Katlin Jeffcoat’s Foundations Curriculum Arc follows her path from ARTS 103 inventories to ARTS 107 color harmonies and an ARTS 266 merch brand—uniting observation, Itten’s theory, and design craft. To play, press and hold the enter key. To stop, release the enter key. Bridging Intuition and Analysis: Tactile Technology in ARTS 107, USC SVAD's Color and Composition Course by Dawn Hunter “Where technology is simple, the tool is an extension of the body; the shuttle elongates and refines the finger, the mallet is a harder and more powerful fist. The tool follows the rhythm of the body; it enhances and intensifies but it does not replace and does not introduce anything basically different.” — Margaret Mead One of the most important aspects of ARTS 107’s conceptual understanding of color forms is the use of handheld technology and the creation of 'blobbies.' The intended use of technology in ARTS 107 is to enhance learning quality, foster technological agility, and improve efficiency in artistic production and learning outcomes. Project example by AidanWokurka: top, completed Complementary Contrast final painting; and, bottom, Complementary Contrast preliminary painting. Memory, Intuition and Physical Touch The Adobe Ideas app serves as our primary tool in ARTS 107 because it provides the most authentic digital experience for working with color forms by hand. The touch-based interface of the app enables students to connect digital learning with physical interaction through direct contact instead of using a stylus. Through this activity students can use their sensorimotor systems to color form relationships in a way that mirrors traditional material handling which strengthens their artistic intuition and their knowledge of the physical aspects of color mixing. Memory Formation and Second Nature The Adobe Ideas app’s design includes a deliberate process of alternating between analytical left-brain activities and intuitive right-brain activities. The transition between following color theory rules and developing color forms through alternating neuro instinct creates a sense of complexity in what appears to be a basic application. The alternating process between planning and execution through technology develops neural integration which enables students over time to develop agility in their use of digital tools, thus becoming natural extensions of their hands just like paintbrushes. The color ‘blobbies” and digital iPad sketches are some of the most important activities of the course. They are a digital sketchbook paramount to their development of recognizing and understanding color forms. The motor cortex and cerebellum and basal ganglia brain regions become active when students perform embodied digital tasks that require motor skills and procedural memory development. The hippocampus functions to transform new motor-visual learning experiences into permanent storage in memory. Students develop technical skills while building an intuitive ability to use technology through this embodied digital learning approach which creates sustained creative potential. The artists of ARTS 107 use technology to advance their creative work instead of replacing their traditional artistic tools which enhances users' procedural memory and their ability to perceive and work with intuition. Students develop brain hemisphere. The process of using Adobe Ideas to drag and shape digital colors on a screen creates an embodied experience coordination through their ongoing exchange between analytical color theory and spontaneous exploration which activates cerebellum and basal ganglia and motor cortex and hippocampus regions for motion-based learning and memory development. The combination of technology with creative thinking enables artists to develop their perception skills while gaining deeper knowledge and achieving digital artistic independence. The blobbies and preliminary digital sketches are used throughout the course before creating a final painting. This example demonstrates Complementary Contrast. On the far left are six sets of complementary colors in light–dark contrast, in the middle is a preliminary digital sketch, and on the far right is the final acrylic painting.

Dive into 'Dish with Darcy' as we explore a tasty Sour Cream & Cream Cheese Dip recipe. Quick, creamy, and perfectly tangy, this recipe is great for tweens aiming to boost their cooking skills. Join Darcy, and whip up some culinary magic in minutes! Darcy's Special Sour Cream Dip In the newest "Dish with Darcy" feature, Darcy is whipping up something seriously cool! She's mixed up a super yummy dip using sour cream and cream cheese. Darcy has put a lot of thought into this recipe. She meticulously wrote it out, shopped for the ingredients and set up the kitchen. But don't worry, she didn't forget to have some fun! In her kitchen, cooking isn't only about being serious and exact; it's about enjoying every moment. “Cooking is like painting or writing a song. Just as there are only so many notes or colors, there are only so many flavors—it’s how you combine them that sets you apart.” – Wolfgang Puck Ingredients Sour Cre am: T he star of this recipe. The secret to an ultra-creamy dip with a kick of tanginess. If you prefer, you can replace some or all of the sour cream with Greek yogurt. Be mindful though, this swap will lend the dip a slightly tangier edge. Cream Cheese: Ensure it's at room temperature for effortless blending with the rest of the components. If you've accidentally left it in the fridge, a quick 30-second trip to the microwave can save the day. Just don't forget to remove the packaging beforehand. Mayonnaise: This ingredient works wonderfully to soften the sour cream's tang while lending an additional layer of creaminess to the dip. Green Onions & Herbs: We use fresh green onions, parsley, and dill in this recipe, however not everyone is a fan of fresh dill, so it is encouraged to always select your favorite herbs when making it. Salt & Pepper: These staple seasonings are used to enhance the flavors. Adjust them according to your personal preference. Instructions Blend the Components: Begin by assembling all of your ingredients in amounts that you prefer in the reservoir of a food processor. Pulse the machine until the ingredients are thoroughly combined and smooth. Refrigerate: After achieving a consistent mix, transfer the blend to a suitable container. Allow it to cool and set in the refrigerator for a minimum of 30 minutes to enhance the flavors. Serve and Savor: When ready, serve this delightful cream cheese dip along with a colorful array of freshly chopped veggies, chips, crackers or pita bread - Darcy's favorite. Some great choices include carrots, celery, tomatoes, cucumber, cauliflower, and sliced bell peppers. Enjoy your homemade dip at your leisure! “You don’t have to cook fancy or complicated masterpieces, just good food from fresh ingredients.” – Julia Child And that's a wrap on the latest feature of "Dish with Darcy!" This is the place where exploring the culinary world becomes a thrilling adventure. Whether it's creating scrumptious cupcakes to show your friends or teac hers how much you appreciate them or exploring traditional Southern recipes like fluffy biscuits and crispy baked chicken, Darcy makes sure you're always invited into her kitchen to share in the fun of cooking. Darcy's super yummy, tangy, and creamy dip is sure to make your taste buds party! Stay tuned for more cooking fun on "Dish with Darcy!"

Discover the captivating blend of real and virtual in Carla Gannis' WWWUNDERKAMMER exhibition. Unearth a new reality through our photo essay and insightful feature on this groundbreaking digital artist. Carla Gannis / C.A.R.L.A G.A.N. WWWUNDERKAMMER, May 19 -July 15, 2023 Up until July 15, visitors are encouraged to explore the uniquely captivating exhibition by Carla Gannis, known as C.A.R.L.A G.A.N. WWWUNDERKAMMER, hosted at the esteemed Halsey Institute of Contemporary Art, located at the College of Charleston, Charleston, SC. We highly encourage local residents and visitors to make a trip down. "One of the most compelling (and sometimes daunting) aspects of digital narrative is how it can traverse electronic pathways and physical spaces in more adaptive ways than traditional mono mediums." - Carla Gannis from Lume Prize interview . What is WWWunderkammer? WWWunderkammer, a project by Carla Gannis, is an inventive project aimed to redefine the traditional concept of Wunderkammer or the 'cabinet of curiosities', thus challenging the conventional norms of a museum. Through innovative applications of technology, she seamlessly blends tangible reality with the virtual world. Her installation, mirroring her ongoing online project available on Mozilla Hubs and in high-resolution desktop VR, introduces audiences to various thematic "chambers" - each exploring a unique element of our modern existence, from environmental concerns to the digital metamorphosis of self-perception and language. The in-person exhibit leverages augmented reality to blur the boundary between real and virtual, a technique Gannis employs to delve into the human experience in the digital age, while ensuring knowledge remains accessible for everyone. Carla Gannis, continued: Initiated in 2019, WWWunderkammer serves as an ever-evolving project that advances as our understanding of our surroundings deepens. Historically, artists have employed illusions to obscure the demarcation between fact and fiction, constantly encouraging audiences to re-interpret visual content. Gannis invites viewers to embrace a learning and questioning mindset anew, challenging accepted narratives and conventional outlooks, and fostering an understanding of overlooked histories and possible futures. A renowned American transmedia artist, Carla Gannis spent years teaching at the Pratt Institute's Department of Digital Arts in New York before transitioning to New York University in 2019. Her oeuvre melds digital designs with celebrated artworks, such as those by Pieter Bruegel the Elder, gaining significant acclaim in 2013 for her emoji reimagining of Hieronymus Bosch's painting, The Garden of Earthly Delights. About the Halsey Institute of Contemporary Art Situated within the College of Charleston S chool of the Arts, the Halsey Institute of Contemporary Art is an innovative platform fostering dialogue between groundbreaking visual artists from across the globe and diverse communities. As a non-collecting institution, it focuses on the development, display, interpretation, and sharing of thought-provoking ideas, underscoring the historical, societal, and cultural significance of contemporary art. Free Admission GALLERY HOURS (during exhibitions) Monday - Saturday, 11am – 4pm Open Thursdays until 7pm More

Explore Carolina DeSanctis' FAST DOLL: vintage tattoo flash-inspired hand-stitched patches, custom clothing, and accessories. Her eco-conscious, cruelty-free shop offers crafted patches, hats, key chains, and more, all masterfully created by Carolina herself. Stitching the Past into the Present: an interview with a great gal who owns and operates FAST DOLL. An interview feature with USC Alumnus, Caroline DeSanctis, artist and owner of Fast Doll, "hand embroidery inspired by the golden age of North American traditional tattoo and other iconic vintage imagery. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Palmetto Snapshots Q & A with Caroline DeSantis Introduction: Based on her original drawings and unique designs, owner and operator of FAST DOLL Caroline DeSanctis creates 100% hand-stitched patches, custom clothing & accessories influenced by the tattoo flash of the 1940s & 1950s. All embroidery and designs are drawn and stitched by Ms. DeSanctis. Most designs you see here are original to the shop unless otherwise noted (i.e., the Sailor Jerry designs and some custom commissioned work). The cost of her hand embroidered patches range from $20.00 - $125.00. Her shop additionally features hats, pennant, key chains, tattoo passes and custom orders. All patches are cruelty-free: made from eco-felt, which is made from recycled plastic bottles, and 100% cotton embroidery floss. Let's catch up with Caroline and find out more about her unique shop and business. Above, an example of some of Caroline's custom work. Hand-dyed, hand-stitched & hand-drawn patch flash sheets prior to being framed. Commission Inquiries Dawn Hunter: When and where did you establish FAST DOLL? Caroline DeSanctis: I started Fast Doll in 2015 when I still lived in Atlanta, Georgia. Back then it was still known as Fast Doll Fine Vintage, and I was exclusively selling vintage clothing from the 1920s-1960s online. When I first started I was still working full-time for MAC Cosmetics and was selling vintage on the side after clocking out at MAC every day. I resigned at MAC in April 2016 and I remember as I was leaving the counter that day my phone was buzzing with orders from Etsy, and I remember smiling, and thinking that I had made the right decision to leave. Hand-dyed, hand-stitched & hand-drawn framed "patch flash sheets."™ Dawn Hunter: Has the business always focused on hand embroidery? If not, how did that evolve? Caroline DeSanctis: It was exclusively vintage clothing & accessories for almost 3 years, until I taught myself how to embroider by hand and eventually evolving that into the current style of the things I make today. I remember stitching the first thing, which was the words Fast Doll on the back of one of my denim vest, and then thinking “oh no, I’m already addicted to this“. I started to post my creations on social media and there was immediate interest. They started to sell more and more and eventually became more popular than any other vintage items that I was selling. I got so busy during the holiday season of 2019 that it became the only thing I had time to do, and I officially stopped selling vintage clothing and renamed the company to simply ‘Fast Doll’. And I’ve been stitching full-time ever since. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Dawn Hunter: When did you locate to Charleston? Caroline DeSanctis: I moved to Charleston in August 2020 in the middle of the pandemic! I got here and got straight to work and tried not to miss a beat. I think I took off maybe one full day to unpack when I moved, but that was it, haha. Dawn Hunter: How do you come up with ideas for designs? What is your inspiration? Caroline DeSanctis: I draw inspiration from a lot of vintage 1940s and 1950s iconography, ephemera, magazines, illustrations and tattoos from that era of American history. They had bold black lines and were limited to only a few colors — these designs translate so well to embroidery and look very clean and satisfying when they’re done. I also love pinup art and often make things that represent or remind me of vintage glamour and aesthetics. Dawn Hunter: What is your most popular design? Caroline DeSanctis: I think my most popular designs are any of the flowers that I do, any of the skulls, and the ‘Mama Tried’ patches & trucker hats, haha. The imagery in this work was taken directly from a Sailor Jerry sheet of flash featuring an eagle. This is not one of Caroline's designs. The embroidery is straight-up satin stitching. The eagle is embroidered with white, red, and dark & yellow gold embroidery floss. Flag is sewn with deep navy blue, white, red, gold and brown embroidery floss. Flowers are sewn with mustard yellow, green and black embroidery floss. Images are sewn to an off-white piece of sturdy felt that are then sewn on top of a black piece of felt with black embroidery floss (creating a border) and trimmed to fit. Since each patch is handmade, there may be slight, minor differences and no two patches will be 100% alike. If you'd like a different color scheme for your patch, feel free to make a custom request. Please allow additional processing time for custom requests. Hand-embroidered, hand-sewn and hand-cut black and off-white felt patch. The patch flash sheet features pointy-tipped daggers with a hearts detail and dots details. Image is sewn to an off-white piece of sturdy felt that is then sewn on top of a black piece of felt with off-white embroidery floss (creating a border) and trimmed to fit. Classic & timeless traditional-style rose that looks good on everything. Hand-embroidered, hand-sewn and hand-cut felt patches in 4 different color schemes. Patch features a traditional-tattoo-style rose with three leaves. Great for a leather or denim jacket / vest. Felt Pennants Dawn Hunter: Where can people buy your work? Caroline DeSanctis: My work is always available online at my website — Fastdoll.com — and you can also commission a custom piece from me there as well. I also sell items on my Instagram feed from time to time — @fast.doll. I do lots of local handmade & vintage markets regularly in the Park Circle and North Charleston area. I also have pieces available at The Station, which is located locally in Park Circle. In case you forgot — The boots stay on! ‘The Boots Stay On’ felt pennant featured in two different color ways. • 100% hand-stitched & hand-assembled (no machine!) • Each measure 12” x 6” Fast Doll Web Site

'SC People' features exclusive interviews with individuals contributing to SC communities, celebrating their influence on the state's growth, culture, and prosperity. South Carolina People South Carolina Sunshine™ | SC People feature interviews with people who build our communities and make South Carolina great! Table of Contents Icons Scroll and click on an icon image below to go an interview section you are interested in reading. Our selected interviewees are influential figures within the state of South Carolina. Through a series of thoughtfully crafted questions, our goal is to inform the public about dynamic artists, directors, curators, and cultural programming in our region. We have chosen to interview individuals who exemplify the diversity and richness of our cultural landscape. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Udorji Oji Emerging Artist | Illustrator Diana Farfán Ceramic Artist | Community Leader Kyle C. Coleman Artfields Collective | Fine Arts Director Mary Robinson Internationally recognized printmaker Brian Rego Renowned Charleston, SC artist Marius Valdes Professor, University of South Carolina Ella Marushchenko Scientific Illustrator Sara Schneckloth Professor, University of South Carolina Nakisa Abdollahbeigi Critically Acclaimed Artist Caroline DeSantis Entrepreneur Bohumila Augustinova Director, Columbia Art Center Upcoming Interview We are excited about our upcoming interview with multidisciplinary artist, Cedric Umoja, a Columbia, S.C. Cedric uses letter forms, found materials, and archetypal totems to create transformative art. His work spans drawings, paintings, murals, sculptures, films, installations, and performances, bridging ancient and futuristic themes. Influenced by artists like Dondi White, Betye Saar, and Sun Ra, Umoja studied at the Art Institute of Atlanta and apprenticed under Tony Cacalano, who was mentored by Jack Tworkov of the New York School. Umoja’s style incorporates elements of Post Graffiti, Post Expressionism, Afro Surrealism, and Modern African art.

Katlin Jeffcoat’s Foundations Curriculum Arc follows her path from ARTS 103 inventories to ARTS 107 color harmonies and an ARTS 266 merch brand—uniting observation, Itten’s theory, and design craft. To play, press and hold the enter key. To stop, release the enter key. FOUNDATIONS CURRICULUM ARC from ARTS 103 to ARTS 266 with Katlin Jeffcoat, by Dawn Hunter “What counts is not so-called knowledge of so-called facts, but vision—seeing." by Josef Albers Katlin Jeffcoat began her exploration of leaf motif imagery in ARTS 103: Fundamentals of Art during the fall of 2022. In this course, students are asked to start from nothing—to go out into the world and find organic or cast-off objects of interest, a kind of visual scavenger hunt. From these discoveries—often rocks, spindly branches, broken glass covered in sand, bricks, or leaves—they select three to five objects and study them closely, creating two data sets: one of shapes derived from their forms and another of textures. How It Started | ARTS 103, Fundamentals of Art, Fall 2022 ARTS 103 classes are comprised of students at many levels: some have never drawn before, while others bring extensive experience. Regardless of skill level, all are encouraged to cultivate curiosity and use drawing as a tool for inquiry. These inventory exercises function as a sensory and perceptual awakening, prompting students to translate observation into visual language through direct studies from life. Simultaneously, they begin developing intuition about composition—how shape, proportion, and format affect what is drawn within the edges of the page. Gathering natural objects from her environment, Katlin developed detailed shape and texture inventories that trained her to transform organic form into interpreted and structured design systems. These inventories became the basis for her In Line with Nature project, in which students draw one or more of their objects observationally and juxtapose them within the shapes and textures discovered, or invented, during the drawing process. The resulting compositions reveal moments where the micro and macro collide in unexpected ways—where visceral sensory perception and abstraction coexist within a dynamic, balanced design. Image 1: Shape and texture inventory drawing, Image 3: Final In Line with Nature composition, Image 4: Iterative composition development (juxtaposition studies). Images courtesy of Katlin Jeffcoat. Visit my Mixed Media Drawing Adventure blog post to learn more about the project. How It Continues | ARTS 107: Color and Composition The visual fluency that Katlin developed in ARTS 103 carried forward into ARTS 107: Color and Composition, where students explore the emotional and structural power of color through Johannes Itten’s Color Harmony theory. Building on their earlier studies of form, texture, and design systems, students now investigate how color relationships influence perception, meaning, and visual balance. Johannes Itten of the Bauhaus organized a 12-hue color wheel—composed of primary, secondary, and tertiary colors—and defined harmony as the joint effect of hues arranged in precise relational structures. His seven color contrasts, central to his teaching, link aesthetics to human perceptual and emotional responses shaped by light and nature. These contrasts include: Hue – high-noon color clarity Light–dark – moonlight and nighttime transitions Warm–cool – the shifts of sunrise and sunset Complementary – the neutralizing balance of opposites Simultaneous contrast – the mechanism by which we distinguish the lion from the grass Saturation – the tension between purity and grayness Extension – proportion and dominance, the primal dynamic of firelight and shadow Above: Color pencil studies exploring triadic and complementary harmonies by Thomas Kirsten. Images courtesy of the artist From these contrasts, Itten derived geometric harmony schemes within the color sphere. Alongside analogous and complementary pairs, artists and companies such as Disney and Duffy & Partners commonly employ triads (three evenly spaced hues), tetrads (four hues forming two complementary pairs) or hexads (comprised of three pairs of complements or three pairs of split complements). A classic tetrad such as yellow-orange / blue-violet and red / green demonstrates the balanced energy of dual complements. In the Color Harmony sequence, students create digital or physical studies of triads, tetrads, and hexads, learning to organize hues according to Itten’s principles. These structured exercises culminate in expressive compositions that merge harmony with personal interpretation, challenging students to connect color harmonies to universal emotions, conceptual ideas, or personal symbolism—bridging analytical rigor with intuitive response. Katlin’s later Merch Project draws directly from this foundation. Her use of a hexadic scheme, orange, red-orange, violet, blue-violet, green, and yellow-green followed Itten’s principles through variations in pure tones, tints, and shades, demonstrating a mature understanding of color harmony. In doing so, she transformed her earlier leaf motif into a cohesive color system that balances contrast, unity, and emotional resonance. Above: Acrylic final composition applying Itten’s Color Harmony triad comprised of orange, green, and violet by a peer of Katlin Jeffcoat's Thomas Kirsten. Image courtesy of the Thomas Kirsten. Above: Itten's Color Star set to a harmonious triad as seen in the interactive rare book Johannes Itten The Color Star published by Van Nostrand Reinhold, 1986. How It’s Going | ARTS 266 GD+I Merch Project, Spring 2024 By spring 2024, Katlin had transformed her Foundations visual research into a cohesive visual language. Drawing from the imagery she developed in ARTS 103 and applying Johannes Itten’s theory of harmonious hexad, featuring orange, red-orange, violet, blue-violet, green and yellow-green, she created a merchandise concept for her ARTS 266 GD+I class that unites design and meaning. Her work demonstrates how the foundational study of line, shape, and texture can evolve into refined visual branding grounded in both craftsmanship and conceptual clarity. Through this synthesis, her work visually traces the curricular arc of Foundations as it manifests in upper-division coursework. Visit kjn_art on Instagram to learn more! Above: Katlin Jeffcoat’s “Merch Menu” from ARTS 266. Images courtesy of Katlin Jeffcoat. Above: Itten's Color Star set to a harmonious hexad as seen in the interactive rare book Johannes Itten The Color Star published by Van Nostrand Reinhold, 1986. Katlin Jeffcoat's Merch Menu Gallery Click on the photo to enlarge each image. Katlin Jeffcoat's Merch Menu Title page Katlin Jeffcoat's Merch Menu Skateboards Katlin Jeffcoat's Merch Menu Notebooks and re-usable bag Katlin Jeffcoat's Merch Menu Notebook, stickers and t-shirt Katlin Jeffcoat's Merch Menu Entire collection

"Unearth SC's cultural vibrancy on our page featuring top-tier art exhibitions and special events. Our visual, photographic essays provide an in-depth view of select art exhibitions in South Carolina, featuring solo shows and group exhibitions. Learn more the flourishing arts scene in SC." Culture South Carolina Sunshine™ | Special Focused Content and Listings of Cultural Events in South Carolina. Table of Contents Icons Scroll and click on an icon image below to go a Culture section you are interested in reading. Tina Williams Brewer | Stories of Grace Immerse yourself in the rich narratives of Tina Williams Brewer's story quilts at the Columbia Museum of Art. For over four decades, Brewer has woven her personal experiences, historical accounts, and vibrant textiles into her unique quilts, offering a profound exploration of African-American history and spirituality. The "Stories of Grace" exhibition, open until September 3, 2023, showcases her hand-stitched, collage mixed-media pieces that map out her heritage, the African diaspora, and the connections between past, present, and future. Journey through intricate layers of symbolism and culture, Tuesday to Sunday, with extended hours on Thursday. More Carla Gannis/ C.A.R.L.A. G.A.N. Carla Gannis' WWWunderkammer is a pioneering endeavor, challenging traditional museum narratives by reimagining the classic 'cabinet of curiosities', known as Wunderkammer. She employs cutting-edge technology to fuse physical and virtual realms seamlessly. The physical installation reflects her continuous online project found on Mozilla Hubs and high-definition desktop VR, welcoming viewers to distinct thematic 'chambers'. Each chamber explores critical facets of contemporary life - from environmental challenges to the digital revolution's impact on self-perception and language. Gannis harnesses the power of augmented reality in her gallery display, blurring the line between the virtual and the real. This approach helps her investigate the essence of human existence in the internet age while promoting universal access to knowledge. More Elizabeth Catlett Experience the captivating artistry of renowned artist Elizabeth Catlett at the Columbia Museum of Art (CMA). This significant survey exhibition comprehensively overviews Catlett's illustrious career as a printmaker and sculptor. Alongside her works, the collection includes select pieces by mentors, peers, and students who shared a personal connection with Catlett. Additionally, the installation incorporates additional artworks from the CMA Collection. Witness the profound impact of Elizabeth Catlett's artistic journey, spanning an impressive seventy years. Her art sought to give visibility and voice to underrepresented individuals, often focusing on laborers, women, and African Americans. Addressing social issues relevant to the United States and her adopted home of Mexico, Catlett's powerful figures embody resilience while acknowledging the struggles Black and Mexican working classes face. More Jordan Sheridan Introducing the winner of the prestigious 2022 701 CCA Prize, Columbia-based artist Jordan Sheridan. This biennial juried award, presented by the 701 Center for Contemporary Art in Columbia's Olympia neighborhood, recognizes the talent of South Carolina artists under 40. Jordan Sheridan is an emerging artist known for her captivating installation art. Her remarkable talent and dedication have been acknowledged with the distinction of being named an SCAC Emerging Artist for FY2022. Currently serving as a full-time faculty instructor at the University of South Carolina's School of Visual Arts and Design, she imparts her expertise to aspiring artists through her engaging painting courses. More 701 CCA Prize Finalists Welcome to the captivating 701 CCA Finalists Exhibition, now open at the esteemed 701 Center for Contemporary Art. Prepare to be mesmerized as three exceptional artists and finalists for this year's prize showcase their visionary works until January 15, 2023. Step into this exhibition and immerse yourself in a world of artistic brilliance. Each artist, including the talented Kate Hooray Osmond, Jordan Sheridan, and Brittany Watkins, pushes boundaries and invites you to explore their unique creative perspectives. From innovative techniques to thought-provoking concepts, their creations will ignite your imagination and inspire you. More Art by Krigga Enter the captivating world of the Omphalos, a convergence of time and perspective. In this exhibition, presented by the visionary artist Dogon Krigga, two distinct collections of works harmoniously blend the past and the future. Embracing the timeless beauty of Black thought and form, Dogon Krigga invites you to celebrate the resilience and boundless creativity of the Black experience in the ever-present now. Breaking away from the narrative of Black suffering that pervades historical records and art, the Omphalos seeks to cultivate a space where Blackness thrives. By highlighting the gifts, abilities, and interconnections within the Black community, Dogon Krigga's art becomes an act of rebellion and revolution. Afrofuturism is a powerful tool, reminding us of our mastery and potential in this realm while liberating our minds from societal constraints. More Tyrone Geter Step into the realm of powerful artistic expression with Tyrone Geter's exhibition at ArtFields' TRAX Visual Art Center in Lake City, South Carolina. Over the past six months, this exhibition has left an indelible mark on the art scene, showcasing Geter's masterful mixed media drawings that blend exquisite draftsmanship, torn paper, and found objects into visually captivating statements. Each artwork is a testament to Geter's immense talent and resonates as a profound experience in its own right. Geter's creations operate on multiple levels, transcending mere aesthetics. While some pieces look into his personal journey, many images explore the complex dynamics surrounding race, gender, and economic structures within contemporary American culture. More Adrian Rhodes We are delighted to feature the enthralling realm of Adrian Rhodes, winner of the esteemed 701 CCA Prize in 2020. Celebrated for her artistry in printmaking and mixed media installations, Adrian's solo exhibition "How to Untie a Tight Knot" was a result of her dedicated six-week residency at the 701 CCA. With academic roots in Rock Hill's Winthrop University, Adrian has gained recognition in the Carolinas and beyond. Her work, exploring the paradox of longing for and escaping the past, provides a captivating lens into the human psyche, using recurring motifs to express the intricacies of relationships. More Ginny Merret Meet Ginny Merett, a dynamic artist and passionate art educator, who has been a vibrant part of Columbia's art community for over thirty years. Known for her striking, graphic collages, Merett's art may seem playful and whimsical at first, but it carries profound undertones addressing societal norms, cultural, gender and racial identities. Currently, she holds the distinguished position of Artist-in-Residence at The Jasper Project. Her intriguing creations can be appreciated at Sound Bites, nestled in the heart of historic downtown Columbia, at 1425 Sumter St, Columbia, SC 29201. Don't miss the opportunity to experience her captivating work, which will remain on display until the end of July 2022. More Margaret Curtis Welcome to the world of Margaret Curtis, a prominent figure among contemporary American artists. Known for her distinctive and ground-breaking art, she is currently represented by the esteemed Tracy Morgan Gallery in Asheville, NC. Margaret's oil paintings tell stories through their imagery, and their physicality also forms a deep, visceral connection to their underlying themes. Her widely recognized and critically acclaimed artwork has recently been bestowed with the distinguished Joan Mitchell Foundation Fellowship, an award that requires an exhaustive selection process. The fellowship, amounting to $60,000 spread over four years, has enabled Margaret to augment her studio and broaden her creative horizon. More ArtFields 10th Anniversary Exhibition ArtFields celebrated its 10th year, showcasing 369 artists from 12 Southeast states in a nine-day festival from April 22-30, 2022. We were thrilled to have "The Darcy Inventory" in the competition and equally enjoyed experiencing the festival as attendees, filled with South Carolina Sunshine. The ArtFields festival, which began in 2013, aims to honor Southeast artists with celebrations and competitions, providing over $100,000 in cash prizes. This year's winners were Noah Scalin, MyLoan Dinh, Melvin Toledo, and Jonathan Imafidor. Enjoy the photo essay and immerse yourself in the art that left us in awe. More Jasper Project 10th Anniversary Party On April 14, 2022, we celebrated the 10th Anniversary of The Jasper Project at 701 Whaley. This event paid tribute to a publication that has become a cornerstone of Columbia, SC's cultural landscape. Under the guidance of Cindi Boiter, the magazine offers invaluable insights into our vibrant community, spotlighting the lives and works of local artists, performers, dancers, musicians, and writers. The celebration evening echoed with tunes from Adam Corbett, Post-Timey String Band, DJ Preach Jacobs, and Dick Not Richard, accompanied by a spellbinding performance from the Columbia Repertory Dance Co. Explore the captured moments from the event in our photo essay featured below. More Lady Gamecock Parade Main Street was abuzz with excitement as countless UofSC WBB supporters gathered to commemorate their second historic national championship. The triumphant victory was clinched on April 3 in Minnesota, where they bested the UConn Huskies. Jump into the jubilation of the event through our photo essay to view highlights from the celebration! More Anila Quayyum Agha Anila Quayyum Agha, an American artist of Pakistani origin, brings enchanting realms to life within her exhibition spaces. Her exhibit, "Let a Million Flowers Bloom," leverages halogen bulbs nestled within meticulously crafted and lacquered steel. This technique casts mesmerizing shadows that "paint" the gallery walls, creating an immersive environment that makes us feel as though we've stepped into a chapter of Lewis Carroll's Wonderland. Our take on the exhibit? It's superb! Experience the wonder for yourself from February 19 through May 29, 2022. More

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Congaree National Park Congaree National Park hosts a diversity of wild life, being the largest preserved stretch of old growth bottomland hardwood forest in the southeastern United States. The floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. What is Congaree? Our forests offer much more than just beautiful landscapes and wildlife. Each one has a different story to tell. - Raveena Tandon Congaree National Park is a favorite attraction for many hikers and kayakers. It is a 20,000-acre, federally protected wilderness. The park is known for its “giant hardwoods and towering pines.” It is a floodplain forest with one of the highest canopies in the world. The 2.6-mile boardwalk is an excellent introduction to the park. Visitors can explore the park by foot, kayak, or canoe. To ensure a safe park visit, we would like to point out that cell phone reception within the park is very spotty, therefore, it is important to be well-prepared before hiking, camping or kayaking. It is also essential that you inform someone about your plans and it is paramount that you leave your itinerary behind in case of emergencies. Equip yourself with appropriate clothing and footwear and carry necessary items such as water, snacks, first aid kit, map, and compass. Congaree National Park Photo Gallery The best time to visit Congaree National Park is during the fall, from October to early November. The crowds are low, the leaves are changing, and there are fewer bugs. Congaree National Park Basic Information Before your visit, check the weather forecast. Conditions can change rapidly, and flooding is a potential hazard, and can occurwith little or no warning. During the summer months, mosquitoes can be bothersome; bring insect repellent for a more comfortable experience and protect yourself from insect bites. Activities that are permissible in the park are hiking into the Congaree wilderness, canoeing or kayaking into the park's heart by way of Cedar Creek, and paddling the 50-mile designated recreational paddle trail. Those who want an immersive experience in Congaree National Park can "stay in one of the park's primitive campgrounds or in the park's wild backcountry." Fishing is also permitted in the park; however, it is important to be informed of the policies. The park is open 24 hours a day, every day throughout the year and closed for observed holidays. Congaree Holiday Closure Schedule Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Botany Bay Heritage Preserve in South Carolina awaits discovery. The Botany Bay Plantation Heritage Preserve and Wildlife Management Area on Edisto Island provides visitors with a view of South Carolina's untouched coastal wilderness. The preserve spans 4,600 acres a site that is a unique combination of natural beauty and historical significance which annually attracts visitors who love nature and history. A Journey Through Time “I loved these salt rivers more than I loved the sea; I loved the movement of tides more than I loved the fury of surf. Something in me was congruent with this land, something affirmed when I witnessed the startled, piping rush of shrimp or the flash of starlight on the scales of mullet. I could feel myself relax and change whenever I returned to the lowcountry and saw the vast green expanses of marsh, feminine as lace, delicate as calligraphy. The lowcountry had its own special ache and sting.” — Pat Conroy, The Lords of Discipline Botany Bay's landscape exposes its complicated history, which includes, the lives of those who once worked and lived on this land, including the enslaved Africans whose contributions are integral to its history. Formed from the merger of the Bleak Hall and Sea Cloud plantations in the 1930s, the area was once a hub for Sea Island cotton production. Today, visitors can explore remnants of this bygone era, including 19th-century Gothic Revival outbuildings and the foundations of antebellum homes, historical structures and silent witnesses. Botany Bay Hertitage Preserve Photo Gallery The photo gallery reveals the untamed natural beauty of Botany Bay Plantation which spans 4,600 acres on Edisto Island. The maritime forests and tidal creeks lead to one of the most beautiful beaches in the Lowcountry where weathered trees emerge from the sand like natural sculptures. The coastal sanctuary provides diverse wildlife and more than 100 bird species while offering walking trails and serene sunrises that reveal South Carolina's ecological and cultural heritage. Nature's Masterpiece The "boneyard beach" stands out as a major attraction because weathered trees form sculptural shapes against the Atlantic Ocean view. The preserve features maritime forests together with tidal creeks and freshwater ponds and three miles of untouched beachfront. The hauntingly beautiful shoreline provides photographers and beachcombers with a distinctive peaceful environment. The area supports wildlife populations which include deer and alligators and sea turtles and multiple bird species including painted buntings and least terns. The preserve dedicates itself to conservation practices which protect these habitats for future generations. Botany Bay Heritage Preserve Website Plan Your Visit The park operates from sunrise half an hour before opening until sunset half an hour after closing time every day except Tuesdays and scheduled hunting days. The park offers free admission to visitors who need to pick up day-use passes at the entrance kiosk. The park offers self-guided driving tours as well as hiking on the Pockoy Island Trail and beach relaxation opportunities. The site maintains a prohibition on shell collection because it serves to protect the natural environment. The beach causeway provides wheelchair accessibility to visitors. The preserve prohibits visitors from bringing pets and alcohol and drones and metal detectors. The site management requests visitors to refrain from taking any natural or historical objects from the site. Getting There The location of Botany Bay exists on SC Highway 174 within Edisto Island. The entrance becomes accessible after driving two miles down Botany Bay Road. The preserve has clear directional signs which lead visitors to their destination. South Carolina Tourism Website Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Darcy creates cupcakes for her teachers, using limited edition Dolly Parton frosting. This gesture showcases her creativity, love for Dolly Parton, and gratitude. Inspiration from Patz Fowle PHOTO ESSAY BY DAWN HUNTER AND DARCY PHELPS, 9-7-2022 During our most recent Lake City excursion, Darcy and I went to the Onward and Upward exhibition at the Jones-Carter Gallery. The show featured artwork by Patz Fowle (1954-2021) and Mike Fowle. We were taken and awe-struck by the artwork, which led to an impulse buy of Patz Fowle's whimsical and exquisite clay work Every Artist...Has a Story. The piece is comprised of hand sculpted stoneware, porcelain, oxides, underglaze, stains, and luster. The ceramic work contains references to famous works of art by artists like Dali, Picasso, and Munch, and seminal readings of Art History. The tactile surfaces rival the painted surface qualities of The Isenheim Altarpiece by Matthias Grünewald (1512–1516) and inspired Darcy's cookie bake off! “It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done.” ― Vincent Van Gogh Who was Patz Fowle? Born 1954 Ringgold, Georgia Died 2021 EDUCATION Parsons School of Design, New York City, New York Adelphi University, Garden City, New York Savannah College of Art and Design, Savannah, Georgia Patz Fowle was renowned for her illustrative, handmade ceramic sculptures, which were glazed with bright low-fire colors. Her works often featured anthropomorphic animals, such as zoo animals taking a taxi or a fish walking to work with a briefcase. She developed unique sculptural techniques, known as the "Patz Process Ceramic Technique," which were recognized by the American Ceramic Society and featured in art textbooks. In collaboration with her husband, Mike Fowle, she created large-scale metal public art sculptures. Jones Carter Gallery Patz Fowle Mike Fowle Patz Fowle's work inspires a cookie bake-off. The best location for this artwork in our house? The kitchen table, of course. Our meal times are now rich with discussions about art, history, and Patz's work. There are so many layers of references in the artwork. What a wonderful gift for our home! The work served as inspiration for Darcy's and Eva's sleepover cookie bake-off this past weekend. The greatest challenge? The icing and cookie cutters could not translate the fine detail of the elephant. All photos by Dawn Hunter, click on the photos to activate a slideshow. “I dream my painting and I paint my dream.” ― Vincent Willem van Gogh Pat Fowle Public Collections American Museum of Ceramic Art, Pomona, California Big Bleu Birdnanna, public art sculpture, commissioned by city of Florence, South Carolina Dr. Ronald E. McNair Life History Center, Lake City, South Carolina McLeod Regional Medical Center/ McLeod Family Medicine Center, Florence, South Carolina Recipe: Sugar Cookies Ingredients: 3 cups sifted flour 2 teaspoons baking powder 1/2 teaspoon salt 2/3 cup shortening 1 cup sugar 2 eggs (well beaten) 1/2 teaspoon vanilla extract 1/4 cup of milk Directions: Mix and sift flour, baking powder, and salt. Cream shortening, add sugar slowly, and cream until fluffy. Stir in well-beaten eggs and vanilla extract. Add sifted dry ingredients with the milk. Blend well and chill. Roll 1/4 inch thick on a lightly floured board. Cut cookies into desired shapes. Bake at 375°F for 10-12 minutes.

Darcy creates cupcakes for her teachers, using limited edition Dolly Parton frosting. This gesture showcases her creativity, love for Dolly Parton, and gratitude. Soft Serve Vanilla Ice Cream PHOTO ESSAY BY DAWN HUNTER AND DARCY PHELPS, NOVEMBER 19, 2022 We are so excited to get a new ice cream maker, and we went for a reasonably priced model created by the brand Tasty. There were a range of colors to choose from, and we were able to select one that suited Darcy's style. She promptly decorated it with a sticker created by one of her favorite YouTubers and a source of her inspiration for Dish with Darcy™, Moriah Elizabeth. We watch her creative YouTube channel every Friday together. "Nobody has everything and everyone has something” - Moriah Elizabeth Homemade Vanilla Ice Cream Darcy has been trying to make ice cream in a plastic bag for the past few weeks. The results were less than she desired even after shaking the mixture in salted ice. Since tackling ice cream from scratch and minimal technology had been frustrating, we decided to go for a recommended ice cream mix. The mix we found, Junket Ice Cream mix, was simple to follow and only required a few ingredients that we already had in our kitchen. After a few trial and errors, we finally had a delicious and smooth soft serve ice cream that we could enjoy! tasty.co Moriah Elizabeth Junket Desserts Unique History Ice cream's origins can be traced back to ancient China. Its appearance can be traced to Italy through Marco Polo and then to France with Catherine de Medici. Eventually, it made its way to the US through Thomas Jefferson. European ice creams appeared in Italy during the 1600s and eventually became popular throughout Europe by the mid-century. This is recorded in letters, journals, and records from Paris, Florence, Naples, and Spain. "I scream, you scream, we all scream for ice cream!" - Howard Johnson History continued: Ice cream reached America with European settlers and was served by the first lady of colonial Maryland as early as 1744. George Washington bought a mechanical ice cream maker for Mount Vernon in 1784. Thomas Jefferson, who developed a taste for French-style ice cream while in Paris, served it at the executive mansion at least six times and wrote ten recipes, including one for vanilla ice cream with egg yolks. By the late 19th century, ice cream had become a popular treat in America. In 1874, the ice cream soda was invented, and by 1881, the sundae made its debut. The waffle cone stole the show at the 1904 St. Louis World’s Fair, while Popsicles were patented in 1923. Both Dairy Queen and Carvel claim to have created soft-serve ice cream in the mid-1930s, and frozen yogurt hit the scene in the 1970s. Junket Vanilla Ice Cream Recipe 3 Junket® Rennet Tablets 2 tablespoons cold water 3 cups whole milk 2 cups heavy whipping cream 1 cup sugar 4 tsp vanilla Dissolve Junket® Rennet Tablets in cold water by crushing. Set aside. Combine remaining ingredients in saucepan. Heat while stirring to lukewarm (110º F). Remove from stove. Add dissolved tablets. Stir a few seconds and pour immediately into freezer can. Let set at room temperature until firm and cool. When mixture is set, place container into the ice cream freezer and follow manufacturer’s instructions. Begin churning until it is frozen.

Search Results 29 items found for "" Caroline DeSantis | Dawn Hunter | South Carolina Sunshine™ Stitching the Past into the Present: an interview with a great gal who owns and operates FAST DOLL. An interview feature with USC Alumnus, Caroline DeSanctis, artist and owner of Fast Doll, "hand embroidery inspired by the golden age of North American traditional tattoo and other iconic vintage imagery. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Palmetto Snapshots Q & A with Caroline DeSantis Introduction: Based on her original drawings and unique designs, owner and operator of FAST DOLL Caroline DeSanctis creates 100% hand-stitched patches, custom clothing & accessories influenced by the tattoo flash of the 1940s & 1950s. All embroidery and designs are drawn and stitched by Ms. DeSanctis. Most designs you see here are original to the shop unless otherwise noted (i.e., the Sailor Jerry designs and some custom commissioned work). The cost of her hand embroidered patches range from $20.00 - $125.00. Her shop additionally features hats, pennant, key chains, tattoo passes and custom orders. All patches are cruelty-free: made from eco-felt, which is made from recycled plastic bottles, and 100% cotton embroidery floss. Let's catch up with Caroline and find out more about her unique shop and business. Above, an example of some of Caroline's custom work. Hand-dyed, hand-stitched & hand-drawn patch flash sheets prior to being framed. Commission Inquiries Dawn Hunter: When and where did you establish FAST DOLL? Caroline DeSanctis: I started Fast Doll in 2015 when I still lived in Atlanta, Georgia. Back then it was still known as Fast Doll Fine Vintage, and I was exclusively selling vintage clothing from the 1920s-1960s online. When I first started I was still working full-time for MAC Cosmetics and was selling vintage on the side after clocking out at MAC every day. I resigned at MAC in April 2016 and I remember as I was leaving the counter that day my phone was buzzing with orders from Etsy, and I remember smiling, and thinking that I had made the right decision to leave. Hand-dyed, hand-stitched & hand-drawn framed "patch flash sheets."™ Dawn Hunter: Has the business always focused on hand embroidery? If not, how did that evolve? Caroline DeSanctis: It was exclusively vintage clothing & accessories for almost 3 years, until I taught myself how to embroider by hand and eventually evolving that into the current style of the things I make today. I remember stitching the first thing, which was the words Fast Doll on the back of one of my denim vest, and then thinking “oh no, I’m already addicted to this“. I started to post my creations on social media and there was immediate interest. They started to sell more and more and eventually became more popular than any other vintage items that I was selling. I got so busy during the holiday season of 2019 that it became the only thing I had time to do, and I officially stopped selling vintage clothing and renamed the company to simply ‘Fast Doll’. And I’ve been stitching full-time ever since. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Dawn Hunter: When did you locate to Charleston? Caroline DeSanctis: I moved to Charleston in August 2020 in the middle of the pandemic! I got here and got straight to work and tried not to miss a beat. I think I took off maybe one full day to unpack when I moved, but that was it, haha. Dawn Hunter: How do you come up with ideas for designs? What is your inspiration? Caroline DeSanctis: I draw inspiration from a lot of vintage 1940s and 1950s iconography, ephemera, magazines, illustrations and tattoos from that era of American history. They had bold black lines and were limited to only a few colors — these designs translate so well to embroidery and look very clean and satisfying when they’re done. I also love pinup art and often make things that represent or remind me of vintage glamour and aesthetics. Dawn Hunter: What is your most popular design? Caroline DeSanctis: I think my most popular designs are any of the flowers that I do, any of the skulls, and the ‘Mama Tried’ patches & trucker hats, haha. The imagery in this work was taken directly from a Sailor Jerry sheet of flash featuring an eagle. This is not one of Caroline's designs. The embroidery is straight-up satin stitching. The eagle is embroidered with white, red, and dark & yellow gold embroidery floss. Flag is sewn with deep navy blue, white, red, gold and brown embroidery floss. Flowers are sewn with mustard yellow, green and black embroidery floss. Images are sewn to an off-white piece of sturdy felt that are then sewn on top of a black piece of felt with black embroidery floss (creating a border) and trimmed to fit. Since each patch is handmade, there may be slight, minor differences and no two patches will be 100% alike. If you'd like a different color scheme for your patch, feel free to make a custom request. Please allow additional processing time for custom requests. Hand-embroidered, hand-sewn and hand-cut black and off-white felt patch. The patch flash sheet features pointy-tipped daggers with a hearts detail and dots details. Image is sewn to an off-white piece of sturdy felt that is then sewn on top of a black piece of felt with off-white embroidery floss (creating a border) and trimmed to fit. Classic & timeless traditional-style rose that looks good on everything. Hand-embroidered, hand-sewn and hand-cut felt patches in 4 different color schemes. Patch features a traditional-tattoo-style rose with three leaves. Great for a leather or denim jacket / vest. Felt Pennants Dawn Hunter: Where can people buy your work? Caroline DeSanctis: My work is always available online at my website — Fastdoll.com — and you can also commission a custom piece from me there as well. I also sell items on my Instagram feed from time to time — @fast.doll. I do lots of local handmade & vintage markets regularly in the Park Circle and North Charleston area. I also have pieces available at The Station, which is located locally in Park Circle. In case you forgot — The boots stay on! ‘The Boots Stay On’ felt pennant featured in two different color ways. • 100% hand-stitched & hand-assembled (no machine!) • Each measure 12” x 6” Fast Doll Web Site Ella Marushchenko | Dawn Hunter | South Carolina Sunshine™ Scientific Inspiration, an interview with Sasha and Ella Marushchenko of Ella Maru Studio, Charleston, SC. Ella Marushchenko and her scientific illustrations inspire me. When Darcy and I set out to make South Carolina Sunshine a serious endeavor, we reached out to the Ella Maru Studio to see if they would be willing to be interviewed for a feature in our SC People section. They replied "yes" within twenty minutes of receiving our email. I was thrilled by their generosity. I have followed Ella Marushchenko's career as a scientific illustrator, often incorporating images of the Ella Maru Studio into my Color and Composition syllabus. UofSC students are in awe of the visualizations of chemistry, nano, and biological concepts coupled with the compelling artistic expression of the subjects. They are inspired by Ella's career path, particularly drawn to her social media accounts, where she is authentic about who she is and sometimes shares challenges that she overcame in her youth. Which, for them, is relatable and makes them realize that their goals are obtainable. Sasha and Ella Marushchenko in KUDU Coffee and Craft Beer, Charleston, SC. Photo by Dawn Hunter South Carolina Sunshine is honored to feature Sasha and Ella Marushchenko, the co-founders and owners of Ella Maru Studio located in Charleston, SC. The business specializes in Scientific design and animation. Artistic Background Ella was born and raised in Ufa, Russia. Art has always been part of her life. Her grandmother was an artist, and her mother, who also has artistic talent, always supported her creativity. She received excellent training while she assisted the famous Russian painter, the late Sergey Krasnov, and his assistant Vera Asanbaeva for eight years. While training with Krasnov and Asanbaeva she learned the importance of observation and honed this skill. Above, painting by Sergey Krasnov. After completing her apprenticeship, she earned her Master's degree in art from Bashkir State Pedagogical University, Ufa, Russia. She eventually moved to the Czech Republic and began to explore many different art forms like ceramics, textiles, and watercolor, but she focused primarily on interior and fashion design. She fully expected to pursue a profession in interior design upon arriving in the United States however, she met Dr. Sergiy Minko, who insisted that she create an illustration for an article he planned to publish in the prestigious peer-reviewed journal Advanced Functional Materials. Her image was selected for the cover of the journal. Above, artwork by Vera Asanbaeva. Ella Maru Studio Other scientists recognized her ability to summarize their content with the well-designed components (texture, lighting, and color) of her images, and she received more requests for work. Sasha and Ella Marushchenko founded Ella Maru Studio to meet the demand. Sasha, who holds a Ph.D. in chemistry, organized a business plan so that Ella's creativity and scientific illustrations could flourish. In the beginning, it was just the two of them, but Ella Maru Studio has grown and now employs eight people. Their team is a combination of Ph.D. scientists and professionally trained artists from the top universities throughout the United States. In each commission they implement Ph.D. level scientific insight with top art design talent to create engaging scientific images and animations. Her illustrations have been selected as cover art for numerous scientific journals, which include: Nature, Nature Physics, Nature Materials, NatureNanotechnology, Cell, Nanoletters, Angewandte Chemie, and JACS. Sasha and Ella have teamed up for other endeavors outside of Ella Maru Studio in the Charleston area. An example is the conservation of eagles and other wildlife in the low country. Recently, an eagle's nest was threatened by new construction. Sasha is passionate about eagle conservation, so during the peaceful, organized protests against disrupting the eagle's home, they created a painting to put at the site for public display. Through their creativity for conservation, anyone who passed by could be educated regarding dynamics in the region that are threatening to wildlife and endangered species. Ella also continues to develop and is devoted to her personal artistic practice. Occasionally, she accepts special commissions, like the painting featured below. It was a work created for Ella's friend. The painting took three months, and it depicts in rich colors and fine detail the Russian fairytale Lukomorye. Ella's Lukomorye painting is as fascinating and as full of wonderment as her scientific illustrations. We don't know about you, but South Carolina Sunshine is looking forward to the next cover produced by Ella Maru Studio! Ella Marushchenko with her painting about the Russian fairytale "Lukomorye." Follow the link below and visit the Maru Studio website. There you will find lots of examples of her scientific illustration and animated work. Ella Maru Studio Dawn Hunter Art ® | South Carolina Sunshine South Carolina Sunshine! Dawn Hunter Art ® | South Carolina Sunshine™ is a lifestyle webzine dedicated to promoting all things South Carolina. The website is a collaborative project of visual artist and Fulbright Scholar Dawn Hunter and her daughter, Darcy. Together, they learn about and explore the state's vibrant culture, discover its hidden gems, and learn about the great people who make up its communities. There is a particular focus on events that extend beyond local communities by featuring "happenings" with regional, national, and international connections. They feature an online listing of outdoor activities in South Carolina. For the culture enthusiast , they regularly publish photo essays of art exhibitions. Dawn Hunter Art ® | South Carolina Sunshine™ provides curated content with a unique and intimate look into what makes the state special. Along the way, Dawn is committed to sharing her creative life and process with others in the Studio Visit section. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link New Interview! Explore the whimsical and thought-provoking ceramic sculptures of Diana Farfán, a Bogotá native, who often offers sharp social commentary within her artwork. Learn about her ceramics studio practice and her impactful community role in our latest SC People Interview. Click Here to Read the Full Interview! Explore Congaree! Discover the Congaree National Park , a host to a diversity of plant and animal wild life. It is one of largest preserved stretch of old growth bottomland hardwood forest in the southeastern United States. The floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. ...or, visit Bulls Island! Bulls Island stands as the largest of four barrier islands within the Cape Romain National Wildlife Refuge, remaining remarkably untouched and pristine. Established in 1932, this refuge is dedicated to safeguarding wildlife and their habitats across its expansive 5,000-acre expanse. Bulls Island boasts a flourishing maritime forest enriched by a variety of fresh and brackish water impoundments, alongside a picturesque beachfront. Extensive networks of roads and trails crisscross the island, providing abundant chances for hiking and wildlife observation. ​ The photo featured in this section is of Boneyard Beach, where a striking scene unfolds. During low tides, the eerie landscape emerges, showcasing bleached oak, cedar, and pine trees scattered on the sand, resembling skeletal remnants. This natural spectacle evokes a surreal, almost ghostly ambiance akin to a natural cemetery, where spiny tree branches protrude from beneath the shifting sands. Darcy's Yayoi Kusama Pumpkin Pie in July! Dish with Darcy and celebrate the art of Yayoi Kusama, the "Princess of Polka Dots," and Darcy’s inspired creations. Discover Kusama’s 'My Love for the Eternal Pumpkin' sculpture at the Hirshhorn Museum and explore Darcy’s creative journey, drawing and decorating her own pumpkins. The photo essay showcases images from Kusama exhibits, Darcy's art process, and her delicious homemade pumpkin pies, adding a culinary twist to the artistic tribute. This webpage blends visual and culinary arts, highlighting the influence of Kusama’s work on personal creativity and expression. Join us in this vibrant celebration of art, inspiration, and delightful treats! Beet the Blues Looking for a refreshing and reinvigorating springtime juice treat? Look no further than Beet the Blues! To create this vitamin-rich drink, you will need a juicer. This nutrient-rich recipe contains 2 beets chopped and peeled, 3 peeled carrots, 1 green apple, 1 fresh peeled sprig of ginger, and 1/2 of chopped fresh pineapple. Beetroots are known for their rich fiber content and abundant vitamins and minerals, including folate, manganese, potassium, iron, and vitamin C. This springtime treat tastes amazing and offers health benefits. Beets are known to improve blood flow and lower blood pressure, plus boost energy during exercise. ​ Craving more, visit our Sweet Carrot Snap recipe, so delicious, it deserves and encore! ​ Events | Get your 'SC Daily Sip' Unearth South Carolina's hidden gems with 'SC Daily Sip', your curated events compass to the state's best food, art, concerts, and more - click to start exploring today! More Cook Up Fun with Darcy's Tangy & Creamy Dip – Quick & Easy Recipe for Tween Chefs. Unleash Your Inner Kitchen Superstar Today! Recipe Featured Sections About Experience South Carolina! - the inspiration behind our website, we are fueled by the remarkable talents and accomplishments of individuals in the Palmetto state. With a unique blend of art, science, and community service, we've crafted a vision for a site that transcends the ordinary. Browse our online webzine that celebrates and explores the exceptional people, enchanting culture and natural beauty of South Carolina. Go to About SC People Dawn Hunter's SC People section for South Carolina Sunshine™ provides exclusive interviews with notable individuals contributing significantly to their communities throughout the state. From community and business leaders to creatives, each story sheds light on South Carolina's rich diversity and evolving culture. Stay tuned for our following lineup featuring inspiring conversations with engaging artists, entrepreneurs, and educators shaping our present and mapping our future lives. In this photo, Nakisa Abdollahbeigi at her exhibition opening, Carry On. Go to SC People Outdoors South Carolina Sunshine™ | Outdoors section is your resource for exploring the stunning landscapes, hiking trails, and outdoor activities in South Carolina. We have organized a collection of must-see places and exciting things to do. Embark on unforgettable adventures and create cherished memories as you experience the natural beauty and charm of South Carolina's great outdoors. Go to Outdoors Culture Welcome to South Carolina Sunshine™, your ultimate guide to the vibrant cultural events that make the Palmetto State shine. Our specially catalogued content features an array of exceptional happenings across South Carolina, ensuring you stay informed and inspired. Immerse yourself in the rich tapestry of our state's culture and discover events that capture the essence of South Carolina Sunshine™. Go to Culture Dish with Darcy Join Darcy, Dawn Hunter's vivacious daughter, as she embarks on mouthwatering culinary adventures throughout the Palmetto State. Accompanied by friends, local talent, and a passion for food, Darcy showcases South Carolina's diverse and delectable cuisine. Embrace Darcy's motto, "food prepared is meant to be shared," and savor the scrumptious flavors of our beloved region with Dish with Darcy™. Go to Dish with Darcy Studio Visit Join artist Dawn Hunter for a Studio Visit. Here you'll journey through her creative world. Explore a captivating photo essays and "Tumblr" page that showcases her past, present, and future projects, reflecting the depth and diversity of her artistic endeavors and gain a unique insight into the creative process of this talented South Carolinian artist Go to Studio Visit Brought to you by artist Dawn Hunter as featured in . . . crazyhorse/ swamp pink CIRCULATING NOW Diana Farfán, Artist Spotlight To play, press and hold the enter key. To stop, release the enter key. Artist Spotlight: Diana Farfán "My advocacy is something that I learned to use as I felt the need to implement strategies that elevate my Latino community and educate others about us." Featured in this section is a portrait of Diana Farfán in her studio taken by Will Cooks. A native of Bogotá, Colombia, our artist spotlight Diana Farfán's lifelong affinity for ceramic sculpture was sparked by pre-Hispanic figures and colonial architecture. After finishing her BFA at Universidad Nacional de Colombia in 1999, Diana expanded her horizons, gaining new perspectives at universities in Alaska and Taiwan. In 2010, she added an MFA from the University of South Carolina to her academic credentials. Now settled in the heart of Greenville, South Carolina, Diana expertly juggles multiple roles. She's not just a sculptor but also an instructor and a passionate advocate for Latino artists. From orchestrating art exhibitions to drafting strategic plans, she's got a lot on her plate but manages it all with aplomb. Known statewide for her community involvement, she's a Liberty Fellowship alumna and Aspen Global Leadership Network member. Diana's work, noted for its whimsical, thought-provoking figures, has received multiple accolades, including the Best in Show at the South Carolina State Museum's 30th Anniversary Juried Exhibition in 2018 and the First Place Award at the 2015 Pickens County Museum Artists Exhibition. Her installations, such as "The Dream Life of Broken Toys" and "The Toy Republic," revealed biting social and political commentary through seemingly innocent toys and puppets. Linthead by Diana Farfán Q & A with Diana Farfán Dawn Hunter: Diana, your work often features dolls, puppets, and toys with deep, meaningful narratives hidden beneath their playful exteriors. What initially inspired you to choose these forms as a medium for your social and political commentary? Diana Farfán: Since I can remember, anthropo-zoomorphic forms have come out of my mind and hands easily. At an early age, I perceived that I could create my stories and that my body was always available for anatomical references. I enjoyed making fabric and paper puppets that embodied my characters and staging short plays to parody family and friend situations. Bogota, where I grew up, experienced many social conflicts due to the civil war and the anti-narco battle in Colombia, so it was usual to hear hostile descriptions of violent events broadcast on the news. I remember playing with my toys, dramatizing scenes from those disturbances while giving a sense of the national and world chaos in those years with my playful characters. Years later, after finishing my BFA, I worked as an art teacher in public schools in Bogotá, Colombia, and I came across the reality of many children who came from families displaced from the countryside to the city, fleeing from social conflicts derived from those wars I used to hear from the radio. This experience redirected my gaze toward the issue of manipulation when observing these young lives in vulnerable conditions. In 2002, I began to develop a visual proposal based on marionettes, puppets, and ceramic dolls that served me well to exemplify the theme of reverie, innocence, and control. Consecutively my work was expanding in a more human-nature sense. In a capitalist and consumerist system, in which everyone is manipulated but also manipulative, we play the game of action and reaction, give and take, pull and push, victim and victimized. We are part of a social fabric with invisible strings that connect us. When our purposes are positive and collective, we are constructive and grow. When our goals are ambitious and selfish, sadly, we become destructive and obstructive. Although my social and political commentaries hold desperation and sadness, I intentionally leave traces to find light and hope in my sculptures. 1+1=3 by Diana Farfán Detail of Linthead by Diana Farfán Dawn Hunter: ​ You've truly made a mark on the Latino arts community through your art and your advocacy work. Can you recall a specific moment when you felt your contributions really made a difference? Why does that memory stand out to you? Diana Farfán: In 2012 I joined Palmetto Luna Arts' Board of Directors, an organization based in Columbia, SC, whose mission is to foster an understanding of the Hispanic/Latino culture by promoting artistic creation and providing opportunities for cultural expression for the community in the state. It was my first experience working for a non-profit, and I needed a clear path to advocate for my community, but eventually, things started working well. I learned about cultural agency and how to use art as a tool to open dialogues among diverse groups. For example, we, Latinos, are often stereotyped as loud, colorful, party people who eat tacos, beans, and rice; and wear flower-printed clothes, braided hair, long mustaches, and sombreros. However, we are much more than that. There are 20 countries and 14 territories in Latin America, each with specific idiosyncrasies and a vast diversity of body looks, ideologies, traditions, folklore, heritage, and cultural expressions. To illustrate that, here are two examples. In 2016, 12 Greenville-area Hispano-Latino artists from 8 countries participated in Feeling Latino, an art exhibition held at the Metropolitan Arts Council whose purpose was the celebration of the different nationalities sharing the same language and territory. The opening night was a great hit, and the gallery was utterly packed with Latinos and people from elsewhere exchanging experiences regarding cultures, art, and life. Another successful event was Ecos (Echoes), conceived by The Citadel Oral History Program and orchestrated by PLA. In 2018, a group of nineteen artists from SC was tasked with listening to real stories of immigrants told by their protagonists to create artwork based on their interpretations. The creation process took approximately ten months, and every artist was asked to report the progress of their works before submitting the final pieces. I witnessed how the commotional stories profoundly touched every artist. I was surprised at the chain effect when the artists' relatives, friends, colleagues, etc., got engaged with the processes and felt identified by the works' narratives. The Columbia Arts Museum's Community Gallery was the first space to host Ecos, and once again, the opening reception was a big turnout. It was the first time for several of the attendees to visit a museum that day. It was significant for the artists' families, grandparents, aunts, uncles, etc., to feel proud of their heritage and, most importantly, included in such an important art institution. Ecos was planned as a tour exhibition for two years, but until 2021 it was visiting cities in other states, including NC and OH. My advocacy is something that I learned to use as I felt the need to implement strategies that elevate my Latino community and educate others about us. Linthead Installation by Diana Farfán in the Mill District, Columbia, SC Dawn Hunter: ​ Your body of work is quite diverse, ranging from your earlier creations to your recent series "Bread and Circus". How would you describe the evolution of your art and what has influenced this journey? ​ Diana Farfán: My first pieces, during the last years of my undergraduate program, were based on my interpretation of Bogota's citizens and our way of navigating a chaotic society. Aesthetically, my ceramic pieces evoked armatures and shields, as if human bodies were unearthed or hidden and protected by an impenetrable breastplate. They were large-scale with an industrial look and earthy colors, possessing a nostalgic urban presence. Then, while I worked as an art teacher for the public school system in my hometown, my ceramic production was based on my student's lives. I used babies and child-like shapes to make them articulated puppets and marionettes, joined with rusty nuts and bolts, hung from strings with movable armatures, conveying a fragile but resilient look. I wanted these ceramic bodies to communicate control, manipulation, and hope. I felt the need to speak about my home country's social and political situation, Colombia, which also reflected what was happening globally. During my graduate program, I intended to communicate my thoughts more efficiently, playfully, and poetically with casted shadows, soundtracks, built stages, and display devices such as rusty metallic swings, stools, and sandboxes made from found steel machinery or disposed of wooden components. My original puppet style branched into many toys that gained a dramatic and powerful dimension, narrating childhood innocence and the intrinsic and complex possibilities of adulthood in politics, religion, and education. The meaning of toys as objects or channels of entertainment, training, and learning is what I felt compelled to use. More recently, the human anatomy I used in my figures comes back and forth. I create specific anatomical measurements for my characters depending on the story I want to pursue, where the use of the body ranges from the classic cannon to abstract and conceptual representations. My latest ceramic production involves my concerns about the human relationship with animals and the environment and my preoccupation with overpopulation and our unstoppable consumerism. ​ Pursuit of Happiness by Diana Farfán Dawn Hunter: ​ Your artwork is absolutely unique and full of character. I'm curious, what does your creative journey look like? How does an idea in your mind transform into one of your distinctive sculptures? ​ Diana Farfán: Before I start a body of work, an installation, or a singular piece, the content and physicality are the elements I define first. I enjoy exploring techniques, materials, and styles and combining different approaches to create my figures. My daily experiences are the portals to stimulate my mind, create projects, transform clay into shapes, and adjust my figures. I find inspiration in occurring that enables me intellectually and emotionally. The stories of the people around me, news of my home country, international affairs, art, a song, a movie, a conversation, a memory, and many other subjects touch my soul. For instance, my love for animals led me to volunteer for the Greenville Animal Shelter in 2019. Still, I learned quickly about the sad side of inhumane animal treatment in my area, in SC, and beyond, such as unregulated animal breeding for profit and the cruel dog and cock fights. I needed to educate myself and the kids on animal issues to prevent animal injustice in my community. That journey taught me about a particular field called Humane Education, which is an action-oriented field of study that draws connections between human rights, animal protection, and environmental sustainability. I got excited to know that HE is taught as a subject and curriculum in various US states, but unfortunately, not in SC. So, I decided to use my two preferred art mediums, ceramic sculpture, and education, to address my concerns and advocate for the voiceless. My recent body of work -Conversation Starters, Constellations, and Pursuit of Happiness- is oriented to speak out about humans' scary impact on nature, the environment, and all living creatures. I need to externalize my concerns because it burns inside if I don’t do it. ​ Dawn Hunter: You've been recognized with several awards and exhibited at numerous prestigious venues. What would you consider your proudest moment as an artist so far and why? ​ Diana Farfán: To be recognized is something I don't think about. However, when I achieve a goal, an award, or any accomplishment, I take it as an opportunity to grow, educate others on ceramic art, and practice to be humble. Perhaps my proudest moment achieved as an artist was my MFA graduation day because my parents flew from Bogota, Colombia, and my sisters with in-laws came from far to celebrate with me. My family and husband, all my most loyal supporters, felt my graduate degree was a mutual effort. They knew how challenging it was for me to successfully culminate three years of an academic program as an international student when I had to improve my English, develop a cohesive body of work, cultivate relationships, learn how to navigate a new city, and adjust to the American culture, all together at "the speed of light." Diana Farfán's Website dianafarfan.com Share this interview! Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Artist: Diana Farán| LOCATION: Greenville, SC Title: The Last Kiss. 2023 Competition Year. The Last Kiss by Diana Farfán Brian Rego | Dawn Hunter | South Carolina Sunshine™ To play, press and hold the enter key. To stop, release the enter key. The Artistic Vision of Brian Rego: Crafting Masterpieces and Nurturing Future Artists "My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty." Brian Rego is a seasoned artist known for his evocative landscape and figurative works. Born and raised in the United States, Rego's formal art education was forged within the robust arts communities of Pennsylvania and South Carolina.In 2004, Brian Rego achieved a significant milestone, receiving his Bachelor of Fine Arts in Painting from the University of South Carolina. His unique talent was quickly recognized, earning him the prestigious Ed Yaghjian Award for Distinguished Undergraduate Work. Yet, for Brian, this was only the beginning. Driven by a relentless curiosity and an unwavering commitment to his craft, he pursued further studies at the highly respected Pennsylvania Academy of the Fine Arts, attaining his Master of Fine Arts in Painting in 2007. Brian's dedication, however, extends far beyond his academic accomplishments. From the outset of his career, he has demonstrated an exceptional artistic prowess. His solo exhibitions, such as "Present Memory" at the Nancy Margolis Gallery in New York in 2021, "Tiny Mirrors" at the John Davis Gallery in 2019, and "Affections" at the Southside Gallery, also in 2019, have drawn significant attention and acclaim. This acclaim not only cements his status as an accomplished artist but is also a testament to his remarkable creative vision. Furthermore, his work has been featured in various notable group exhibitions, including "Rooms For Strangers" at the Pamela Salisbury Gallery, and "Working Small | A Group Exhibition" at Nancy Margolis Gallery. Above, Dream Walking, oil on board, 15 1/8 x 18 1/2 inches by Brian Rego. Image courtesy of Nancy Margolis Gallery But Brian Rego isn't just about painting pretty pictures. He's got this passion for education that pushes him to go beyond his studio. He's taken on roles as a teacher, a critic, even a visiting artist at different places. He really puts his heart into fostering the growth of young talent, nurturing the next wave of artists who'll make their own marks in the world.. These have included the Jerusalem Studio School in Israel and the University of Mississippi. Notably, he also returned to his alma mater, the University of South Carolina (2008-2019) serving as an Adjunct Professor in 2-D Design Foundations, Figure Drawing and Painting. In 2022, he taught a course, "Considering the Masters: Cezanne and The Organizing Principles of Design," at the Penn Studio School of Art. In recognition of his contributions to the field, Rego received the Blackwell Prize in Painting Award from the University of West Georgia in 2023. This honor underscores the potency and originality of his work. His artistic vision and technique have also made their way into print. In 2022, his thoughts and creative process were shared in "Art In The Making, Essays by Artists About What They Do," where he was featured on pages 228 - 231. From long nights in the studio to countless hours in the classroom, Brian Rego's journey through the art world is a shining example of how grit, imagination, and a love for teaching can shape a successful career. Every brushstroke tells a story, and Brian's art, full of beauty and depth, reflects his unique take on the world around him. But what's really cool is that his work doesn't just hang on gallery walls - it also lights a spark in young artists who dream of following in his footsteps. Pair that with his impressive list of exhibitions and teaching roles, and it's no wonder Brian is making waves in the modern art scene. Above, Swimmer, oil on board, 14 1/4 x 18 1/2 inches by Brian Rego. Private Collection Q & A with Brian Rego Dawn Hunter: What initially sparked your interest in art, and how has your upbringing in South Carolina shaped your artistic style and career? Brian Rego: From the time that I can remember, I had an interest in drawing. Looking back, it seemed like a natural thing to do. There are certain people who have temperaments that compel them to record their experiences to understand the significance of them, and to tell their stories. I grew up reading and drawing Sunday comics and followed the styles of Berkely Breathed, Bill Watterson, and Jim Davis. I was overtaken by how real the characters felt, and how easy it was for me to relate to them. I engendered a deep affection for these illustrators, for treating with such care and attention, their ability for, and dedication to storytelling. For a moment, I found a place to belong. I soon developed my own characters, and told my own stories. My grandmother was an artist, a painter. When she was in her twenties and thirties, she painted in oils, but by the time I had come to know her, she was a watercolorist. I loved her work as a boy, and I wanted to emulate her. I didn’t relate to art as an ideology, but I understood it through my grandmother. I was in awe of the non-diminishing return of her work, how the power of her paintings intensified the more time I spent with them. But I wouldn’t try my hand at painting until my twenties. (continued below) Brian Rego painting en Plein air. Girl in Garden, oil on canvas, 20 x 29 inches, oil on canvas by Brian Rego. Courtesy of Nancy Margolis Gallery. Brian Rego: (continued) I completed my BFA in painting at the University of South Carolina, and as a student, I had two professors who made a huge impact in my artistic development. One was in figure drawing, the other was in painting. Together, they pushed me to be my best while providing me the room to experiment, to struggle, to fail. If I managed to succeed in one area, it was met with brief acknowledgement and the demand to do it better; they were constantly looking ahead. I am grateful for that now because any time I am met with success, I treat it the same way, and that allows me to focus on the work instead of the results. I learned that failure and success are just a part of life, but given too much attention, they become detrimental to the growth of one’s work. My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty. I paint from life, so the heat of the South is always a barrier to my work, but because I struggle against it to paint in the landscape, the work is neither sluggish nor indulgent, but urgent and direct. I have taken to the discipline of working in the studio once the painting is developed enough to sustain the use of memory as a resource. My blessed wife and four children have contributed to the necessity of this development in the process of making paintings, and I have grown to love it. Memory has a limitless capacity for engaging the imagination, and as I learn to channel that powerful interaction through my sensibilities, the expression through the material, as a consequence, has shown itself to be something of a personal style. But I don’t give much attention to that; I focus more on the accuracy or the tone of the gestural expression of form through paint. Artist Brian Rego working in his Charleston, SC studio. East Bay Street, oil on linen, 20 x 24 inches, by Brian Rego. Courtesy of the artist. Dawn Hunter: Your solo exhibitions, including Present Memory; Tiny Mirrors; and Affections; have garnered a lot of attention. Could you give us a glimpse into the creative journey that led to these pieces and what they represent for you? Brian Rego: Each piece of every body of work is a visual accounting of my life in a certain place, in a certain time. But the paintings are about themselves, they are not about me. I just use what is around me and how I engage with those things as material to make the work. I have my own attachments to the work, my own entry points, but those will be different for someone else and what I have to say will only hinder their relationship to the painting. Each painting needs its autonomy. I need to keep looking ahead to what is next, not because I know what to look for, but to keep myself moving, one step at a time. ​ Dawn Hunter: Alongside creating your own art, you’re passionate about teaching and nurturing the next generation of artists. How has this commitment to education shaped your own artistic workand the way you view your role as an artist? Brian Rego: I believe in giving back. I have had many people contribute their time, energy, knowledge, and love, to my development as a person and as a painter. The biggest influences in my life, aside from my family, have been teachers. I am grateful for the ability to teach, but even more so for the desire to do it. It brings me satisfaction to share something that I consider to be so good and so rich with other people. I love to see people struggle and grow, to see them enriched; I never tire of it. This attitude has fostered within me an ardent love for what I do, and in a way, it justifies what I do. If I painted exclusively for myself, I don’t think I would do it. Pineapple Fountain, oil on canvas, 22 x 28 inches by Brian Rego. Courtesy of Nancy Magolis Gallery. Dawn Hunter: You’ve been honored with several awards, like the Ed Yaghjian Award and the Blackwell Prize in Painting. What influence have these recognitions had on your artistic perspective, and what words of wisdom would you share with budding artists aiming for such honors? Brian Rego: Awards are wonderful because they represent someone believing in the value of your work, but whether the work is received favorably or unfavorably, the focus must be set upon the needs and demands of the work, which are established solely between you and what you make. Do not aim for honors, it is a distraction. The people who honor you will also dishonor you the moment you and your work cease to represent the values they hold dear. If you, especially as a budding artist, give that level of influence to someone else, you will lose your way. Expect there to be good times and bad times, but remember that each does not last. Listen to your heart, follow your gut, and move onward. It is not about you, it is about the work. Dawn Hunter: What do you hope viewers will experience or understand when they interact with your art? Looking forward, are there any new themes or techniques you’re looking forward to incorporating in your upcoming works? Brian Rego: Ideally, my hope is for a viewer to enter into the compressed space of the painting, slowly expanding, finding themselves immersed in another world. One that connects deeply to the viewer’s interior world, to their sensibilities, and form a connection to it. My hope is for the viewer to understand that the painting is there to be seen and that it reveals itself in layers, that it imparts something of value, but that it takes time. Regarding my upcoming work, I want to paint on bigger surfaces. I want to learn how to make large paintings, really get into things. I am working out the practical aspects of making large paintings on location, and then of course, how to paint them. ​ Above, Woman Sunrise at the Park, oil on line, 22 x 26 inches, by Brian Rego. Courtesy of Nancy Margolis Gallery. Nancy Margolis Gallery | Brian Rego Outdoors | Dawn Hunter | South Carolina Sunshine Outdoors South Carolina Sunshine™ | Places to see and things to do outside in the beautiful state of South Carolina. Table of Contents Icons Scroll and click on an icon image below to go an outdoor activity you are interested in learning more about! Congaree National Park Discover the Congaree National Park, a host to a diversity of plant and animal wild life. Its floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. More Bulls Island Bulls Island, the largest in Cape Romain National Wildlife Refuge, is a pristine 5,000-acre barrier island established in 1932. Its thriving maritime forest, diverse wildlife habitats, beautiful beach area, and numerous trails offer plenty of opportunities for exploration and wildlife observation. More Hilton Head Island Discover Hilton Head Island's year-round allure! This vibrant South Carolina hotspot shines even in winter. In February alone, the island hosts events like the 2023 Hilton Head Island Gullah Celebration, a cherished Seafood Festival, and the prestigious Darius Rucker Intercollegiate Golf Tournament hosted by the University of South Carolina. Craving more? Explore Hilton Head Island's vibrant culture with our photo essay. More Riverbanks Zoo and Garden Delight in the engaging attractions at Riverbanks Zoo & Garden in Columbia, SC. From the captivating Western Lowland Gorilla, Sea Lion, and White Rhino exhibits to the tranquil botanical gardens and fun-filled Waterfall Junction splash pad, there's something for everyone. The venue, offering rentable spaces for events, makes learning fun across all ages, with educational aspects woven into every exhibit. Exciting events for summer 2023 include Members' Night Out and Brew at the Zoo. More Lake Jocasse Discover the enchanting Lake Jocassee, a gem nestled in the secluded northwest corner of South Carolina within Devils Fork State Park, Oconee County. Perfect for local getaways and out-of-state explorations, this family and dog-friendly haven offers refreshing, crystal-clear waters fed by Appalachian rivers - an ideal retreat on the hottest days. Embrace serene solitude or engage in thrilling adventures with many activities, including flatwater kayaking, paddleboarding, fishing, scuba diving, and hiking. Lake Jocassee - your destination for a memorable escapade! More South Carolina State Fair Hosted annually in Columbia, the South Carolina State Fair is a cherished local tradition managed by the South Carolina Agricultural and Mechanical Society. With rides, tempting food, and exciting games brought to you by North American Midway Entertainment, it's the perfect gathering spot for community fun. Revel in this delightful event, an ideal setting for a memorable day with loved ones. Soak up the amusement, indulge in delectable treats, and engage in lively games! More Field Trip | South Carolina in New Mexico Join acclaimed artist and the University of South Carolina Professor Sara Schneckloth for an enriching drawing residency in New Mexico's high desert. Immerse yourself in the mesmerizing landscape that inspired Agnes Martin. Discover the sensory richness of piñon, juniper, and Milky Way skies, as you create artwork with handcrafted charcoal and natural paints. This unique experience combines land, creativity, and tutorials to deepen your drawing insights and foster independent studio practice. More Soda City Market Every Saturday, come rain or shine, the Soda City Market in downtown Columbia, SC, welcomes visitors from 9 am to 1 pm all year round. An ideal experience for Midlands residents or those seeking weekend fun, this producers-only market hosts an average of 150 vendors weekly, with a rotating database of 400. From fresh produce, handcrafted jewelry, baked delights, and art to trendy clothing and accessories, there's something for everyone. Food trucks and LIVE music add to the vibrant atmosphere, making it a must-visit destination! More South Carolina Aquarium Embark on a journey through the South Carolina Aquarium, with a special focus on the Zucker Family Sea Turtle Recovery™ exhibit and the Sea Turtle Care Center™. It is devoted to preserving sea turtles, and the center's efforts are crucial in protecting all seven endangered or threatened species. 'Dive' into our photo essay tour of the visit with images captured by Dawn Hunter (unless noted otherwise). More Pumpkin Carving with Baby Goats Embrace the outdoors at Flowertown Charm in Summerville, SC, where we enjoyed an unforgettable pumpkin carving experience amidst a delightful farm setting. With pumpkins, tools, and stencils provided for up to sixteen guests, we bonded over carving and interacting with various farm animals, planning to turn this into an annual tradition. Beyond this seasonal delight, Flowertown Charm offers cozy accommodations and unique activities like Goat Yoga, Farm Snuggle Sessions, Marshmallow Roasting with Goats in Sweaters, and more. The warm hospitality of farmers Chris and Jenna Pelayo makes every visit special. We wholeheartedly endorse Flowertown Charm for fellow animal enthusiasts! More Teacher Appreciation Cupcakes with Dolly Parton Darcy's Appreciation Teacher Appreciation Expressed with Cupcakes frosted with Dolly Parton's and Duncan Hines' Creamy Chocolate Buttercream Darcy created several unique cupcakes that she decorated intricately to give to her teachers at school to show that she appreciated them. It was a very thoughtful and creative gesture! Decorating cupcakes was a fun and artistic way to express herself, and giving them as gifts to show appreciation was a great way to build connections and show gratitude. Creative giving Baking and decorating cupcakes is a great way for children to express their creativity and imagination. Creating something beautiful and delicious can be very satisfying and fulfilling, and it can also be a fun way to spend time with family and friends. “You'll never do a whole lot unless you're brave enough to try.” – Dolly Parton Unique Twist She gave them an extra unique twist by using a limited, 1st edition chocolate Frosting created by Duncan Hines and Dolly Parton. Darcy is a huge Dolly Parton fan, so it was amusing to her to include the frosting in cupcake creativity! Dolly Parton is a beloved figure known for her music, acting, and philanthropy. It was nice that she found a way to incorporate a limited edition frosting created by Duncan Hines and Dolly Parton in the recipe. ​ “Find out who you are and do it on purpose.” ​ - Dolly Parton Silver Jubilee Cake Batter Recipe 2 cups sifted cake flour | 3 teaspoons baking powder | 1/4 teaspoon salt | 1/2 cup butter | 1 cup sugar | 2 eggs, well beaten | 3/4 cup milk | 1 teaspoon vanilla extract Mix and sift flour, baking powder & salt. Cream butter, add sugar slowly & cream until fluffy. Stir in eggs. Add dry ingredients alternately with milk, and stir well after each addition. Add vanilla. Scoop into lined cupcake tin. Bake in a 375°F/190.556°C oven for 25-30 minutes. ​ Conclusion: ​ Having the frosting connected to her public persona definitely made the cupcakes extra special and personal for Darcy. It made the experience of creating and giving the gift more meaningful and enjoyable. The connection to a celebrity like Dolly Parton constructed a relatable and fun endeavor for Darcy and those who received them. It was also a great way to express her personal style and interests. The second limited edition of the Dolly Parton baking collection will be released by Duncan Hines on February 8, 2023. Please see the links on the buttons below for more information. Soft Serve Vanilla Ice Cream Soft Serve Vanilla Ice Cream PHOTO ESSAY BY DAWN HUNTER AND DARCY PHELPS, NOVEMBER 19, 2022 We are so excited to get a new ice cream maker, and we went for a reasonably priced model created by the brand Tasty. There were a range of colors to choose from, and we were able to select one that suited Darcy's style. She promptly decorated it with a sticker created by one of her favorite YouTubers and a source of her inspiration for Dish with Darcy™, Moriah Elizabeth. We watch her creative YouTube channel every Friday together. "Nobody has everything and everyone has something” ​ - Moriah Elizabeth Homemade Vanilla Ice Cream Darcy has been trying to make ice cream in a plastic bag for the past few weeks. The results were less than she desired even after shaking the mixture in salted ice. Since tackling ice cream from scratch and minimal technology had been frustrating, we decided to go for a recommended ice cream mix. The mix we found, Junket Ice Cream mix, was simple to follow and only required a few ingredients that we already had in our kitchen. After a few trial and errors, we finally had a delicious and smooth soft serve ice cream that we could enjoy! tasty.co Moriah Elizabeth Junket Desserts Unique History Ice cream's origins can be traced back to ancient China. Its appearance can be traced to Italy through Marco Polo and then to France with Catherine de Medici. Eventually, it made its way to the US through Thomas Jefferson. European ice creams appeared in Italy during the 1600s and eventually became popular throughout Europe by the mid-century. This is recorded in letters, journals, and records from Paris, Florence, Naples, and Spain. ​ ​ "I scream, you scream, we all scream for ice cream!" - Howard Johnson History continued: Ice cream reached America with European settlers and was served by the first lady of colonial Maryland as early as 1744. George Washington bought a mechanical ice cream maker for Mount Vernon in 1784. Thomas Jefferson, who developed a taste for French-style ice cream while in Paris, served it at the executive mansion at least six times and wrote ten recipes, including one for vanilla ice cream with egg yolks. ​ By the late 19th century, ice cream had become a popular treat in America. In 1874, the ice cream soda was invented, and by 1881, the sundae made its debut. The waffle cone stole the show at the 1904 St. Louis World’s Fair, while Popsicles were patented in 1923. Both Dairy Queen and Carvel claim to have created soft-serve ice cream in the mid-1930s, and frozen yogurt hit the scene in the 1970s. ​ ​ Junket Vanilla Ice Cream Recipe ​ 3 Junket® Rennet Tablets 2 tablespoons cold water 3 cups whole milk 2 cups heavy whipping cream 1 cup sugar 4 tsp vanilla Dissolve Junket® Rennet Tablets in cold water by crushing. Set aside. Combine remaining ingredients in saucepan. Heat while stirring to lukewarm (110º F). Remove from stove. Add dissolved tablets. Stir a few seconds and pour immediately into freezer can. Let set at room temperature until firm and cool. When mixture is set, place container into the ice cream freezer and follow manufacturer’s instructions. Begin churning until it is frozen. ​ SC People | Dawn Hunter | South Carolina Sunshine™ South Carolina People South Carolina Sunshine™ | SC People feature interviews with people who build our communities and make South Carolina great! Table of Contents Icons Scroll and click on an icon image below to go an interview section you are interested in reading. Our selected interviewees are influential figures within the state of South Carolina. Through a series of thoughtfully crafted questions, our goal is to inform the public about dynamic artists, directors, curators, and cultural programming in our region. We have chosen to interview individuals who exemplify the diversity and richness of our cultural landscape. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Diana Farfán Ceramic Artist | Community Leader Kyle C. Coleman Artfields Collective | Fine Arts Director Mary Robinson Internationally recognized printmaker Brian Rego Renowned Charleston, SC artist Marius Valdes Professor, University of South Carolina Ella Marushchenko Scientific Illustrator Sara Schneckloth Professor, University of South Carolina Nakisa Abdollahbeigi Critically Acclaimed Artist Caroline DeSantis Entrepreneur Bohumila Augustinova Director, Columbia Art Center Upcoming Interview We are excited about our upcoming interview with multidisciplinary artist, Cedric Umoja, a Columbia, S.C. Cedric uses letter forms, found materials, and archetypal totems to create transformative art. His work spans drawings, paintings, murals, sculptures, films, installations, and performances, bridging ancient and futuristic themes. ​ Influenced by artists like Dondi White, Betye Saar, and Sun Ra, Umoja studied at the Art Institute of Atlanta and apprenticed under Tony Cacalano, who was mentored by Jack Tworkov of the New York School. Umoja’s style incorporates elements of Post Graffiti, Post Expressionism, Afro Surrealism, and Modern African art. Yayoi Kusama Pumpkin Pie Darcy's Kusama Pumpkin Pie In celebration of her favorite artist, Darcy made drawings of and decorated pumpkins. She capped off the activity with homemade pumpkin pie, an unexpected treat in July. Japanese artist Yayoi Kusama is known in the art world as the 'Princess of Polka Dots.' She has dazzled museum visitors with her infinity rooms that have featured some of her objects, like her pumpkin sculptures. Featured in this section is a Yayoi Kusama 'My Love for the Eternal Pumpkin' sculpture when it was on view at the Hirshhorn Museum, Washington, D.C. The photo essay below contains a mix of images from Kusama exhibits, Darcy's creative process, and her pumpkin pies! Who is Yayoi Kusama? Yayoi Kusama was born on March 22, 1929, in Japan. She is a famous artist known for her sculptures and infinity mirror rooms. Kusama is very talented and makes all kinds of art like paintings, performances, videos, poems, and stories. Her art is very creative and includes ideas about feminism, minimalism, surrealism, pop art, and abstract expressionism. A lot of her work is about her own life and feelings, and she often includes psychological and sexual themes. Kusama is one of the most important artists alive today and the best-selling female artist in the world. ​ Kusama grew up in Matsumoto and studied traditional Japanese painting, called nihonga, at Kyoto City University of Arts for a year. She was inspired by American Abstract Expressionism and moved to New York City in 1958. There, she became a big part of the 1960s avant-garde scene and the pop-art movement. In the late 1960s, she became well-known for organizing events where people, often naked, were covered in bright polka dots during the hippie counterculture. Her work became less famous in the 1970s but had a big comeback in the 1980s. Kusama has kept making and showing her art in top museums worldwide, staying influential from the 1950s until now. “A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm.” ​ - Yayoi Kusama Unique Twist By finding inspiration in Yayoi Kusama's art, Darcy was able to create a unique activity for herself. By creating her own 'eternal pumpkins,' she was able to develop a deeper understanding of Kusama's artwork. While Yayoi may not bake a pie after the creation of each pumpkin, Darcy took her pumpkin inspiration a step further and made one of her favorite desserts that is a year-round favorite. Pumpkin pie in July? For us, it is a typical summer treat! ​ “Polka dots can't stay alone. When we obliterate nature and our bodies with polka dots, we become part of the unity of our environments.” ​ - Yayoi Kusama Silver Jubilee Pumpkin Pie Recipe Pumpkin Pie ​ Ingredients: 1/2 recipe Standard Pastry (page 362) 1 cup brown sugar 1/2 teaspoon ginger 1 teaspoon cinnamon 1/2 teaspoon salt 2 eggs, slightly beaten 1 1/2 cups milk 1/2 cup thin cream 1 1/2 cups cooked or canned pumpkin ​ Instructions: Line a 9-inch pie pan with pastry. Mix sugar, spices, and salt. Add slightly beaten eggs, milk, cream, and pumpkin. Mix well. Pour into unbaked pastry shell, and bake in a moderately hot oven (425°F) for 40 to 45 minutes, until an inserted knife comes out clean. Yield: 1 9-inch pie. ​ Note: If desired, 2 cups of undiluted evaporated milk may replace the milk and cream. Pumpkin pie may be covered with whipped cream flavored with sherry, maple syrup, or honey. Carla Gannis | Dawn Hunter | South Carolina Sunshine™ Carla Gannis / C.A.R.L.A G.A.N. WWWUNDERKAMMER, May 19 -July 15, 2023 Up until July 15, visitors are encouraged to explore the uniquely captivating exhibition by Carla Gannis, known as C.A.R.L.A G.A.N. WWWUNDERKAMMER, hosted at the esteemed Halsey Institute of Contemporary Art, located at the College of Charleston, Charleston, SC. We highly encourage local residents and visitors to make a trip down. "One of the most compelling (and sometimes daunting) aspects of digital narrative is how it can traverse electronic pathways and physical spaces in more adaptive ways than traditional mono mediums." - Carla Gannis from Lume Prize interview . What is WWWunderkammer? WWWunderkammer, a project by Carla Gannis, is an inventive project aimed to redefine the traditional concept of Wunderkammer or the 'cabinet of curiosities', thus challenging the conventional norms of a museum. Through innovative applications of technology, she seamlessly blends tangible reality with the virtual world. Her installation, mirroring her ongoing online project available on Mozilla Hubs and in high-resolution desktop VR, introduces audiences to various thematic "chambers" - each exploring a unique element of our modern existence, from environmental concerns to the digital metamorphosis of self-perception and language. The in-person exhibit leverages augmented reality to blur the boundary between real and virtual, a technique Gannis employs to delve into the human experience in the digital age, while ensuring knowledge remains accessible for everyone. Carla Gannis, continued: ​ Initiated in 2019, WWWunderkammer serves as an ever-evolving project that advances as our understanding of our surroundings deepens. Historically, artists have employed illusions to obscure the demarcation between fact and fiction, constantly encouraging audiences to re-interpret visual content. Gannis invites viewers to embrace a learning and questioning mindset anew, challenging accepted narratives and conventional outlooks, and fostering an understanding of overlooked histories and possible futures. ​ A renowned American transmedia artist, Carla Gannis spent years teaching at the Pratt Institute's Department of Digital Arts in New York before transitioning to New York University in 2019. Her oeuvre melds digital designs with celebrated artworks, such as those by Pieter Bruegel the Elder, gaining significant acclaim in 2013 for her emoji reimagining of Hieronymus Bosch's painting, The Garden of Earthly Delights. About the Halsey Institute of Contemporary Art Situated within the College of Charleston S chool of the Arts, the Halsey Institute of Contemporary Art is an innovative platform fostering dialogue between groundbreaking visual artists from across the globe and diverse communities. As a non-collecting institution, it focuses on the development, display, interpretation, and sharing of thought-provoking ideas, underscoring the historical, societal, and cultural significance of contemporary art. ​ Free Admission GALLERY HOURS (during exhibitions) Monday - Saturday, 11am – 4pm Open Thursdays until 7pm More Darcy's White Bean Dip | Dawn Hunter | South Carolina Sunshine™ Darcy's Inspiration, Love & Lemons' White Bean Dip! Imitation is the greatest form of flattery, and in this week's "Dish with Darcy" feature, Darcy showcases Love and Lemons' delightful white bean dip. With their keen eye for detail and a dash of creativity, they carefully penned a palette inspiring recipe. Darcy sourced the freshest ingredients, and prepared her kitchen for a fun and rewarding cooking session. For Darcy, the kitchen is a place of joy and experimentation, not just precision. She followed Love & Lemons' outline and started with cannellini beans, olive oil, and lemon, which are the heart of this dip. This mixture takes mere moments to blend in a food processor, resulting in a dip that’s both creamy and bursting with flavor. The zesty lemon enlivens the earthy beans, while olive oil lends a luxurious smoothness. Whether you're dipping carrot sticks, spreading it on a sandwich, or enjoying a spoonful right from the fridge, this recipe is a keeper. ​ For an extra layer of flavor, Darcy added the suggested fresh herbs like basil and rosemary. If you're feeling adventurous, try mixing in tarragon, parsley, thyme, mint, dill, or chives. And for a rich, mellow garlic undertone, roast a head of garlic as described, then blend the soft, golden cloves into your dip. This aromatic addition transforms the dip into a deeply flavorful treat that’s perfect for any occasion. "Chefs don't make mistakes; they make new dishes." - Elizabeth Brigg Ingredients 1 1/2 cups cooked cannellini beans, drained and rinsed 2 tablespoons extra-virgin olive oil 2 tablespoons fresh lemon juice 1/2 teaspoon lemon zest 1 small garlic clove 1/2 teaspoon sea salt freshly ground black pepper 2 to 4 tablespoons water, if needed 2 tablespoons torn fresh basil leaves 2 teaspoons fresh rosemary leaves Instructions ​​ Directions: Place the cannellini beans, olive oil, lemon juice and zest, garlic, salt, and pepper into a food processor. Pulse these ingredients until they are just mixed. While the processor is still running, gradually pour in the water and continue to process until the mixture reaches a smooth consistency. If you like, add fresh herbs of your choice at the end and give it one last blend to incorporate. “When I create any dish, literally the first thing I think of is, what is the purpose behind this dish? Why am I putting this ingredient in it?” - Esther Choi And that concludes this segment of "Dish with Darcy!" Here, culinary exploration turns into an exhilarating escapade. Whether it’s mastering the art of a silky white bean dip that promises to elevate your snack time or delving into comforting classics with a gourmet twist, Darcy ensures that every cooking session is filled with joy and discovery. Her rich, creamy, and zesty white bean dip is guaranteed to dazzle your taste buds and become a new favorite. Stay tuned for more delicious adventures on "Dish with Darcy! Previous 1 2 3 Next