cartoonist and children’s book illustrator. He created Shrek! I love his drawings more than any other artist I have seen. Charles Schultz (Peanuts), Bill Watterson (Calvin and Hobbes) and Jack Kirby (Marvel comics) are close behind. The last contemporary artist exhibition I saw that literally knocked me back in awe was by a painter named David Bates and his exhibition called “The Katrina Portraits”. He literally paints the way I wanted to when I took my 1st art class. One of many mural walls created by Marius Valdes at the Richland County Public Library, Columbia, South Carolina. Dawn Hunter: You have a few mural projects in South Carolina. Where are the locations? Marius Valdes: MUSC Shawn Jenkins Children’s Hospital has several. Sumter Gallery of Art. Richland Library Teen and Children’s Room. West Ashley in Charleston, SC off Savannah Highway. AC Moore Elementary Library. Satchel Ford Elementary Cafeteria. I have a solo exhibition at the Koger Center in November 2023 so I am thinking hard about how I can make that my best show ever. Dawn Hunter: How did those opportunities come about? Marius Valdes: I have made a lot of art since 2000 and people come across it and think “oh, this would be perfect for us”. So, it usually starts with an email from someone who has just seen my art and wants to discuss a project. The 1st big mural I did was for Richland Library, and it helps potential clients to see what my work looks like in a real environment. So doing larger installations is a newer medium for me but I love it. It’s so rewarding that people let me transform a space for them with my characters. I take it very seriously because I know it will be in their space for a long time. Dawn Hunter: What piece of advice would you give your younger self? Marius Valdes: Make more work but be patient about your career. I graduated college and wanted to be a famous artist on day one. I was restless and impatient to have my work be seen. I was not ready to do client work. I needed to find my own voice and that took a few years and a few hundred paintings. 24 years later, I am still figuring it out! But perhaps most important, do what comes natural to you and don’t compare yourself to others even though it’s really hard not to. Visiting Artist, Marius Valdes with attendees of his Secret Species solo exhibition at Miami University. Visit Marius' website, click on the underlined link below Marius Valdes | ZOO Valdes

"Unearth SC's cultural vibrancy on our page featuring top-tier art exhibitions and special events. Our visual, photographic essays provide an in-depth view of select art exhibitions in South Carolina, featuring solo shows and group exhibitions. Learn more the flourishing arts scene in SC." Culture South Carolina Sunshine™ | Special Focused Content and Listings of Cultural Events in South Carolina. Table of Contents Icons Scroll and click on an icon image below to go a Culture section you are interested in reading. Spoleto Festival USA Spoleto Festival USA is a twelve-day celebration of the performing arts held annually in Charleston since 1977. No comprehensive festival of the performing arts had taken place in the southeastern United States when Spoleto Festival USA was founded. Previous performances of opera, theater, and dance in Charleston had been sprinkled with occasional concerts of chamber music, jazz, and other musical genres. Since its inception, Spoleto has attracted some of the world's most celebrated artists and audiences from all 50 states and abroad. Today, the Spoleto Festival USA transforms the famous Forty-three Threater – a cluster of forty-three venues in Spoleto's historic district – back into the multi-talented performing arts center Charleston is accustomed to. More Walk for Peace This winter, a group of Buddhist monks traveling on foot from Texas to Washington, D.C. passed through South Carolina as part of a 2,300-mile Walk for Peace. Moving at a meditative pace, their journey emphasized peace as a daily practice rather than a destination. Across towns such as Saluda, Leesville, Fairfield County, and Columbia, communities gathered quietly—through roadside welcomes, civic recognitions, and shared pauses—to reflect on compassion, presence, and collective responsibility. The walk offered South Carolina a moment of stillness within a long national pilgrimage, reminding participants that peace begins inward and unfolds one step at a time. Photo by Perry McLeod. More Tina Williams Brewer | Stories of Grace Immerse yourself in the rich narratives of Tina Williams Brewer's story quilts at the Columbia Museum of Art. For over four decades, Brewer has woven her personal experiences, historical accounts, and vibrant textiles into her unique quilts, offering a profound exploration of African-American history and spirituality. The "Stories of Grace" exhibition, open until September 3, 2023, showcases her hand-stitched, collage mixed-media pieces that map out her heritage, the African diaspora, and the connections between past, present, and future. Journey through intricate layers of symbolism and culture, Tuesday to Sunday, with extended hours on Thursday. More Carla Gannis/ C.A.R.L.A. G.A.N. Carla Gannis' WWWunderkammer is a pioneering endeavor, challenging traditional museum narratives by reimagining the classic 'cabinet of curiosities', known as Wunderkammer. She employs cutting-edge technology to fuse physical and virtual realms seamlessly. The physical installation reflects her continuous online project found on Mozilla Hubs and high-definition desktop VR, welcoming viewers to distinct thematic 'chambers'. Each chamber explores critical facets of contemporary life - from environmental challenges to the digital revolution's impact on self-perception and language. Gannis harnesses the power of augmented reality in her gallery display, blurring the line between the virtual and the real. This approach helps her investigate the essence of human existence in the internet age while promoting universal access to knowledge. More Elizabeth Catlett Experience the captivating artistry of renowned artist Elizabeth Catlett at the Columbia Museum of Art (CMA). This significant survey exhibition comprehensively overviews Catlett's illustrious career as a printmaker and sculptor. Alongside her works, the collection includes select pieces by mentors, peers, and students who shared a personal connection with Catlett. Additionally, the installation incorporates additional artworks from the CMA Collection. Witness the profound impact of Elizabeth Catlett's artistic journey, spanning an impressive seventy years. Her art sought to give visibility and voice to underrepresented individuals, often focusing on laborers, women, and African Americans. Addressing social issues relevant to the United States and her adopted home of Mexico, Catlett's powerful figures embody resilience while acknowledging the struggles Black and Mexican working classes face. More Jordan Sheridan Introducing the winner of the prestigious 2022 701 CCA Prize, Columbia-based artist Jordan Sheridan. This biennial juried award, presented by the 701 Center for Contemporary Art in Columbia's Olympia neighborhood, recognizes the talent of South Carolina artists under 40. Jordan Sheridan is an emerging artist known for her captivating installation art. Her remarkable talent and dedication have been acknowledged with the distinction of being named an SCAC Emerging Artist for FY2022. Currently serving as a full-time faculty instructor at the University of South Carolina's School of Visual Arts and Design, she imparts her expertise to aspiring artists through her engaging painting courses. More 701 CCA Prize Finalists Welcome to the captivating 701 CCA Finalists Exhibition, now open at the esteemed 701 Center for Contemporary Art. Prepare to be mesmerized as three exceptional artists and finalists for this year's prize showcase their visionary works until January 15, 2023. Step into this exhibition and immerse yourself in a world of artistic brilliance. Each artist, including the talented Kate Hooray Osmond, Jordan Sheridan, and Brittany Watkins, pushes boundaries and invites you to explore their unique creative perspectives. From innovative techniques to thought-provoking concepts, their creations will ignite your imagination and inspire you. More Art by Krigga Enter the captivating world of the Omphalos, a convergence of time and perspective. In this exhibition, presented by the visionary artist Dogon Krigga, two distinct collections of works harmoniously blend the past and the future. Embracing the timeless beauty of Black thought and form, Dogon Krigga invites you to celebrate the resilience and boundless creativity of the Black experience in the ever-present now. Breaking away from the narrative of Black suffering that pervades historical records and art, the Omphalos seeks to cultivate a space where Blackness thrives. By highlighting the gifts, abilities, and interconnections within the Black community, Dogon Krigga's art becomes an act of rebellion and revolution. Afrofuturism is a powerful tool, reminding us of our mastery and potential in this realm while liberating our minds from societal constraints. More Tyrone Geter Step into the realm of powerful artistic expression with Tyrone Geter's exhibition at ArtFields' TRAX Visual Art Center in Lake City, South Carolina. Over the past six months, this exhibition has left an indelible mark on the art scene, showcasing Geter's masterful mixed media drawings that blend exquisite draftsmanship, torn paper, and found objects into visually captivating statements. Each artwork is a testament to Geter's immense talent and resonates as a profound experience in its own right. Geter's creations operate on multiple levels, transcending mere aesthetics. While some pieces look into his personal journey, many images explore the complex dynamics surrounding race, gender, and economic structures within contemporary American culture. More Adrian Rhodes We are delighted to feature the enthralling realm of Adrian Rhodes, winner of the esteemed 701 CCA Prize in 2020. Celebrated for her artistry in printmaking and mixed media installations, Adrian's solo exhibition "How to Untie a Tight Knot" was a result of her dedicated six-week residency at the 701 CCA. With academic roots in Rock Hill's Winthrop University, Adrian has gained recognition in the Carolinas and beyond. Her work, exploring the paradox of longing for and escaping the past, provides a captivating lens into the human psyche, using recurring motifs to express the intricacies of relationships. More Ginny Merret Meet Ginny Merett, a dynamic artist and passionate art educator, who has been a vibrant part of Columbia's art community for over thirty years. Known for her striking, graphic collages, Merett's art may seem playful and whimsical at first, but it carries profound undertones addressing societal norms, cultural, gender and racial identities. Currently, she holds the distinguished position of Artist-in-Residence at The Jasper Project. Her intriguing creations can be appreciated at Sound Bites, nestled in the heart of historic downtown Columbia, at 1425 Sumter St, Columbia, SC 29201. Don't miss the opportunity to experience her captivating work, which will remain on display until the end of July 2022. More Margaret Curtis Welcome to the world of Margaret Curtis, a prominent figure among contemporary American artists. Known for her distinctive and ground-breaking art, she is currently represented by the esteemed Tracy Morgan Gallery in Asheville, NC. Margaret's oil paintings tell stories through their imagery, and their physicality also forms a deep, visceral connection to their underlying themes. Her widely recognized and critically acclaimed artwork has recently been bestowed with the distinguished Joan Mitchell Foundation Fellowship, an award that requires an exhaustive selection process. The fellowship, amounting to $60,000 spread over four years, has enabled Margaret to augment her studio and broaden her creative horizon. More ArtFields 10th Anniversary Exhibition ArtFields celebrated its 10th year, showcasing 369 artists from 12 Southeast states in a nine-day festival from April 22-30, 2022. We were thrilled to have "The Darcy Inventory" in the competition and equally enjoyed experiencing the festival as attendees, filled with South Carolina Sunshine. The ArtFields festival, which began in 2013, aims to honor Southeast artists with celebrations and competitions, providing over $100,000 in cash prizes. This year's winners were Noah Scalin, MyLoan Dinh, Melvin Toledo, and Jonathan Imafidor. Enjoy the photo essay and immerse yourself in the art that left us in awe. More Jasper Project 10th Anniversary Party On April 14, 2022, we celebrated the 10th Anniversary of The Jasper Project at 701 Whaley. This event paid tribute to a publication that has become a cornerstone of Columbia, SC's cultural landscape. Under the guidance of Cindi Boiter, the magazine offers invaluable insights into our vibrant community, spotlighting the lives and works of local artists, performers, dancers, musicians, and writers. The celebration evening echoed with tunes from Adam Corbett, Post-Timey String Band, DJ Preach Jacobs, and Dick Not Richard, accompanied by a spellbinding performance from the Columbia Repertory Dance Co. Explore the captured moments from the event in our photo essay featured below. More Lady Gamecock Parade Main Street was abuzz with excitement as countless UofSC WBB supporters gathered to commemorate their second historic national championship. The triumphant victory was clinched on April 3 in Minnesota, where they bested the UConn Huskies. Jump into the jubilation of the event through our photo essay to view highlights from the celebration! More Anila Quayyum Agha Anila Quayyum Agha, an American artist of Pakistani origin, brings enchanting realms to life within her exhibition spaces. Her exhibit, "Let a Million Flowers Bloom," leverages halogen bulbs nestled within meticulously crafted and lacquered steel. This technique casts mesmerizing shadows that "paint" the gallery walls, creating an immersive environment that makes us feel as though we've stepped into a chapter of Lewis Carroll's Wonderland. Our take on the exhibit? It's superb! Experience the wonder for yourself from February 19 through May 29, 2022. More