Our website is inspired by three women—Bohumila Augustinova, Ella Maru & Kathleen Robbins, because of their excellence in art, science & community. Our History In the final month of 2021, an innovative spark ignited within me as I dived into the formation and structure of this platform. The source of this artistic energy was a trio of accomplished women from South Carolina who I deeply respect: Bohumila Augustinova, Ella Marushchenko, and Kathleen Robbins. Their talents intersect the spheres of arts, science, and community service, making them influential figures to look up to. Ella's scientific illustrations have continually fueled my studio work, while Bohumila's recent receipt of the Jefferson, Multiplying Good Award further elevated my admiration. Additionally, Kathleen's photography, with its strong emphasis on familial bonds, has consistently captured my imagination. In an effort to create a platform that transcends my individuality, I was motivated to dedicate dawnhunter.com to exceptional South Carolinians and to the exploration of our state's diverse culture and nature. It felt like a meaningful mission. I further sought, my daughter, Darcy's collaboration on this project and was met with an enthusiastic affirmation. Together, we embarked on creating a site encompassing dedicated sections such as SC People , Culture , Outdoors , Dish with Darcy™ , and Studio Visit . Each segment serves as a unique "topical hub", analogous to a "topic Tumblr,"and receives monthly updates. However, the Culture segment is refreshed more frequently, with new content added on a weekly to bi-weekly basis. Contact Me: dmhunter@email.sc.edu ARTISTISTIC INSPIRATION, ELLA MARUSHCHENKO WITH COVER ART CREATED BY ELLA MARU STUDIO Co-founded by Sasha and Ella Marushchenko , Ella Maru Studio creates some of the most innovative and compelling contemporary scientific illustration by fusing and applying their scientific (Sasha, chemist) and artistic (Ella, artist) backgrounds. Ella Maru Studio employs scientists with PhD credentials from the best universities and top talent graphic designers. The results are cutting edge, memorable images that resonate and effectively communicate with readers. South Carolina Sunshine is delighted and honored that Sasha and Ella granted us an interview, which is one of our most visited SC People editorials. Stay tuned, check back for more upcoming interviews with leaders and creatives living in South Carolina. Follow us on Instagram to be alerted when new content is live! Ella Maru Studios EXPLORE CULTURE AND THE OUTDOORS South Carolina, while rich in history, also holds a lot of unexpected surprises. For example, did you know that during their migration from South America that Whimbrels stop "over to feast on the bounty of our barrier islands, and up to 20,000 will congregate on the spit of sand known as Deveaux Bank?" (quote from Coastal Expeditions website.) There is much to learn, see and explore. Some of our upcoming content for our Outdoor s section includes a Whimbrel Expedition, an interview with a geologist who is mapping the ocean floor off the coast of SC, and interviews with researchers from UofSC Upstate's Watershed Ecology Center. Outdoors OUR FIRST SC PEOPLE INTERVIEW: BOHUMILA AUGUSTINOVA While aesthetically improving the forefront of a local business five years ago, Bohumila Augustinova, unwittingly launched a Cola City art installation winter staple by YarnBombers of Columbia on Main Street and beyond. The Yarnbombers of Columbia is a group that Bohumila spearheaded brings together over one hundred local artists who create unique, brightly colored, and patterned crocheted and knitted forms that they wrap around trees or parking meters during the winter months. The project evolved beyond aesthetics with the emergence of the “Giving Tree” located on the corner of Main and Taylor, downtown Columbia. As part of the tradition, artists hang hundreds of scarfs, hats, and gloves for anyone to take and use from that tree. This past December, Bohumila was recognized for her hard work and community investment with a Jefferson Service Award. Bohumila's Interview YOUR HOSTESSES: DAWN AND DARCY Road trip selfie: Here we are teaming up for a cultural experience at this year's ArtFields arts festival, Lake City, South Carolina. The event was so epic, we had no choice but to summarize our weekend of fun in the Culture AND the Dish with Darcy™ sections. We are excited about meeting new people and the exciting adventures that await us. Visit dawnhunterart.com to view my Cajal Portfolio and dawnhuntergallery.com to view my other artwork series. About Dawn

Darcy creates cupcakes for her teachers, using limited edition Dolly Parton frosting. This gesture showcases her creativity, love for Dolly Parton, and gratitude. Darcy's Appreciation Teacher Appreciation Expressed with Cupcakes frosted with Dolly Parton's and Duncan Hines' Creamy Chocolate Buttercream Darcy created several unique cupcakes that she decorated intricately to give to her teachers at school to show that she appreciated them. It was a very thoughtful and creative gesture! Decorating cupcakes was a fun and artistic way to express herself, and giving them as gifts to show appreciation was a great way to build connections and show gratitude. Creative giving Baking and decorating cupcakes is a great way for children to express their creativity and imagination. Creating something beautiful and delicious can be very satisfying and fulfilling, and it can also be a fun way to spend time with family and friends. “You'll never do a whole lot unless you're brave enough to try.” – Dolly Parton Unique Twist She gave them an extra unique twist by using a limited, 1st edition chocolate Frosting created by Duncan Hines and Dolly Parton. Darcy is a huge Dolly Parton fan, so it was amusing to her to include the frosting in cupcake creativity! Dolly Parton is a beloved figure known for her music, acting, and philanthropy. It was nice that she found a way to incorporate a limited edition frosting created by Duncan Hines and Dolly Parton in the recipe. “Find out who you are and do it on purpose.” - Dolly Parton Silver Jubilee Cake Batter Recipe 2 cups sifted cake flour | 3 teaspoons baking powder | 1/4 teaspoon salt | 1/2 cup butter | 1 cup sugar | 2 eggs, well beaten | 3/4 cup milk | 1 teaspoon vanilla extract Mix and sift flour, baking powder & salt. Cream butter, add sugar slowly & cream until fluffy. Stir in eggs. Add dry ingredients alternately with milk, and stir well after each addition. Add vanilla. Scoop into lined cupcake tin. Bake in a 375°F/190.556°C oven for 25-30 minutes. Conclusion: Having the frosting connected to her public persona definitely made the cupcakes extra special and personal for Darcy. It made the experience of creating and giving the gift more meaningful and enjoyable. The connection to a celebrity like Dolly Parton constructed a relatable and fun endeavor for Darcy and those who received them. It was also a great way to express her personal style and interests. The second limited edition of the Dolly Parton baking collection will be released by Duncan Hines on February 8, 2023. Please see the links on the buttons below for more information.

Meet Udorji Oji, Columbia-based artist, currently studying Biological Sciences and Art Studio at the University of South Carolina. Known for his colored pencil work, Oji blends realism with conceptual exploration, drawing inspiration from both academia and personal history. A recent participant in major exhibitions like the SVAD Juried Art Exhibition and Artista Vista: Rooted, he is now focused on expanding his portfolio and revisiting the conceptual themes that first sparked his passion. To play, press and hold the enter key. To stop, release the enter key. Interview with emerging artist, Udorji Oji of Columbia, SC by Dawn Hunter "Learning is the only thing the mind never exhausts, never fears, and never regrets." - Leonardo Da Vinci Udorji Oji, a Columbia-based artist originally from North Augusta, South Carolina, is steadily carving out a space for himself within the state’s vibrant creative landscape. Born and raised in North Augusta, Oji has lived his entire life in South Carolina and is currently pursuing a double major in Biological Sciences and Art Studio at the University of South Carolina-Columbia. For artwork attributions, he prefers using "Artwork by Udorji Oji" in exhibits and on social media where he shares his artistic journey through his Instagram page @artsy_udorji. He developed his passion for art during his kindergarten years and continued to cultivate it through his school years where art became his most beloved subject. The seventh grade introduced him to colored pencils which became his primary artistic tool and remains his main creative medium to this day. Oji chooses colored pencils because they provide both functional and expressive artistic capabilities. Portable and clean, they allow him to shift seamlessly between quick sketches and highly detailed renderings, fitting naturally into his active academic life. Oji received his artistic education through the guidance of multiple mentors who shaped his creative development. RachelPolvadore at his high school taught him the basics of art while helping him participate in competitions and exposing him to the wider artistic world. “ This support led Oji to declare Art Studio as a second major in college. At the University of South Carolina, he has found further inspiration in faculty members such as James Busby, whose realism and abstract works outside the classroom have had a notable influence on Oji’s technique and attention to detail. In Figure Structure with Aldrich Morton, he has explored the fundamentals of life drawing, while his time in Color and Composition with yours truly, Dawn Hunter, has deepened his understanding of color theory. Title: "nymphaeaceae," Artwork by Udorji Oji, colored pencil on paper. Although Oji recently participated in two major exhibitions—the 70th Annual SVAD Juried Art Exhibition and the Artista Vista: Rooted exhibition—he is currently stepping back from showing work to focus on growth. His summer plans include expanding his portfolio, sharpening his skills, and returning to the conceptual themes he explored in high school. His recent work has been more realistic, and technique driven, but he is eager to get back to the kind of projects that once challenged him creatively. Future opportunities like the Calls for Artists: Anderson, SC & Beyond and the South Carolina State Fair Fine Arts Competitions are on his radar. With roots firmly planted in South Carolina and aspirations that reach far beyond, Udorji Oji is an artist to watch—one whose technical precision is matched by a deep desire to communicate meaning through his work. Title: “The Reason, portrait of mom” Artwork by Udorji Oji, colored pencil on paper. Q & A with Udorji Oji Dawn Hunter: Can you describe your artwork to an audience that has not yet seen it? Udorji Oji: My artwork these past couple of years have changed so much, but if I were to summarize my artwork in one word it’d have to be realistic artwork. In the past year, I’ve been doing hyperrealistic artwork as well, and tried to replicate photos as closely as possible. But as a whole, my art is realistic; I try to represent life, not just reference images or photographs, and tie in my own personal outtakes view of the world. (continued below) Exhibition signage and view of the exhibition "Rooted" at the Richland County Library, Columbia, SC. Portrait of Udorji Oji's mother standing next to a portrait he created of her inspired by Leonardo's "Mona Lisa" on display as part of the "Rooted" exhibition. Rooted Exhibition Link Dawn Hunter: What specific elements of colored pencils attract you to work with these mediums? Udorji Oji: I primarily use colored pencils for their ability to create such detailed work. Details are everything to me because they make a person really stop and pay attention to your work. To me, art should be viewed and start a conversation, whether it’s out loud or in your mind; it shouldn’t be just something you view for a few fleeting seconds and move on to the next. Title: “The Goose that Laid Corporate Greed” Artwork by Udorji Oji, colored pencil on paper. Dawn Hunter: You recently created a version of the Mona Lisa featuring your mother. Describe the inspiration behind your personal interpretation of the famous painting through this artwork. Udorji Oji: I chose to recreate the Mona Lisa because of the mystery behind it. There is so much speculation behind the inspiration of the Mona Lisa, why da Vinci took the painting everywhere he went, why the painting was never delivered to the commissioner. I wanted to make my own spin of the controversy and propose my own take of the story. I thought it was obvious that the Mona Lisa was special to da Vinci, which is why I chose my mother as the figure in the drawing because she’s special to me. I named my piece The Reason because not only is she quite literally the reason I’m breathing today, but also the reason why I’ve pursued art and continuing to do so. Dawn Hunter: What message do you want your artwork to convey to viewers during their experience of your art? Udorji Oji: I want my artwork to evoke strong emotions when they are viewed by an audience. I want strong enough emotions to where they’re inclined to question what my piece is about, look for details throughout my work and try to understand what my inspirations were while creating a specific piece. Title: “The American Dream, Bachelor Party” Artwork by Udorji Oji, colored pencil on paper. Dawn Hunter: Do you see your artistic work aligning with particular artistic traditions and styles and movements? Udorji Oji: My work is an amalgamation of so many past art movements. I love art history and while taking it in high school simultaneously with my art classes, I saw my art transforming. I accredit my current artistic style to the High Renaissance, the Baroque, Realism, and Surrealism. Title: "Bloom," Artwork by Udorji Oji, colored pencil on paper. Title: "Toxic (Boys will be Boys)," Artwork by Udorji Oji, colored pencil on paper. Dawn Hunter: Does storytelling together with memory serve as essential components in your artistic practice? Udorji Oji: Yes absolutely, storytelling is essential in my artistic practice. I love to include little easter eggs in my art that can represent anything in my life; references to my family, mentors, or friends can be seen in my art which I add not only as a memento but also as a representation of my life beyond the drawing. Title: “Self-portrait” Artwork by Udorji Oji, color pencil on paper. Dawn Hunter: What has been the most meaningful or surprising response to your art so far? Udorji Oji: The most meaningful response that has been to my art has actually been my extended family. I come from a very well-educated family, where I can’t even count on my fingers how many of them are doctors, nurses, lawyers or engineers. Over half of my cousins are either in medical school, law school, or working corporate. My immediate family have always known I enjoyed art, but my extended family didn’t truly know until my freshman year of high school. I was nervous, at first, not because I was ashamed of what I do or value STEM over humanities, but because I’ve never showed them this side of me and didn’t know what to expect. However, as they started to realize my practice, I received an abundance of love and admiration from my family. As of right now, I’m the only one known as the “artist” in my family Dawn Hunter: How do you anticipate your artistic style transforming during the upcoming years? Udorji Oji: I anticipate my art taking a more surrealistic approach in these upcoming years. I’ve always loved the Surrealism movement and the artists within it, particularly Frida Kahlo. There’s so much visual meaning behind their works and I love that they can do that and still practice realism within it. As for my academic and professional endeavors, I will also still be practicing hyperrealism and anatomical drawings to prepare for Graduate school. After I graduate, I plan to attend Augusta University for my Masters in Medical Illustration. I love Health Sciences and Biology, and the opportunity to combine it with my love for art has been a dream of mine since middle school. Art has been my personal visual aid for so long and I would love to be reason for it to be someone else’s aid as well.

Brian Rego, a distinguished US artist, is famed for his evocative landscapes and figurative works. Born and schooled in the art communities of Pennsylvania and South Carolina, he received his BFA and MFA from University of South Carolina and Pennsylvania Academy of the Fine Arts, respectively. Renowned for exhibitions like "Present Memory", Rego's creative vision is widely celebrated in solo and group exhibitions. To play, press and hold the enter key. To stop, release the enter key. The Artistic Vision of Brian Rego: Crafting Masterpieces and Nurturing Future Artists "My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty." Brian Rego is a seasoned artist known for his evocative landscape and figurative works. Born and raised in the United States, Rego's formal art education was forged within the robust arts communities of Pennsylvania and South Carolina.In 2004, Brian Rego achieved a significant milestone, receiving his Bachelor of Fine Arts in Painting from the University of South Carolina. His unique talent was quickly recognized, earning him the prestigious Ed Yaghjian Award for Distinguished Undergraduate Work. Yet, for Brian, this was only the beginning. Driven by a relentless curiosity and an unwavering commitment to his craft, he pursued further studies at the highly respected Pennsylvania Academy of the Fine Arts, attaining his Master of Fine Arts in Painting in 2007. Brian's dedication, however, extends far beyond his academic accomplishments. From the outset of his career, he has demonstrated an exceptional artistic prowess. His solo exhibitions, such as "Present Memory" at the Nancy Margolis Gallery in New York in 2021, "Tiny Mirrors" at the John Davis Gallery in 2019, and "Affections" at the Southside Gallery, also in 2019, have drawn significant attention and acclaim. This acclaim not only cements his status as an accomplished artist but is also a testament to his remarkable creative vision. Furthermore, his work has been featured in various notable group exhibitions, including "Rooms For Strangers" at the Pamela Salisbury Gallery, and "Working Small | A Group Exhibition" at Nancy Margolis Gallery. Above, Dream Walking, oil on board, 15 1/8 x 18 1/2 inches by Brian Rego. Image courtesy of Nancy Margolis Gallery But Brian Rego isn't just about painting pretty pictures. He's got this passion for education that pushes him to go beyond his studio. He's taken on roles as a teacher, a critic, even a visiting artist at different places. He really puts his heart into fostering the growth of young talent, nurturing the next wave of artists who'll make their own marks in the world.. These have included the Jerusalem Studio School in Israel and the University of Mississippi. Notably, he also returned to his alma mater, the University of South Carolina (2008-2019) serving as an Adjunct Professor in 2-D Design Foundations, Figure Drawing and Painting. In 2022, he taught a course, "Considering the Masters: Cezanne and The Organizing Principles of Design," at the Penn Studio School of Art. In recognition of his contributions to the field, Rego received the Blackwell Prize in Painting Award from the University of West Georgia in 2023. This honor underscores the potency and originality of his work. His artistic vision and technique have also made their way into print. In 2022, his thoughts and creative process were shared in "Art In The Making, Essays by Artists About What They Do," where he was featured on pages 228 - 231. From long nights in the studio to countless hours in the classroom, Brian Rego's journey through the art world is a shining example of how grit, imagination, and a love for teaching can shape a successful career. Every brushstroke tells a story, and Brian's art, full of beauty and depth, reflects his unique take on the world around him. But what's really cool is that his work doesn't just hang on gallery walls - it also lights a spark in young artists who dream of following in his footsteps. Pair that with his impressive list of exhibitions and teaching roles, and it's no wonder Brian is making waves in the modern art scene. Above, Swimmer, oil on board, 14 1/4 x 18 1/2 inches by Brian Rego. Private Collection Q & A with Brian Rego Dawn Hunter: What initially sparked your interest in art, and how has your upbringing in South Carolina shaped your artistic style and career? Brian Rego: From the time that I can remember, I had an interest in drawing. Looking back, it seemed like a natural thing to do. There are certain people who have temperaments that compel them to record their experiences to understand the significance of them, and to tell their stories. I grew up reading and drawing Sunday comics and followed the styles of Berkely Breathed, Bill Watterson, and Jim Davis. I was overtaken by how real the characters felt, and how easy it was for me to relate to them. I engendered a deep affection for these illustrators, for treating with such care and attention, their ability for, and dedication to storytelling. For a moment, I found a place to belong. I soon developed my own characters, and told my own stories. My grandmother was an artist, a painter. When she was in her twenties and thirties, she painted in oils, but by the time I had come to know her, she was a watercolorist. I loved her work as a boy, and I wanted to emulate her. I didn’t relate to art as an ideology, but I understood it through my grandmother. I was in awe of the non-diminishing return of her work, how the power of her paintings intensified the more time I spent with them. But I wouldn’t try my hand at painting until my twenties. (continued below) Brian Rego painting en Plein air. Girl in Garden, oil on canvas, 20 x 29 inches, oil on canvas by Brian Rego. Courtesy of Nancy Margolis Gallery. Brian Rego: (continued) I completed my BFA in painting at the University of South Carolina, and as a student, I had two professors who made a huge impact in my artistic development. One was in figure drawing, the other was in painting. Together, they pushed me to be my best while providing me the room to experiment, to struggle, to fail. If I managed to succeed in one area, it was met with brief acknowledgement and the demand to do it better; they were constantly looking ahead. I am grateful for that now because any time I am met with success, I treat it the same way, and that allows me to focus on the work instead of the results. I learned that failure and success are just a part of life, but given too much attention, they become detrimental to the growth of one’s work. My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty. I paint from life, so the heat of the South is always a barrier to my work, but because I struggle against it to paint in the landscape, the work is neither sluggish nor indulgent, but urgent and direct. I have taken to the discipline of working in the studio once the painting is developed enough to sustain the use of memory as a resource. My blessed wife and four children have contributed to the necessity of this development in the process of making paintings, and I have grown to love it. Memory has a limitless capacity for engaging the imagination, and as I learn to channel that powerful interaction through my sensibilities, the expression through the material, as a consequence, has shown itself to be something of a personal style. But I don’t give much attention to that; I focus more on the accuracy or the tone of the gestural expression of form through paint. Artist Brian Rego working in his Charleston, SC studio. East Bay Street, oil on linen, 20 x 24 inches, by Brian Rego. Courtesy of the artist. Dawn Hunter: Your solo exhibitions, including Present Memory; Tiny Mirrors; and Affections; have garnered a lot of attention. Could you give us a glimpse into the creative journey that led to these pieces and what they represent for you? Brian Rego: Each piece of every body of work is a visual accounting of my life in a certain place, in a certain time. But the paintings are about themselves, they are not about me. I just use what is around me and how I engage with those things as material to make the work. I have my own attachments to the work, my own entry points, but those will be different for someone else and what I have to say will only hinder their relationship to the painting. Each painting needs its autonomy. I need to keep looking ahead to what is next, not because I know what to look for, but to keep myself moving, one step at a time. Dawn Hunter: Alongside creating your own art, you’re passionate about teaching and nurturing the next generation of artists. How has this commitment to education shaped your own artistic workand the way you view your role as an artist? Brian Rego: I believe in giving back. I have had many people contribute their time, energy, knowledge, and love, to my development as a person and as a painter. The biggest influences in my life, aside from my family, have been teachers. I am grateful for the ability to teach, but even more so for the desire to do it. It brings me satisfaction to share something that I consider to be so good and so rich with other people. I love to see people struggle and grow, to see them enriched; I never tire of it. This attitude has fostered within me an ardent love for what I do, and in a way, it justifies what I do. If I painted exclusively for myself, I don’t think I would do it. Pineapple Fountain, oil on canvas, 22 x 28 inches by Brian Rego. Courtesy of Nancy Magolis Gallery. Dawn Hunter: You’ve been honored with several awards, like the Ed Yaghjian Award and the Blackwell Prize in Painting. What influence have these recognitions had on your artistic perspective, and what words of wisdom would you share with budding artists aiming for such honors? Brian Rego: Awards are wonderful because they represent someone believing in the value of your work, but whether the work is received favorably or unfavorably, the focus must be set upon the needs and demands of the work, which are established solely between you and what you make. Do not aim for honors, it is a distraction. The people who honor you will also dishonor you the moment you and your work cease to represent the values they hold dear. If you, especially as a budding artist, give that level of influence to someone else, you will lose your way. Expect there to be good times and bad times, but remember that each does not last. Listen to your heart, follow your gut, and move onward. It is not about you, it is about the work. Dawn Hunter: What do you hope viewers will experience or understand when they interact with your art? Looking forward, are there any new themes or techniques you’re looking forward to incorporating in your upcoming works? Brian Rego: Ideally, my hope is for a viewer to enter into the compressed space of the painting, slowly expanding, finding themselves immersed in another world. One that connects deeply to the viewer’s interior world, to their sensibilities, and form a connection to it. My hope is for the viewer to understand that the painting is there to be seen and that it reveals itself in layers, that it imparts something of value, but that it takes time. Regarding my upcoming work, I want to paint on bigger surfaces. I want to learn how to make large paintings, really get into things. I am working out the practical aspects of making large paintings on location, and then of course, how to paint them. Above, Woman Sunrise at the Park, oil on line, 22 x 26 inches, by Brian Rego. Courtesy of Nancy Margolis Gallery. Nancy Margolis Gallery | Brian Rego

Katlin Jeffcoat’s Foundations Curriculum Arc follows her path from ARTS 103 inventories to ARTS 107 color harmonies and an ARTS 266 merch brand—uniting observation, Itten’s theory, and design craft. To play, press and hold the enter key. To stop, release the enter key. Bridging Intuition and Analysis: Tactile Technology in ARTS 107, USC SVAD's Color and Composition Course by Dawn Hunter “Where technology is simple, the tool is an extension of the body; the shuttle elongates and refines the finger, the mallet is a harder and more powerful fist. The tool follows the rhythm of the body; it enhances and intensifies but it does not replace and does not introduce anything basically different.” — Margaret Mead One of the most important aspects of ARTS 107’s conceptual understanding of color forms is the use of handheld technology and the creation of 'blobbies.' The intended use of technology in ARTS 107 is to enhance learning quality, foster technological agility, and improve efficiency in artistic production and learning outcomes. Project example by AidanWokurka: top, completed Complementary Contrast final painting; and, bottom, Complementary Contrast preliminary painting. Memory, Intuition and Physical Touch The Adobe Ideas app serves as our primary tool in ARTS 107 because it provides the most authentic digital experience for working with color forms by hand. The touch-based interface of the app enables students to connect digital learning with physical interaction through direct contact instead of using a stylus. Through this activity students can use their sensorimotor systems to color form relationships in a way that mirrors traditional material handling which strengthens their artistic intuition and their knowledge of the physical aspects of color mixing. Memory Formation and Second Nature The Adobe Ideas app’s design includes a deliberate process of alternating between analytical left-brain activities and intuitive right-brain activities. The transition between following color theory rules and developing color forms through alternating neuro instinct creates a sense of complexity in what appears to be a basic application. The alternating process between planning and execution through technology develops neural integration which enables students over time to develop agility in their use of digital tools, thus becoming natural extensions of their hands just like paintbrushes. The color ‘blobbies” and digital iPad sketches are some of the most important activities of the course. They are a digital sketchbook paramount to their development of recognizing and understanding color forms. The motor cortex and cerebellum and basal ganglia brain regions become active when students perform embodied digital tasks that require motor skills and procedural memory development. The hippocampus functions to transform new motor-visual learning experiences into permanent storage in memory. Students develop technical skills while building an intuitive ability to use technology through this embodied digital learning approach which creates sustained creative potential. The artists of ARTS 107 use technology to advance their creative work instead of replacing their traditional artistic tools which enhances users' procedural memory and their ability to perceive and work with intuition. Students develop brain hemisphere. The process of using Adobe Ideas to drag and shape digital colors on a screen creates an embodied experience coordination through their ongoing exchange between analytical color theory and spontaneous exploration which activates cerebellum and basal ganglia and motor cortex and hippocampus regions for motion-based learning and memory development. The combination of technology with creative thinking enables artists to develop their perception skills while gaining deeper knowledge and achieving digital artistic independence. The blobbies and preliminary digital sketches are used throughout the course before creating a final painting. This example demonstrates Complementary Contrast. On the far left are six sets of complementary colors in light–dark contrast, in the middle is a preliminary digital sketch, and on the far right is the final acrylic painting.

Dive into 'Dish with Darcy' as we explore a tasty Sour Cream & Cream Cheese Dip recipe. Quick, creamy, and perfectly tangy, this recipe is great for tweens aiming to boost their cooking skills. Join Darcy, and whip up some culinary magic in minutes! Darcy's Special Sour Cream Dip In the newest "Dish with Darcy" feature, Darcy is whipping up something seriously cool! She's mixed up a super yummy dip using sour cream and cream cheese. Darcy has put a lot of thought into this recipe. She meticulously wrote it out, shopped for the ingredients and set up the kitchen. But don't worry, she didn't forget to have some fun! In her kitchen, cooking isn't only about being serious and exact; it's about enjoying every moment. “Cooking is like painting or writing a song. Just as there are only so many notes or colors, there are only so many flavors—it’s how you combine them that sets you apart.” – Wolfgang Puck Ingredients Sour Cre am: T he star of this recipe. The secret to an ultra-creamy dip with a kick of tanginess. If you prefer, you can replace some or all of the sour cream with Greek yogurt. Be mindful though, this swap will lend the dip a slightly tangier edge. Cream Cheese: Ensure it's at room temperature for effortless blending with the rest of the components. If you've accidentally left it in the fridge, a quick 30-second trip to the microwave can save the day. Just don't forget to remove the packaging beforehand. Mayonnaise: This ingredient works wonderfully to soften the sour cream's tang while lending an additional layer of creaminess to the dip. Green Onions & Herbs: We use fresh green onions, parsley, and dill in this recipe, however not everyone is a fan of fresh dill, so it is encouraged to always select your favorite herbs when making it. Salt & Pepper: These staple seasonings are used to enhance the flavors. Adjust them according to your personal preference. Instructions Blend the Components: Begin by assembling all of your ingredients in amounts that you prefer in the reservoir of a food processor. Pulse the machine until the ingredients are thoroughly combined and smooth. Refrigerate: After achieving a consistent mix, transfer the blend to a suitable container. Allow it to cool and set in the refrigerator for a minimum of 30 minutes to enhance the flavors. Serve and Savor: When ready, serve this delightful cream cheese dip along with a colorful array of freshly chopped veggies, chips, crackers or pita bread - Darcy's favorite. Some great choices include carrots, celery, tomatoes, cucumber, cauliflower, and sliced bell peppers. Enjoy your homemade dip at your leisure! “You don’t have to cook fancy or complicated masterpieces, just good food from fresh ingredients.” – Julia Child And that's a wrap on the latest feature of "Dish with Darcy!" This is the place where exploring the culinary world becomes a thrilling adventure. Whether it's creating scrumptious cupcakes to show your friends or teac hers how much you appreciate them or exploring traditional Southern recipes like fluffy biscuits and crispy baked chicken, Darcy makes sure you're always invited into her kitchen to share in the fun of cooking. Darcy's super yummy, tangy, and creamy dip is sure to make your taste buds party! Stay tuned for more cooking fun on "Dish with Darcy!"

Discover the captivating blend of real and virtual in Carla Gannis' WWWUNDERKAMMER exhibition. Unearth a new reality through our photo essay and insightful feature on this groundbreaking digital artist. Carla Gannis / C.A.R.L.A G.A.N. WWWUNDERKAMMER, May 19 -July 15, 2023 Up until July 15, visitors are encouraged to explore the uniquely captivating exhibition by Carla Gannis, known as C.A.R.L.A G.A.N. WWWUNDERKAMMER, hosted at the esteemed Halsey Institute of Contemporary Art, located at the College of Charleston, Charleston, SC. We highly encourage local residents and visitors to make a trip down. "One of the most compelling (and sometimes daunting) aspects of digital narrative is how it can traverse electronic pathways and physical spaces in more adaptive ways than traditional mono mediums." - Carla Gannis from Lume Prize interview . What is WWWunderkammer? WWWunderkammer, a project by Carla Gannis, is an inventive project aimed to redefine the traditional concept of Wunderkammer or the 'cabinet of curiosities', thus challenging the conventional norms of a museum. Through innovative applications of technology, she seamlessly blends tangible reality with the virtual world. Her installation, mirroring her ongoing online project available on Mozilla Hubs and in high-resolution desktop VR, introduces audiences to various thematic "chambers" - each exploring a unique element of our modern existence, from environmental concerns to the digital metamorphosis of self-perception and language. The in-person exhibit leverages augmented reality to blur the boundary between real and virtual, a technique Gannis employs to delve into the human experience in the digital age, while ensuring knowledge remains accessible for everyone. Carla Gannis, continued: Initiated in 2019, WWWunderkammer serves as an ever-evolving project that advances as our understanding of our surroundings deepens. Historically, artists have employed illusions to obscure the demarcation between fact and fiction, constantly encouraging audiences to re-interpret visual content. Gannis invites viewers to embrace a learning and questioning mindset anew, challenging accepted narratives and conventional outlooks, and fostering an understanding of overlooked histories and possible futures. A renowned American transmedia artist, Carla Gannis spent years teaching at the Pratt Institute's Department of Digital Arts in New York before transitioning to New York University in 2019. Her oeuvre melds digital designs with celebrated artworks, such as those by Pieter Bruegel the Elder, gaining significant acclaim in 2013 for her emoji reimagining of Hieronymus Bosch's painting, The Garden of Earthly Delights. About the Halsey Institute of Contemporary Art Situated within the College of Charleston S chool of the Arts, the Halsey Institute of Contemporary Art is an innovative platform fostering dialogue between groundbreaking visual artists from across the globe and diverse communities. As a non-collecting institution, it focuses on the development, display, interpretation, and sharing of thought-provoking ideas, underscoring the historical, societal, and cultural significance of contemporary art. Free Admission GALLERY HOURS (during exhibitions) Monday - Saturday, 11am – 4pm Open Thursdays until 7pm More

Explore Carolina DeSanctis' FAST DOLL: vintage tattoo flash-inspired hand-stitched patches, custom clothing, and accessories. Her eco-conscious, cruelty-free shop offers crafted patches, hats, key chains, and more, all masterfully created by Carolina herself. Stitching the Past into the Present: an interview with a great gal who owns and operates FAST DOLL. An interview feature with USC Alumnus, Caroline DeSanctis, artist and owner of Fast Doll, "hand embroidery inspired by the golden age of North American traditional tattoo and other iconic vintage imagery. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Palmetto Snapshots Q & A with Caroline DeSantis Introduction: Based on her original drawings and unique designs, owner and operator of FAST DOLL Caroline DeSanctis creates 100% hand-stitched patches, custom clothing & accessories influenced by the tattoo flash of the 1940s & 1950s. All embroidery and designs are drawn and stitched by Ms. DeSanctis. Most designs you see here are original to the shop unless otherwise noted (i.e., the Sailor Jerry designs and some custom commissioned work). The cost of her hand embroidered patches range from $20.00 - $125.00. Her shop additionally features hats, pennant, key chains, tattoo passes and custom orders. All patches are cruelty-free: made from eco-felt, which is made from recycled plastic bottles, and 100% cotton embroidery floss. Let's catch up with Caroline and find out more about her unique shop and business. Above, an example of some of Caroline's custom work. Hand-dyed, hand-stitched & hand-drawn patch flash sheets prior to being framed. Commission Inquiries Dawn Hunter: When and where did you establish FAST DOLL? Caroline DeSanctis: I started Fast Doll in 2015 when I still lived in Atlanta, Georgia. Back then it was still known as Fast Doll Fine Vintage, and I was exclusively selling vintage clothing from the 1920s-1960s online. When I first started I was still working full-time for MAC Cosmetics and was selling vintage on the side after clocking out at MAC every day. I resigned at MAC in April 2016 and I remember as I was leaving the counter that day my phone was buzzing with orders from Etsy, and I remember smiling, and thinking that I had made the right decision to leave. Hand-dyed, hand-stitched & hand-drawn framed "patch flash sheets."™ Dawn Hunter: Has the business always focused on hand embroidery? If not, how did that evolve? Caroline DeSanctis: It was exclusively vintage clothing & accessories for almost 3 years, until I taught myself how to embroider by hand and eventually evolving that into the current style of the things I make today. I remember stitching the first thing, which was the words Fast Doll on the back of one of my denim vest, and then thinking “oh no, I’m already addicted to this“. I started to post my creations on social media and there was immediate interest. They started to sell more and more and eventually became more popular than any other vintage items that I was selling. I got so busy during the holiday season of 2019 that it became the only thing I had time to do, and I officially stopped selling vintage clothing and renamed the company to simply ‘Fast Doll’. And I’ve been stitching full-time ever since. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Dawn Hunter: When did you locate to Charleston? Caroline DeSanctis: I moved to Charleston in August 2020 in the middle of the pandemic! I got here and got straight to work and tried not to miss a beat. I think I took off maybe one full day to unpack when I moved, but that was it, haha. Dawn Hunter: How do you come up with ideas for designs? What is your inspiration? Caroline DeSanctis: I draw inspiration from a lot of vintage 1940s and 1950s iconography, ephemera, magazines, illustrations and tattoos from that era of American history. They had bold black lines and were limited to only a few colors — these designs translate so well to embroidery and look very clean and satisfying when they’re done. I also love pinup art and often make things that represent or remind me of vintage glamour and aesthetics. Dawn Hunter: What is your most popular design? Caroline DeSanctis: I think my most popular designs are any of the flowers that I do, any of the skulls, and the ‘Mama Tried’ patches & trucker hats, haha. The imagery in this work was taken directly from a Sailor Jerry sheet of flash featuring an eagle. This is not one of Caroline's designs. The embroidery is straight-up satin stitching. The eagle is embroidered with white, red, and dark & yellow gold embroidery floss. Flag is sewn with deep navy blue, white, red, gold and brown embroidery floss. Flowers are sewn with mustard yellow, green and black embroidery floss. Images are sewn to an off-white piece of sturdy felt that are then sewn on top of a black piece of felt with black embroidery floss (creating a border) and trimmed to fit. Since each patch is handmade, there may be slight, minor differences and no two patches will be 100% alike. If you'd like a different color scheme for your patch, feel free to make a custom request. Please allow additional processing time for custom requests. Hand-embroidered, hand-sewn and hand-cut black and off-white felt patch. The patch flash sheet features pointy-tipped daggers with a hearts detail and dots details. Image is sewn to an off-white piece of sturdy felt that is then sewn on top of a black piece of felt with off-white embroidery floss (creating a border) and trimmed to fit. Classic & timeless traditional-style rose that looks good on everything. Hand-embroidered, hand-sewn and hand-cut felt patches in 4 different color schemes. Patch features a traditional-tattoo-style rose with three leaves. Great for a leather or denim jacket / vest. Felt Pennants Dawn Hunter: Where can people buy your work? Caroline DeSanctis: My work is always available online at my website — Fastdoll.com — and you can also commission a custom piece from me there as well. I also sell items on my Instagram feed from time to time — @fast.doll. I do lots of local handmade & vintage markets regularly in the Park Circle and North Charleston area. I also have pieces available at The Station, which is located locally in Park Circle. In case you forgot — The boots stay on! ‘The Boots Stay On’ felt pennant featured in two different color ways. • 100% hand-stitched & hand-assembled (no machine!) • Each measure 12” x 6” Fast Doll Web Site

'SC People' features exclusive interviews with individuals contributing to SC communities, celebrating their influence on the state's growth, culture, and prosperity. South Carolina People South Carolina Sunshine™ | SC People feature interviews with people who build our communities and make South Carolina great! Table of Contents Icons Scroll and click on an icon image below to go an interview section you are interested in reading. Our selected interviewees are influential figures within the state of South Carolina. Through a series of thoughtfully crafted questions, our goal is to inform the public about dynamic artists, directors, curators, and cultural programming in our region. We have chosen to interview individuals who exemplify the diversity and richness of our cultural landscape. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Udorji Oji Emerging Artist | Illustrator Diana Farfán Ceramic Artist | Community Leader Kyle C. Coleman Artfields Collective | Fine Arts Director Mary Robinson Internationally recognized printmaker Brian Rego Renowned Charleston, SC artist Marius Valdes Professor, University of South Carolina Ella Marushchenko Scientific Illustrator Sara Schneckloth Professor, University of South Carolina Nakisa Abdollahbeigi Critically Acclaimed Artist Caroline DeSantis Entrepreneur Bohumila Augustinova Director, Columbia Art Center Upcoming Interview We are excited about our upcoming interview with multidisciplinary artist, Cedric Umoja, a Columbia, S.C. Cedric uses letter forms, found materials, and archetypal totems to create transformative art. His work spans drawings, paintings, murals, sculptures, films, installations, and performances, bridging ancient and futuristic themes. Influenced by artists like Dondi White, Betye Saar, and Sun Ra, Umoja studied at the Art Institute of Atlanta and apprenticed under Tony Cacalano, who was mentored by Jack Tworkov of the New York School. Umoja’s style incorporates elements of Post Graffiti, Post Expressionism, Afro Surrealism, and Modern African art.

Katlin Jeffcoat’s Foundations Curriculum Arc follows her path from ARTS 103 inventories to ARTS 107 color harmonies and an ARTS 266 merch brand—uniting observation, Itten’s theory, and design craft. To play, press and hold the enter key. To stop, release the enter key. FOUNDATIONS CURRICULUM ARC from ARTS 103 to ARTS 266 with Katlin Jeffcoat, by Dawn Hunter “What counts is not so-called knowledge of so-called facts, but vision—seeing." by Josef Albers Katlin Jeffcoat began her exploration of leaf motif imagery in ARTS 103: Fundamentals of Art during the fall of 2022. In this course, students are asked to start from nothing—to go out into the world and find organic or cast-off objects of interest, a kind of visual scavenger hunt. From these discoveries—often rocks, spindly branches, broken glass covered in sand, bricks, or leaves—they select three to five objects and study them closely, creating two data sets: one of shapes derived from their forms and another of textures. How It Started | ARTS 103, Fundamentals of Art, Fall 2022 ARTS 103 classes are comprised of students at many levels: some have never drawn before, while others bring extensive experience. Regardless of skill level, all are encouraged to cultivate curiosity and use drawing as a tool for inquiry. These inventory exercises function as a sensory and perceptual awakening, prompting students to translate observation into visual language through direct studies from life. Simultaneously, they begin developing intuition about composition—how shape, proportion, and format affect what is drawn within the edges of the page. Gathering natural objects from her environment, Katlin developed detailed shape and texture inventories that trained her to transform organic form into interpreted and structured design systems. These inventories became the basis for her In Line with Nature project, in which students draw one or more of their objects observationally and juxtapose them within the shapes and textures discovered, or invented, during the drawing process. The resulting compositions reveal moments where the micro and macro collide in unexpected ways—where visceral sensory perception and abstraction coexist within a dynamic, balanced design. Image 1: Shape and texture inventory drawing, Image 3: Final In Line with Nature composition, Image 4: Iterative composition development (juxtaposition studies). Images courtesy of Katlin Jeffcoat. Visit my Mixed Media Drawing Adventure blog post to learn more about the project. How It Continues | ARTS 107: Color and Composition The visual fluency that Katlin developed in ARTS 103 carried forward into ARTS 107: Color and Composition, where students explore the emotional and structural power of color through Johannes Itten’s Color Harmony theory. Building on their earlier studies of form, texture, and design systems, students now investigate how color relationships influence perception, meaning, and visual balance. Johannes Itten of the Bauhaus organized a 12-hue color wheel—composed of primary, secondary, and tertiary colors—and defined harmony as the joint effect of hues arranged in precise relational structures. His seven color contrasts, central to his teaching, link aesthetics to human perceptual and emotional responses shaped by light and nature. These contrasts include: Hue – high-noon color clarity Light–dark – moonlight and nighttime transitions Warm–cool – the shifts of sunrise and sunset Complementary – the neutralizing balance of opposites Simultaneous contrast – the mechanism by which we distinguish the lion from the grass Saturation – the tension between purity and grayness Extension – proportion and dominance, the primal dynamic of firelight and shadow Above: Color pencil studies exploring triadic and complementary harmonies by Thomas Kirsten. Images courtesy of the artist From these contrasts, Itten derived geometric harmony schemes within the color sphere. Alongside analogous and complementary pairs, artists and companies such as Disney and Duffy & Partners commonly employ triads (three evenly spaced hues), tetrads (four hues forming two complementary pairs) or hexads (comprised of three pairs of complements or three pairs of split complements). A classic tetrad such as yellow-orange / blue-violet and red / green demonstrates the balanced energy of dual complements. In the Color Harmony sequence, students create digital or physical studies of triads, tetrads, and hexads, learning to organize hues according to Itten’s principles. These structured exercises culminate in expressive compositions that merge harmony with personal interpretation, challenging students to connect color harmonies to universal emotions, conceptual ideas, or personal symbolism—bridging analytical rigor with intuitive response. Katlin’s later Merch Project draws directly from this foundation. Her use of a hexadic scheme, orange, red-orange, violet, blue-violet, green, and yellow-green followed Itten’s principles through variations in pure tones, tints, and shades, demonstrating a mature understanding of color harmony. In doing so, she transformed her earlier leaf motif into a cohesive color system that balances contrast, unity, and emotional resonance. Above: Acrylic final composition applying Itten’s Color Harmony triad comprised of orange, green, and violet by a peer of Katlin Jeffcoat's Thomas Kirsten. Image courtesy of the Thomas Kirsten. Above: Itten's Color Star set to a harmonious triad as seen in the interactive rare book Johannes Itten The Color Star published by Van Nostrand Reinhold, 1986. How It’s Going | ARTS 266 GD+I Merch Project, Spring 2024 By spring 2024, Katlin had transformed her Foundations visual research into a cohesive visual language. Drawing from the imagery she developed in ARTS 103 and applying Johannes Itten’s theory of harmonious hexad, featuring orange, red-orange, violet, blue-violet, green and yellow-green, she created a merchandise concept for her ARTS 266 GD+I class that unites design and meaning. Her work demonstrates how the foundational study of line, shape, and texture can evolve into refined visual branding grounded in both craftsmanship and conceptual clarity. Through this synthesis, her work visually traces the curricular arc of Foundations as it manifests in upper-division coursework. Visit kjn_art on Instagram to learn more! Above: Katlin Jeffcoat’s “Merch Menu” from ARTS 266. Images courtesy of Katlin Jeffcoat. Above: Itten's Color Star set to a harmonious hexad as seen in the interactive rare book Johannes Itten The Color Star published by Van Nostrand Reinhold, 1986. Katlin Jeffcoat's Merch Menu Gallery Click on the photo to enlarge each image. Katlin Jeffcoat's Merch Menu Title page Katlin Jeffcoat's Merch Menu Skateboards Katlin Jeffcoat's Merch Menu Notebooks and re-usable bag Katlin Jeffcoat's Merch Menu Notebook, stickers and t-shirt Katlin Jeffcoat's Merch Menu Entire collection

"Unearth SC's cultural vibrancy on our page featuring top-tier art exhibitions and special events. Our visual, photographic essays provide an in-depth view of select art exhibitions in South Carolina, featuring solo shows and group exhibitions. Learn more the flourishing arts scene in SC." Culture South Carolina Sunshine™ | Special Focused Content and Listings of Cultural Events in South Carolina. Table of Contents Icons Scroll and click on an icon image below to go a Culture section you are interested in reading. Tina Williams Brewer | Stories of Grace Immerse yourself in the rich narratives of Tina Williams Brewer's story quilts at the Columbia Museum of Art. For over four decades, Brewer has woven her personal experiences, historical accounts, and vibrant textiles into her unique quilts, offering a profound exploration of African-American history and spirituality. The "Stories of Grace" exhibition, open until September 3, 2023, showcases her hand-stitched, collage mixed-media pieces that map out her heritage, the African diaspora, and the connections between past, present, and future. Journey through intricate layers of symbolism and culture, Tuesday to Sunday, with extended hours on Thursday. More Carla Gannis/ C.A.R.L.A. G.A.N. Carla Gannis' WWWunderkammer is a pioneering endeavor, challenging traditional museum narratives by reimagining the classic 'cabinet of curiosities', known as Wunderkammer. She employs cutting-edge technology to fuse physical and virtual realms seamlessly. The physical installation reflects her continuous online project found on Mozilla Hubs and high-definition desktop VR, welcoming viewers to distinct thematic 'chambers'. Each chamber explores critical facets of contemporary life - from environmental challenges to the digital revolution's impact on self-perception and language. Gannis harnesses the power of augmented reality in her gallery display, blurring the line between the virtual and the real. This approach helps her investigate the essence of human existence in the internet age while promoting universal access to knowledge. More Elizabeth Catlett Experience the captivating artistry of renowned artist Elizabeth Catlett at the Columbia Museum of Art (CMA). This significant survey exhibition comprehensively overviews Catlett's illustrious career as a printmaker and sculptor. Alongside her works, the collection includes select pieces by mentors, peers, and students who shared a personal connection with Catlett. Additionally, the installation incorporates additional artworks from the CMA Collection. Witness the profound impact of Elizabeth Catlett's artistic journey, spanning an impressive seventy years. Her art sought to give visibility and voice to underrepresented individuals, often focusing on laborers, women, and African Americans. Addressing social issues relevant to the United States and her adopted home of Mexico, Catlett's powerful figures embody resilience while acknowledging the struggles Black and Mexican working classes face. More Jordan Sheridan Introducing the winner of the prestigious 2022 701 CCA Prize, Columbia-based artist Jordan Sheridan. This biennial juried award, presented by the 701 Center for Contemporary Art in Columbia's Olympia neighborhood, recognizes the talent of South Carolina artists under 40. Jordan Sheridan is an emerging artist known for her captivating installation art. Her remarkable talent and dedication have been acknowledged with the distinction of being named an SCAC Emerging Artist for FY2022. Currently serving as a full-time faculty instructor at the University of South Carolina's School of Visual Arts and Design, she imparts her expertise to aspiring artists through her engaging painting courses. More 701 CCA Prize Finalists Welcome to the captivating 701 CCA Finalists Exhibition, now open at the esteemed 701 Center for Contemporary Art. Prepare to be mesmerized as three exceptional artists and finalists for this year's prize showcase their visionary works until January 15, 2023. Step into this exhibition and immerse yourself in a world of artistic brilliance. Each artist, including the talented Kate Hooray Osmond, Jordan Sheridan, and Brittany Watkins, pushes boundaries and invites you to explore their unique creative perspectives. From innovative techniques to thought-provoking concepts, their creations will ignite your imagination and inspire you. More Art by Krigga Enter the captivating world of the Omphalos, a convergence of time and perspective. In this exhibition, presented by the visionary artist Dogon Krigga, two distinct collections of works harmoniously blend the past and the future. Embracing the timeless beauty of Black thought and form, Dogon Krigga invites you to celebrate the resilience and boundless creativity of the Black experience in the ever-present now. Breaking away from the narrative of Black suffering that pervades historical records and art, the Omphalos seeks to cultivate a space where Blackness thrives. By highlighting the gifts, abilities, and interconnections within the Black community, Dogon Krigga's art becomes an act of rebellion and revolution. Afrofuturism is a powerful tool, reminding us of our mastery and potential in this realm while liberating our minds from societal constraints. More Tyrone Geter Step into the realm of powerful artistic expression with Tyrone Geter's exhibition at ArtFields' TRAX Visual Art Center in Lake City, South Carolina. Over the past six months, this exhibition has left an indelible mark on the art scene, showcasing Geter's masterful mixed media drawings that blend exquisite draftsmanship, torn paper, and found objects into visually captivating statements. Each artwork is a testament to Geter's immense talent and resonates as a profound experience in its own right. Geter's creations operate on multiple levels, transcending mere aesthetics. While some pieces look into his personal journey, many images explore the complex dynamics surrounding race, gender, and economic structures within contemporary American culture. More Adrian Rhodes We are delighted to feature the enthralling realm of Adrian Rhodes, winner of the esteemed 701 CCA Prize in 2020. Celebrated for her artistry in printmaking and mixed media installations, Adrian's solo exhibition "How to Untie a Tight Knot" was a result of her dedicated six-week residency at the 701 CCA. With academic roots in Rock Hill's Winthrop University, Adrian has gained recognition in the Carolinas and beyond. Her work, exploring the paradox of longing for and escaping the past, provides a captivating lens into the human psyche, using recurring motifs to express the intricacies of relationships. More Ginny Merret Meet Ginny Merett, a dynamic artist and passionate art educator, who has been a vibrant part of Columbia's art community for over thirty years. Known for her striking, graphic collages, Merett's art may seem playful and whimsical at first, but it carries profound undertones addressing societal norms, cultural, gender and racial identities. Currently, she holds the distinguished position of Artist-in-Residence at The Jasper Project. Her intriguing creations can be appreciated at Sound Bites, nestled in the heart of historic downtown Columbia, at 1425 Sumter St, Columbia, SC 29201. Don't miss the opportunity to experience her captivating work, which will remain on display until the end of July 2022. More Margaret Curtis Welcome to the world of Margaret Curtis, a prominent figure among contemporary American artists. Known for her distinctive and ground-breaking art, she is currently represented by the esteemed Tracy Morgan Gallery in Asheville, NC. Margaret's oil paintings tell stories through their imagery, and their physicality also forms a deep, visceral connection to their underlying themes. Her widely recognized and critically acclaimed artwork has recently been bestowed with the distinguished Joan Mitchell Foundation Fellowship, an award that requires an exhaustive selection process. The fellowship, amounting to $60,000 spread over four years, has enabled Margaret to augment her studio and broaden her creative horizon. More ArtFields 10th Anniversary Exhibition ArtFields celebrated its 10th year, showcasing 369 artists from 12 Southeast states in a nine-day festival from April 22-30, 2022. We were thrilled to have "The Darcy Inventory" in the competition and equally enjoyed experiencing the festival as attendees, filled with South Carolina Sunshine. The ArtFields festival, which began in 2013, aims to honor Southeast artists with celebrations and competitions, providing over $100,000 in cash prizes. This year's winners were Noah Scalin, MyLoan Dinh, Melvin Toledo, and Jonathan Imafidor. Enjoy the photo essay and immerse yourself in the art that left us in awe. More Jasper Project 10th Anniversary Party On April 14, 2022, we celebrated the 10th Anniversary of The Jasper Project at 701 Whaley. This event paid tribute to a publication that has become a cornerstone of Columbia, SC's cultural landscape. Under the guidance of Cindi Boiter, the magazine offers invaluable insights into our vibrant community, spotlighting the lives and works of local artists, performers, dancers, musicians, and writers. The celebration evening echoed with tunes from Adam Corbett, Post-Timey String Band, DJ Preach Jacobs, and Dick Not Richard, accompanied by a spellbinding performance from the Columbia Repertory Dance Co. Explore the captured moments from the event in our photo essay featured below. More Lady Gamecock Parade Main Street was abuzz with excitement as countless UofSC WBB supporters gathered to commemorate their second historic national championship. The triumphant victory was clinched on April 3 in Minnesota, where they bested the UConn Huskies. Jump into the jubilation of the event through our photo essay to view highlights from the celebration! More Anila Quayyum Agha Anila Quayyum Agha, an American artist of Pakistani origin, brings enchanting realms to life within her exhibition spaces. Her exhibit, "Let a Million Flowers Bloom," leverages halogen bulbs nestled within meticulously crafted and lacquered steel. This technique casts mesmerizing shadows that "paint" the gallery walls, creating an immersive environment that makes us feel as though we've stepped into a chapter of Lewis Carroll's Wonderland. Our take on the exhibit? It's superb! Experience the wonder for yourself from February 19 through May 29, 2022. More

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Congaree National Park Congaree National Park hosts a diversity of wild life, being the largest preserved stretch of old growth bottomland hardwood forest in the southeastern United States. The floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. What is Congaree? Our forests offer much more than just beautiful landscapes and wildlife. Each one has a different story to tell. - Raveena Tandon Congaree National Park is a favorite attraction for many hikers and kayakers. It is a 20,000-acre, federally protected wilderness. The park is known for its “giant hardwoods and towering pines.” It is a floodplain forest with one of the highest canopies in the world. The 2.6-mile boardwalk is an excellent introduction to the park. Visitors can explore the park by foot, kayak, or canoe. To ensure a safe park visit, we would like to point out that cell phone reception within the park is very spotty, therefore, it is important to be well-prepared before hiking, camping or kayaking. It is also essential that you inform someone about your plans and it is paramount that you leave your itinerary behind in case of emergencies. Equip yourself with appropriate clothing and footwear and carry necessary items such as water, snacks, first aid kit, map, and compass. Congaree National Park Photo Gallery The best time to visit Congaree National Park is during the fall, from October to early November. The crowds are low, the leaves are changing, and there are fewer bugs. Congaree National Park Basic Information Before your visit, check the weather forecast. Conditions can change rapidly, and flooding is a potential hazard, and can occurwith little or no warning. During the summer months, mosquitoes can be bothersome; bring insect repellent for a more comfortable experience and protect yourself from insect bites. Activities that are permissible in the park are hiking into the Congaree wilderness, canoeing or kayaking into the park's heart by way of Cedar Creek, and paddling the 50-mile designated recreational paddle trail. Those who want an immersive experience in Congaree National Park can "stay in one of the park's primitive campgrounds or in the park's wild backcountry." Fishing is also permitted in the park; however, it is important to be informed of the policies. The park is open 24 hours a day, every day throughout the year and closed for observed holidays. Congaree Holiday Closure Schedule Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link