Dawn Hunter's travel drawings from Atlanta capture moments at the High Museum and Midtown’s Politan Row. From studies of Kim Chong Hak’s vibrant canvases to portraits of everyday encounters, my sketchbook practice transforms observation into lasting form. To play, press and hold the enter key. To stop, release the enter key. Travel Drawings: Midtown, Atlanta by Dawn Hunter “I love the seasons—spring, summer, autumn, winter. I love them for what they are and for the idea they evoke, that of permanent change. They embody life, renewal, energy." by Kim Chong Hak I brought my sketchbook with me on my recent trip to Atlanta in order to practice life drawing. I engaged in the process at various locations including the High Museum of Art, the Politan Row at Colony Square and the Atlanta Botanical Garden. Travel drawing functions as an artistic practice which helps me both create art and grasp the meaning of my experiences. Drawing serves as my method to observe the world while I slow down and convert brief experiences into enduring artistic creations no matter where I am. High Museum of Art At the High Museum of Art, I sketched two works by South Korean painter Kim Chong Hak—Autumn (2023) and Pandemonium (2018).These large-scale acrylic paintings are part of the Kim Chong Hak Foundation’s collection and were included in Kim Chong Hak: Painter of Seoraksan, the artist’s first U.S. museum exhibition (April 11–November 2, 2025). Kim’s work, is vibrant and features floral and mountain imagery. It resonates deeply with me.His ability to sustain a sense of childlike wonder while rendering nature with expressive intensity creates a dialogue between immediacy and permanence. My sketches of his work became a study not only in line and form but also in the way perception shifts when responding to another artist’s vision. Title: detail of Pandemonium, 2018, by Kim Chong Hak, Acrylic on canvas Courtesy of the artist and the Kim Chong Hak Foundation Title: sketch of Kim Chong Hak's detail of Pandemonium by Dawn Hunter, color pencil, marker and pen on paper, 11" x 17" Drawing in the City Outside the museum, I turned to the city itself. At Politan Row at Colony Square, a food hall and bar in Midtown near the High Museum, I immersed myself in drawing the people who were around me. The space is elegant and casual, and it is a setting that attracts visitors out for the evening, decompressing from work and even wedding parties. The crowded environment lent itself to caricature-like drawings that captured gesture and expression. Among these sketches, one subject stood out: Kree, a young pregnant nursing student on a staycation with her boyfriend. I was struck by her presence, which was restful, grounded, and contemplative amid the busy scene. My portrait of her became a more sustained drawing, balancing spontaneity with careful observation. Title: sketch of guests at Politan Row at Colony Square, Midtown, Atlanta by Dawn Hunter, marker and pen on paper, 11" x 14" Politan Row Community The caricature drawings made at Politan Row in Atlanta showcase the dynamic nature of people who gather in this active social environment. I use quick layered lines to create expressive drawings that focus on capturing gestures and personality traits instead of exact details. The drawings showcase both the natural observation process and the active communal environment through their range of detailed work from basic impressions to fully realized portraits. The collection of drawings presents a dynamic visual documentation of people who interact with each other while showing their unique characteristics. Title: Portrait of Brandon by Dawn Hunter, pen and ink on paper, 11" x 14" Title: Portrait of Kree by Dawn Hunter, pen and ink on paper, 11" x 14" Title: sketch of guests at Politan Row at Colony Square, Midtown, Atlanta by Dawn Hunter, marker and pen on paper, 11" x 14" Title: sketch of guests at Politan Row at Colony Square, Midtown, Atlanta by Dawn Hunter, marker and pen on paper, 11" x 14" Title: sketch of Kim Chong Hak's detail of Autumn by Dawn Hunter, color pencil, marker and pen on paper, 11" x 17" Off the Wall and into the World My drawings of the Atlanta Botanical Garden present an energetic and interactive interpretation of nature which draws inspiration from Kim Chong Hak's dense and rhythmic compositions of his paintings on display at the High Museum. In my sketches I aim to depict the garden's thick vegetation with lines and colors to represent the vibrant plant life. The drawings follow Kim Chong Hak's expressive and action oriented painting and drawing style by emphasizing tempo, movement and abundance of a densely packed landscape. Title: Atlanta Botanical Garden 1, by Dawn Hunter, marker and pen on paper, 11" x 17" Title: Japanese Garden, Atlanta Botanical Garden, by Dawn Hunter, marker and pen on paper, 11" x 17" Process and Purpose My sketchbook practice is rooted in perceptual drawing. The practice of this type of focused observation activates both emotional and intellectual mental operations. Through direct observation of life I establish a dynamic relationship with the artistic elements of line, shape, value, texture, space, color and form. The process provides more than visual study. Through drawing people can focus their minds while developing their spatial reasoning abilities and their skills in working with proportions and gestures. The steady observation of my hand movement across the page creates a meditative state which helps me reduce my anxiety and stress while creating a connection with my environment. Through travel drawing I transform the present moment into lasting marks which transcend the current instant as I draw both Kim Chong Hak's whimsically rich paintings, the people in a crowded food hall or the rich landscape of the Atlanta Botanical Garden. Title: Atlanta Botanical Garden 2, by Dawn Hunter, marker and pen on paper, 11" x 17"

Explore Bohumila Augustinova's art-community blend. Her YarnBombers of Columbia initiative livens up the city with crochet art and 'Giving Tree' every winter. Uncover her Jefferson Service Award-winning journey in our SC People interview. Did you ever wonder how the trees got their scarves? An interview with Bohumila Augustinova, by Dawn Hunter. An interview feature with 2021 Jefferson Award recipient, Cola City Yarnbombing leader and Columbia Art Center Director, Bohumila Augustinova. Above, Bohumila Augustinova, Director of the Columbia Art Center. Photo by Dawn Hunter. Q & A with Bohumila Augustinova Introduction: While aesthetically improving the forefront of a local business five years ago, Bohumila Augustinova, unwittingly launched a Cola City art installation winter staple by YarnBombers of Columbia on Main Street and beyond. The Yarnbombers of Columbia is a group that Bohumila spearheaded brings together over one hundred local artists who create unique, brightly colored, and patterned crocheted and knitted forms that they wrap around trees or parking meters during the winter months. The project evolved beyond aesthetics with the emergence of the “Giving Tree” located on the corner of Main and Taylor, downtown Columbia. As part of the tradition, artists hang hundreds of scarfs, hats, and gloves for anyone to take and use from that tree. This past December, Bohumila was recognized for her hard work and community investment with a Jefferson Service Award. Yarnbombers of Columbia art, downtown Columbia, SC. Photo by Bohumila Augustinova. Dawn Hunter: How did the "Giving Tree" get started? Bohumila Augustinova: Our first installation by the Yarnbombers of Columbia was on Main Street, and it was during the winter. At the end of our first installation day, an artist noticed a man "stealing" part of an installation wrapped around the bottom of a tree. Later, we saw him walking downtown, and he was wearing it as a scarf, and then we realized that it was not an act of theft but necessity. After that, the group created scarfs, hats, and gloves and offered them free at the tree site to anyone who needed them. It is now an annual tradition. Items are installed during November and are up until mid-March. Yarnbombers of Columbia art, downtown Columbia, SC. Photo by Bohumila Augustinova. Dawn Hunter: Your Jefferson Award is incredible and well deserved. The Jefferson Award, also known as Multiplying Good, recognizes members in the community who selflessly give of their time, embrace service to others as an essential part of life, and have a positive impact on the community. What are other initiatives that you participate in, other than Yarnbombing? Bohumila Augustinova: I have volunteered at Transitions for years. In that capacity I have offered classes in crafts, like teaching others how to crochet. I also collaborated in workshops with Brenda Oliver, the former Columbia Art Center Director, at Transitions and we were part of a team of volunteers. I haven't been able to volunteer as much as I would like to during the pandemic. I am able to continue community service and outreach through my role as director at the Columbia Art Center. Scraffito ceramic bowl by Bohumila Augustinova. Photo by Dawn Hunter. Dawn Hunter: Tell me more about that. Bohumila Augustinova: Other than our regular roster of classes that we offer at the Columbia Art Center, we work with members and organized groups from the community. Examples of groups that we work with are veterans, the Girls Scouts, homeless, and international groups. We also have a partnership with Sister Care, a national organization that assists women who are trying to escape abusive relationships. There are other initiatives that we participate in, too, like, Art Along the Trail, a dynamic visual and performing arts experience that occurs at Columbia's Riverfront Park. Scraffito ceramic bowl by Bohumila Augustinova. Photo by Bohumila Augustinova. Dawn Hunter: What is the most rewarding part of your job? Bohumila Augustinova: All of it. There are so many examples. I love our international programming because the event is for an entire family, and I witness multiple generations conceive of and create a collaborative art project on those occasions. Our programming features fantastic teachers who are dynamic members of the local art community. I am always looking for people who want to volunteer or participate in some capacity. It is exciting because it is a community-driven job, and my day-to-day activities change based on needs - so it is unpredictable. We offer Open Studio memberships to local artists who utilize the work studio space to create ceramic work. Through their membership, artists are given a 25-pound bag of clay, use of the studio, a shelf for storage, access to various glazes, and use of our kilns. They are able to hand build work or throw pottery on the wheel. Scraffito ceramic bowl by Bohumila Augustinova. Photo by Bohumila Augustinova. Dawn Hunter: Tell me about your art. Have you always created ceramics? Bohumila Augustinova: No, but I have always been creative. All of my life, I was sewing my own clothes as a young child - when I was the same age as Darcy! Dawn Hunter: Didn't you win the Columbia Design League's Runaway Runway twice? Bohumila Augustinova: Yes. Dawn Hunter: How do you decide what materials to use? Bohumila Augustinova: My mom was always making something creative, and she was very innovative. I didn't think it was unusual. Making things was just part of life, and it really didn't matter what the material was. I went to college for fashion design, but when I was done with school, I knew I didn't want to pursue a career in the industry. I have never felt afraid to try new forms of expression, and I have made a lot of art work from recycled materials, and I teach classes that focus on sustainability and use recycled materials, too. Dawn Hunter: You used wire for many projects, too, right? Bohumila Augustinova: Yes, that is correct. I am originally from Czechoslavakia, now known as the Czech Republic. One summer, when I was visiting home after moving to South Carolina, I borrowed my niece and took a class structured for mothers with small children. Not all of the projects were collaborative, and they offered workshops that were just for adults. One of the workshops was in traditional Slovakia tinkering. That is a tradition where experts in the craft travel from town to town to create a wire cover, or casing, for the clay cooking pots. It prevents them from cracking or breaking during use. I took to the medium naturally, and when I returned to the United States, I started making jewelry, too. I expanded the language of the wire beyond its traditional use, and I have created many projects out of it, including my Supper Table setting for Jasper. That table setting was symbolic and expressive of the late Elizabeth Evelyn Wright's life. Dawn Hunter: Your current sgraffito work in clay is expressive, too. How do you come up with the color and patterns? Bohumila Augustinova: When I first started, I found inspiration in mid-century design. Now I find inspiration from the natural outdoor surroundings of my home, like patterns and colors from my garden or ripples from the fish swimming in the pond. Dawn Hunter: What's next? Bohumila Augustinova: Well, this week I am participating in the Cottontown Art Crawl on March 12th, and as things slowly open up more, I hope to expand my volunteer work - both personally and professionally. The pandemic has made it challenging to gather in the numbers that some outreach initiatives require. Outreach has been a big part of my life and artistic practice, and I am looking forward to future projects. When I came to Columbia, I immediately felt a sense of community and belonging. I love my work at the Columbia Art Center, and it is rewarding to be part of the process that enables people to be inspired and create. That inspires me. Yarnbombers of Coulumbia art. Photo by Bohumila Augustinova.

Brian Rego, a distinguished US artist, is famed for his evocative landscapes and figurative works. Born and schooled in the art communities of Pennsylvania and South Carolina, he received his BFA and MFA from University of South Carolina and Pennsylvania Academy of the Fine Arts, respectively. Renowned for exhibitions like "Present Memory", Rego's creative vision is widely celebrated in solo and group exhibitions. To play, press and hold the enter key. To stop, release the enter key. The Artistic Vision of Brian Rego: Crafting Masterpieces and Nurturing Future Artists "My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty." Brian Rego is a seasoned artist known for his evocative landscape and figurative works. Born and raised in the United States, Rego's formal art education was forged within the robust arts communities of Pennsylvania and South Carolina.In 2004, Brian Rego achieved a significant milestone, receiving his Bachelor of Fine Arts in Painting from the University of South Carolina. His unique talent was quickly recognized, earning him the prestigious Ed Yaghjian Award for Distinguished Undergraduate Work. Yet, for Brian, this was only the beginning. Driven by a relentless curiosity and an unwavering commitment to his craft, he pursued further studies at the highly respected Pennsylvania Academy of the Fine Arts, attaining his Master of Fine Arts in Painting in 2007. Brian's dedication, however, extends far beyond his academic accomplishments. From the outset of his career, he has demonstrated an exceptional artistic prowess. His solo exhibitions, such as "Present Memory" at the Nancy Margolis Gallery in New York in 2021, "Tiny Mirrors" at the John Davis Gallery in 2019, and "Affections" at the Southside Gallery, also in 2019, have drawn significant attention and acclaim. This acclaim not only cements his status as an accomplished artist but is also a testament to his remarkable creative vision. Furthermore, his work has been featured in various notable group exhibitions, including "Rooms For Strangers" at the Pamela Salisbury Gallery, and "Working Small | A Group Exhibition" at Nancy Margolis Gallery. Above, Dream Walking, oil on board, 15 1/8 x 18 1/2 inches by Brian Rego. Image courtesy of Nancy Margolis Gallery But Brian Rego isn't just about painting pretty pictures. He's got this passion for education that pushes him to go beyond his studio. He's taken on roles as a teacher, a critic, even a visiting artist at different places. He really puts his heart into fostering the growth of young talent, nurturing the next wave of artists who'll make their own marks in the world.. These have included the Jerusalem Studio School in Israel and the University of Mississippi. Notably, he also returned to his alma mater, the University of South Carolina (2008-2019) serving as an Adjunct Professor in 2-D Design Foundations, Figure Drawing and Painting. In 2022, he taught a course, "Considering the Masters: Cezanne and The Organizing Principles of Design," at the Penn Studio School of Art. In recognition of his contributions to the field, Rego received the Blackwell Prize in Painting Award from the University of West Georgia in 2023. This honor underscores the potency and originality of his work. His artistic vision and technique have also made their way into print. In 2022, his thoughts and creative process were shared in "Art In The Making, Essays by Artists About What They Do," where he was featured on pages 228 - 231. From long nights in the studio to countless hours in the classroom, Brian Rego's journey through the art world is a shining example of how grit, imagination, and a love for teaching can shape a successful career. Every brushstroke tells a story, and Brian's art, full of beauty and depth, reflects his unique take on the world around him. But what's really cool is that his work doesn't just hang on gallery walls - it also lights a spark in young artists who dream of following in his footsteps. Pair that with his impressive list of exhibitions and teaching roles, and it's no wonder Brian is making waves in the modern art scene. Above, Swimmer, oil on board, 14 1/4 x 18 1/2 inches by Brian Rego. Private Collection Q & A with Brian Rego Dawn Hunter: What initially sparked your interest in art, and how has your upbringing in South Carolina shaped your artistic style and career? Brian Rego: From the time that I can remember, I had an interest in drawing. Looking back, it seemed like a natural thing to do. There are certain people who have temperaments that compel them to record their experiences to understand the significance of them, and to tell their stories. I grew up reading and drawing Sunday comics and followed the styles of Berkely Breathed, Bill Watterson, and Jim Davis. I was overtaken by how real the characters felt, and how easy it was for me to relate to them. I engendered a deep affection for these illustrators, for treating with such care and attention, their ability for, and dedication to storytelling. For a moment, I found a place to belong. I soon developed my own characters, and told my own stories. My grandmother was an artist, a painter. When she was in her twenties and thirties, she painted in oils, but by the time I had come to know her, she was a watercolorist. I loved her work as a boy, and I wanted to emulate her. I didn’t relate to art as an ideology, but I understood it through my grandmother. I was in awe of the non-diminishing return of her work, how the power of her paintings intensified the more time I spent with them. But I wouldn’t try my hand at painting until my twenties. (continued below) Brian Rego painting en Plein air. Girl in Garden, oil on canvas, 20 x 29 inches, oil on canvas by Brian Rego. Courtesy of Nancy Margolis Gallery. Brian Rego: (continued) I completed my BFA in painting at the University of South Carolina, and as a student, I had two professors who made a huge impact in my artistic development. One was in figure drawing, the other was in painting. Together, they pushed me to be my best while providing me the room to experiment, to struggle, to fail. If I managed to succeed in one area, it was met with brief acknowledgement and the demand to do it better; they were constantly looking ahead. I am grateful for that now because any time I am met with success, I treat it the same way, and that allows me to focus on the work instead of the results. I learned that failure and success are just a part of life, but given too much attention, they become detrimental to the growth of one’s work. My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty. I paint from life, so the heat of the South is always a barrier to my work, but because I struggle against it to paint in the landscape, the work is neither sluggish nor indulgent, but urgent and direct. I have taken to the discipline of working in the studio once the painting is developed enough to sustain the use of memory as a resource. My blessed wife and four children have contributed to the necessity of this development in the process of making paintings, and I have grown to love it. Memory has a limitless capacity for engaging the imagination, and as I learn to channel that powerful interaction through my sensibilities, the expression through the material, as a consequence, has shown itself to be something of a personal style. But I don’t give much attention to that; I focus more on the accuracy or the tone of the gestural expression of form through paint. Artist Brian Rego working in his Charleston, SC studio. East Bay Street, oil on linen, 20 x 24 inches, by Brian Rego. Courtesy of the artist. Dawn Hunter: Your solo exhibitions, including Present Memory; Tiny Mirrors; and Affections; have garnered a lot of attention. Could you give us a glimpse into the creative journey that led to these pieces and what they represent for you? Brian Rego: Each piece of every body of work is a visual accounting of my life in a certain place, in a certain time. But the paintings are about themselves, they are not about me. I just use what is around me and how I engage with those things as material to make the work. I have my own attachments to the work, my own entry points, but those will be different for someone else and what I have to say will only hinder their relationship to the painting. Each painting needs its autonomy. I need to keep looking ahead to what is next, not because I know what to look for, but to keep myself moving, one step at a time. Dawn Hunter: Alongside creating your own art, you’re passionate about teaching and nurturing the next generation of artists. How has this commitment to education shaped your own artistic workand the way you view your role as an artist? Brian Rego: I believe in giving back. I have had many people contribute their time, energy, knowledge, and love, to my development as a person and as a painter. The biggest influences in my life, aside from my family, have been teachers. I am grateful for the ability to teach, but even more so for the desire to do it. It brings me satisfaction to share something that I consider to be so good and so rich with other people. I love to see people struggle and grow, to see them enriched; I never tire of it. This attitude has fostered within me an ardent love for what I do, and in a way, it justifies what I do. If I painted exclusively for myself, I don’t think I would do it. Pineapple Fountain, oil on canvas, 22 x 28 inches by Brian Rego. Courtesy of Nancy Magolis Gallery. Dawn Hunter: You’ve been honored with several awards, like the Ed Yaghjian Award and the Blackwell Prize in Painting. What influence have these recognitions had on your artistic perspective, and what words of wisdom would you share with budding artists aiming for such honors? Brian Rego: Awards are wonderful because they represent someone believing in the value of your work, but whether the work is received favorably or unfavorably, the focus must be set upon the needs and demands of the work, which are established solely between you and what you make. Do not aim for honors, it is a distraction. The people who honor you will also dishonor you the moment you and your work cease to represent the values they hold dear. If you, especially as a budding artist, give that level of influence to someone else, you will lose your way. Expect there to be good times and bad times, but remember that each does not last. Listen to your heart, follow your gut, and move onward. It is not about you, it is about the work. Dawn Hunter: What do you hope viewers will experience or understand when they interact with your art? Looking forward, are there any new themes or techniques you’re looking forward to incorporating in your upcoming works? Brian Rego: Ideally, my hope is for a viewer to enter into the compressed space of the painting, slowly expanding, finding themselves immersed in another world. One that connects deeply to the viewer’s interior world, to their sensibilities, and form a connection to it. My hope is for the viewer to understand that the painting is there to be seen and that it reveals itself in layers, that it imparts something of value, but that it takes time. Regarding my upcoming work, I want to paint on bigger surfaces. I want to learn how to make large paintings, really get into things. I am working out the practical aspects of making large paintings on location, and then of course, how to paint them. Above, Woman Sunrise at the Park, oil on line, 22 x 26 inches, by Brian Rego. Courtesy of Nancy Margolis Gallery. Nancy Margolis Gallery | Brian Rego

Join Darcy on 'Dish with Darcy', , where culinary exploration comes alive. From whipping up delightful cupcakes as tokens of appreciation to diving into traditional Southern recipes like biscuits and baked chicken, Darcy invites you into her kitchen to share in the joy of cooking. Dis h w it h D arcy™ South Carolina Sunshine™ | Dawn Hunter's daughter, Darcy, takes you with her on cuisine adventures. Sometimes they are with friends or regional talent from South Carolina. Table of Contents Icons Scroll and click on an icon image below to go to the Dish with Darcy section you are interested in reading. Darcy's Universal Yums Experience Join Dish with Darcy as we embark on a delicious adventure with Universal Yums! Each month we sample international snack boxes filled with sweet treats, savory delights, drinks, chips, and candies. Explore our reviews and favorites from the tasty Baltic and Thailand boxes, and discover how you can enjoy snack surprises delivered right to your door! More Yayoi Kusama Pumpkin Pie Celebrate the art of Yayoi Kusama, the "Princess of Polka Dots," and Darcy’s inspired creations. Discover Kusama’s 'My Love for the Eternal Pumpkin' sculpture at the Hirshhorn Museum and explore Darcy’s creative journey, drawing and decorating her own pumpkins. The photo essay showcases images from Kusama exhibits, Darcy's art process, and her delicious homemade pumpkin pies, adding a culinary twist to the artistic tribute. This webpage blends visual and culinary arts, highlighting the influence of Kusama’s work on personal creativity and expression. Join us in this vibrant celebration of art, inspiration, and delightful treats! More White Bean Dip with Lemon and Rosemary Darcy explores the delightful world of simple and yummy snacks! The white bean dip photo essay highlights Darcy’s effortless and tasty dip, enhanced with lemon and her favorite choice of fresh herbs. This dip is a harmonious blend of tangy and savory flavors, making it the perfect partner for crunchy vegetables, assorted chips, or creatively sliced pita bread. It is super easy to create this wonderful dip in just a few steps and shine as a culinary star! Experience the excitement of cooking with Darcy’s lively and inviting style, exclusively on 'Dish with Darcy.' More Sour Cream Dip with Parsley and Dill Join us on 'Dish with Darcy' as we jump into the world of quick and tasty treats! This photo essay features Darcy's easy-to-make, delicious Sour Cream dip with parsley and dill. This dip is perfectly balanced in flavor and the perfect companion to fresh veggies, chips, or creatively cut pita bread. It's tangy, creamy, and crafted with love, making it an ideal recipe for tweens looking to explore their culinary skills. Whip up this delightful dip in mere minutes and become a kitchen superstar! Discover the joy of cooking with Darcy's fun, engaging approach only on 'Dish with Darcy.' More Teacher Appreciation Cupcakes "with" Dolly Parton Discover the joy of creative cupcake decorating! Witness the thoughtful and artistic gesture of Darcy, who intricately decorated unique cupcakes for her teachers as a token of appreciation. This fun and imaginative activity allows children to express their creativity and build connections while enjoying delicious treats. Adding an extra twist, Darcy incorporated a limited, 1st edition chocolate Frosting created by Duncan Hines and Dolly Parton . As a devoted Dolly Parton fan, this playful inclusion made the cupcakes even more special and personal. The connection to an esteemed celebrity like Dolly Parton added a touch of excitement and made the experience of creating and giving the gift more meaningful. More Homemade Soft Serve Ice Cream We are introducing our new ice cream adventure! We're thrilled to have acquired a stylish and affordable ice cream maker by Tasty, allowing us to unleash our creativity. Darcy personalized it with a sticker from her adored YouTuber, Moriah Elizabeth , who inspires her culinary creations on Dish with Darcy™. While attempting to make ice cream the traditional way using a plastic bag, Darcy encountered less-than-desired results despite her efforts. Seeking a more reliable approach, we opted for a recommended ice cream mix: Junket Ice Cream mix. With simple instructions and available ingredients in our kitchen, we finally achieved the dreamy, smooth soft-serve ice cream we craved after a few trial-and-error attempts. More Inspiration from Patz Fowle Welcome to our Lake City art excursion! Join us as we explore the inspiring Onward and Upward exhibition at the Jones-Carter Gallery . This mesmerizing showcase celebrates the artistry of Patz Fowle (1954-2021) and Mike Fowle. Our visit left us in awe, so much so that we couldn't resist the impulse purchase of Patz Fowle's exquisite clay artwork titled "Every Artist...Has a Story." This artwork is crafted with meticulous detail; the whimsical piece is composed of hand-sculpted stoneware, porcelain, oxides, underglaze, stains, and luster. It showcases references to iconic artworks by visionaries like Dali, Picasso, and Munch while incorporating significant readings of Art History. The tactile surfaces of this ceramic masterpiece rival the painted surface qualities found in Matthias Grünewald's renowned Isenheim Altarpiece (1512–1516), creating a truly awe-inspiring experience. More Lake City Re-Visited Discover the charm of Lake City, South Carolina, a delightful weekend destination that provided us with unforgettable experiences. Situated 90 miles east of Columbia, SC, and 60 miles west of Myrtle Beach, this picturesque city offers a diverse range of attractions. Indulge in the culinary delights of terrific restaurants, immerse yourself in the vibrant contemporary art scene at local galleries, and explore the serene beauty of the Moore Farms Botanical Gardens . And remember to visit our personal favorite, Baker's Sweets! Lake City becomes a hub of artistic excitement each spring as thousands gather for the renowned ArtFields and ArtFields Junior Competitions. This annual event showcases artists' exceptional creativity and talent from near and far, offering a truly enriching experience. More Mom's Baked Chicken Introducing a cherished recipe that holds a special place in the culinary repertoire in our kitchen. This delectable dish is a treasured creation of Darcy's mother, crafted during her culinary adventures at the tender age of twelve. Passed down to the next generation, it has become a favorite family mealtime tradition. The recipe is so ingrained in their cooking routine that measuring spoons has become obsolete, allowing creative freedom and personalization. Although Darcy has thoughtfully written down the recipe, embracing improvisation and adding personal twists to make it your own is highly encouraged. More Publix "Hamburger" Cake Welcome to a mouthwatering Memorial Day Weekend treat! As Darcy aptly puts it, "It's small, it's cute, it's from Publix, it's delicious - so go get it!" Indulge in the festive spirit with special edition holiday cakes from Publix, designed to elevate your celebrations. These delightful novelty cakes come in various summertime and Memorial Day themes, adding a touch of whimsy to your festivities. Not only are they reasonably priced, but they also offer a delectable taste experience that will satisfy every sweet tooth. These cakes are perfect for kids and those young at heart and promise a delightful and fun-filled treat for all More Darcy and the Donut Welcome to The Donut Guy , a delightful haven nestled in the heart of The Vista at 1215 Lincoln St, Columbia, SC. Indulge in the ultimate donut experience as we offer a delectable assortment of freshly crafted treats that are made with love and care right here. Step into our casual and friendly atmosphere, where you can choose to relax indoors or bask in the sunshine at our outdoor seating area. The Donut Guy is about creating a welcoming space to enjoy every bite. From classic glazed delights to innovative toppings like Fruit Loops, toffee, and melted chocolate, we have something to satisfy every craving and delight your senses. One of our popular picks is the strawberry icing sprinkled donut, a personal favorite of Darcy. More Darcy and the Cake Visit Baker's Sweets , a bustling culinary gem located at 129 E Main St, Lake City, SC. Known for its delectable lunch options and mouthwatering homemade cakes, this charming establishment is a must-visit in Lake City. Prepare to be enchanted as you feast your eyes upon the top of the display cases adorned with tempting slices of homemade cake. Inside, a delightful assortment of sticky buns, cupcakes, tortes, and cheesecakes awaits, each crafted with love and attention to detail. We succumbed to the irresistible allure of a torte and a triple chocolate cake during our visit. Indulging in each delectable bite, we found it impossible to pick a favorite, as both desserts were absolute delights to our taste buds. More St. Patrick's Day Rice Krispie Treats Get ready to celebrate St. Patrick's Day in style! As the festivities approached, Darcy embarked on a delicious adventure by creating mouthwatering Rice Krispies Treats™ for her Dish with Darcy "Tumblr." While the traditional recipe initially left her craving for more flavor, Darcy's ingenious twist took the second batch to new heights. She achieved perfection by adding a delightful touch of store-bought vanilla icing and a pinch of salt. Peruse the delightful photos that capture her recipe journey, showcasing each step of this delectable creation. Accompanied by a charming drawing by Darcy, the recipe comes to life, enticing you to embark on your culinary escapade. More Baby's Best Buttermilk Biscuits Simplicity meets classic charm in our kitchen with an old-fashioned biscuit recipe. We take a traditional approach by incorporating shortening into the biscuit base, but we add a delightful twist by spiking the mix with butter. We brush the tops with butter to enhance the golden goodness before baking. Maintaining the proper proportion of shortening to butter is critical to achieving the perfect balance of flavors. This ensures the biscuits retain their rich taste without overwhelming burnt butter notes. While you have the freedom to brush your biscuits with butter at any time, we recommend waiting until halfway through the baking process for optimal results. More Silver Jubilee Cookies Welcome to our cookie haven! We're here to spread joy with our beloved cookies all year round—our secret lies in the classic Silver Jubilee Cookbook Sugar Cookie Recipe, infused with a delightful twist. Adding 1/4 cup of flour and chilling the dough creates the perfect canvas for rolling and cutting. Our pantry is always stocked with cookie essentials to fuel our delicious adventures. Playdates often end with a vibrant cookie decorating fiesta, where each creation becomes a masterpiece as creative as an art class. The Silver Jubilee Cookbook is special in our hearts, offering more than just a coveted sugar cookie recipe. It is a trusted resource in our culinary repertoire, from basic cakes to expert meat, poultry, fish, and vegetable dishes. More

Darcy creates cupcakes for her teachers, using limited edition Dolly Parton frosting. This gesture showcases her creativity, love for Dolly Parton, and gratitude. Darcy's Appreciation Teacher Appreciation Expressed with Cupcakes frosted with Dolly Parton's and Duncan Hines' Creamy Chocolate Buttercream Darcy created several unique cupcakes that she decorated intricately to give to her teachers at school to show that she appreciated them. It was a very thoughtful and creative gesture! Decorating cupcakes was a fun and artistic way to express herself, and giving them as gifts to show appreciation was a great way to build connections and show gratitude. Creative giving Baking and decorating cupcakes is a great way for children to express their creativity and imagination. Creating something beautiful and delicious can be very satisfying and fulfilling, and it can also be a fun way to spend time with family and friends. “You'll never do a whole lot unless you're brave enough to try.” – Dolly Parton Unique Twist She gave them an extra unique twist by using a limited, 1st edition chocolate Frosting created by Duncan Hines and Dolly Parton. Darcy is a huge Dolly Parton fan, so it was amusing to her to include the frosting in cupcake creativity! Dolly Parton is a beloved figure known for her music, acting, and philanthropy. It was nice that she found a way to incorporate a limited edition frosting created by Duncan Hines and Dolly Parton in the recipe. “Find out who you are and do it on purpose.” - Dolly Parton Silver Jubilee Cake Batter Recipe 2 cups sifted cake flour | 3 teaspoons baking powder | 1/4 teaspoon salt | 1/2 cup butter | 1 cup sugar | 2 eggs, well beaten | 3/4 cup milk | 1 teaspoon vanilla extract Mix and sift flour, baking powder & salt. Cream butter, add sugar slowly & cream until fluffy. Stir in eggs. Add dry ingredients alternately with milk, and stir well after each addition. Add vanilla. Scoop into lined cupcake tin. Bake in a 375°F/190.556°C oven for 25-30 minutes. Conclusion: Having the frosting connected to her public persona definitely made the cupcakes extra special and personal for Darcy. It made the experience of creating and giving the gift more meaningful and enjoyable. The connection to a celebrity like Dolly Parton constructed a relatable and fun endeavor for Darcy and those who received them. It was also a great way to express her personal style and interests. The second limited edition of the Dolly Parton baking collection will be released by Duncan Hines on February 8, 2023. Please see the links on the buttons below for more information.

Explore Carolina DeSanctis' FAST DOLL: vintage tattoo flash-inspired hand-stitched patches, custom clothing, and accessories. Her eco-conscious, cruelty-free shop offers crafted patches, hats, key chains, and more, all masterfully created by Carolina herself. Stitching the Past into the Present: an interview with a great gal who owns and operates FAST DOLL. An interview feature with USC Alumnus, Caroline DeSanctis, artist and owner of Fast Doll, "hand embroidery inspired by the golden age of North American traditional tattoo and other iconic vintage imagery. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Palmetto Snapshots Q & A with Caroline DeSantis Introduction: Based on her original drawings and unique designs, owner and operator of FAST DOLL Caroline DeSanctis creates 100% hand-stitched patches, custom clothing & accessories influenced by the tattoo flash of the 1940s & 1950s. All embroidery and designs are drawn and stitched by Ms. DeSanctis. Most designs you see here are original to the shop unless otherwise noted (i.e., the Sailor Jerry designs and some custom commissioned work). The cost of her hand embroidered patches range from $20.00 - $125.00. Her shop additionally features hats, pennant, key chains, tattoo passes and custom orders. All patches are cruelty-free: made from eco-felt, which is made from recycled plastic bottles, and 100% cotton embroidery floss. Let's catch up with Caroline and find out more about her unique shop and business. Above, an example of some of Caroline's custom work. Hand-dyed, hand-stitched & hand-drawn patch flash sheets prior to being framed. Commission Inquiries Dawn Hunter: When and where did you establish FAST DOLL? Caroline DeSanctis: I started Fast Doll in 2015 when I still lived in Atlanta, Georgia. Back then it was still known as Fast Doll Fine Vintage, and I was exclusively selling vintage clothing from the 1920s-1960s online. When I first started I was still working full-time for MAC Cosmetics and was selling vintage on the side after clocking out at MAC every day. I resigned at MAC in April 2016 and I remember as I was leaving the counter that day my phone was buzzing with orders from Etsy, and I remember smiling, and thinking that I had made the right decision to leave. Hand-dyed, hand-stitched & hand-drawn framed "patch flash sheets."™ Dawn Hunter: Has the business always focused on hand embroidery? If not, how did that evolve? Caroline DeSanctis: It was exclusively vintage clothing & accessories for almost 3 years, until I taught myself how to embroider by hand and eventually evolving that into the current style of the things I make today. I remember stitching the first thing, which was the words Fast Doll on the back of one of my denim vest, and then thinking “oh no, I’m already addicted to this“. I started to post my creations on social media and there was immediate interest. They started to sell more and more and eventually became more popular than any other vintage items that I was selling. I got so busy during the holiday season of 2019 that it became the only thing I had time to do, and I officially stopped selling vintage clothing and renamed the company to simply ‘Fast Doll’. And I’ve been stitching full-time ever since. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Dawn Hunter: When did you locate to Charleston? Caroline DeSanctis: I moved to Charleston in August 2020 in the middle of the pandemic! I got here and got straight to work and tried not to miss a beat. I think I took off maybe one full day to unpack when I moved, but that was it, haha. Dawn Hunter: How do you come up with ideas for designs? What is your inspiration? Caroline DeSanctis: I draw inspiration from a lot of vintage 1940s and 1950s iconography, ephemera, magazines, illustrations and tattoos from that era of American history. They had bold black lines and were limited to only a few colors — these designs translate so well to embroidery and look very clean and satisfying when they’re done. I also love pinup art and often make things that represent or remind me of vintage glamour and aesthetics. Dawn Hunter: What is your most popular design? Caroline DeSanctis: I think my most popular designs are any of the flowers that I do, any of the skulls, and the ‘Mama Tried’ patches & trucker hats, haha. The imagery in this work was taken directly from a Sailor Jerry sheet of flash featuring an eagle. This is not one of Caroline's designs. The embroidery is straight-up satin stitching. The eagle is embroidered with white, red, and dark & yellow gold embroidery floss. Flag is sewn with deep navy blue, white, red, gold and brown embroidery floss. Flowers are sewn with mustard yellow, green and black embroidery floss. Images are sewn to an off-white piece of sturdy felt that are then sewn on top of a black piece of felt with black embroidery floss (creating a border) and trimmed to fit. Since each patch is handmade, there may be slight, minor differences and no two patches will be 100% alike. If you'd like a different color scheme for your patch, feel free to make a custom request. Please allow additional processing time for custom requests. Hand-embroidered, hand-sewn and hand-cut black and off-white felt patch. The patch flash sheet features pointy-tipped daggers with a hearts detail and dots details. Image is sewn to an off-white piece of sturdy felt that is then sewn on top of a black piece of felt with off-white embroidery floss (creating a border) and trimmed to fit. Classic & timeless traditional-style rose that looks good on everything. Hand-embroidered, hand-sewn and hand-cut felt patches in 4 different color schemes. Patch features a traditional-tattoo-style rose with three leaves. Great for a leather or denim jacket / vest. Felt Pennants Dawn Hunter: Where can people buy your work? Caroline DeSanctis: My work is always available online at my website — Fastdoll.com — and you can also commission a custom piece from me there as well. I also sell items on my Instagram feed from time to time — @fast.doll. I do lots of local handmade & vintage markets regularly in the Park Circle and North Charleston area. I also have pieces available at The Station, which is located locally in Park Circle. In case you forgot — The boots stay on! ‘The Boots Stay On’ felt pennant featured in two different color ways. • 100% hand-stitched & hand-assembled (no machine!) • Each measure 12” x 6” Fast Doll Web Site

South Carolina Sunshine is a lifestyle webzine created by award winning artist Dawn Hunter featuring interviews, cultural events, outdoor activities, and curated content exploring South Carolina’s people, places, and creative communities. Our History In the final month of 2021, an innovative spark ignited within me as I dived into the formation and structure of this platform. The source of this artistic energy was a trio of accomplished women from South Carolina who I deeply respect: Bohumila Augustinova, Ella Marushchenko, and Kathleen Robbins. Their talents intersect the spheres of arts, science, and community service, making them influential figures to look up to. Ella's scientific illustrations have continually fueled my studio work, while Bohumila's recent receipt of the Jefferson, Multiplying Good Award further elevated my admiration. Additionally, Kathleen's photography, with its strong emphasis on familial bonds, has consistently captured my imagination. In an effort to create a platform that transcends my individuality, I was motivated to dedicate dawnhunter.com to exceptional South Carolinians and to the exploration of our state's diverse culture and nature. It felt like a meaningful mission. I further sought, my daughter, Darcy's collaboration on this project and was met with an enthusiastic affirmation. Together, we embarked on creating a site encompassing dedicated sections such as SC People , Culture , Outdoors , Dish with Darcy™ , and Studio Visit . Each segment serves as a unique "topical hub", analogous to a "topic Tumblr,"and receives monthly updates. However, the Culture segment is refreshed more frequently, with new content added on a weekly to bi-weekly basis. Contact Me: dmhunter@email.sc.edu ARTISTISTIC INSPIRATION, ELLA MARUSHCHENKO WITH COVER ART CREATED BY ELLA MARU STUDIO Co-founded by Sasha and Ella Marushchenko , Ella Maru Studio creates some of the most innovative and compelling contemporary scientific illustration by fusing and applying their scientific (Sasha, chemist) and artistic (Ella, artist) backgrounds. Ella Maru Studio employs scientists with PhD credentials from the best universities and top talent graphic designers. The results are cutting edge, memorable images that resonate and effectively communicate with readers. South Carolina Sunshine is delighted and honored that Sasha and Ella granted us an interview, which is one of our most visited SC People editorials. Stay tuned, check back for more upcoming interviews with leaders and creatives living in South Carolina. Follow us on Instagram to be alerted when new content is live! Ella Maru Studios EXPLORE CULTURE AND THE OUTDOORS South Carolina, while rich in history, also holds a lot of unexpected surprises. For example, did you know that during their migration from South America that Whimbrels stop "over to feast on the bounty of our barrier islands, and up to 20,000 will congregate on the spit of sand known as Deveaux Bank?" (quote from Coastal Expeditions website.) There is much to learn, see and explore. Some of our upcoming content for our Outdoor s section includes a Whimbrel Expedition, an interview with a geologist who is mapping the ocean floor off the coast of SC, and interviews with researchers from UofSC Upstate's Watershed Ecology Center. Outdoors OUR FIRST SC PEOPLE INTERVIEW: BOHUMILA AUGUSTINOVA While aesthetically improving the forefront of a local business five years ago, Bohumila Augustinova, unwittingly launched a Cola City art installation winter staple by YarnBombers of Columbia on Main Street and beyond. The Yarnbombers of Columbia is a group that Bohumila spearheaded brings together over one hundred local artists who create unique, brightly colored, and patterned crocheted and knitted forms that they wrap around trees or parking meters during the winter months. The project evolved beyond aesthetics with the emergence of the “Giving Tree” located on the corner of Main and Taylor, downtown Columbia. As part of the tradition, artists hang hundreds of scarfs, hats, and gloves for anyone to take and use from that tree. This past December, Bohumila was recognized for her hard work and community investment with a Jefferson Service Award. Bohumila's Interview YOUR HOSTESSES: DAWN AND DARCY Road trip selfie: Here we are teaming up for a cultural experience at this year's ArtFields arts festival, Lake City, South Carolina. The event was so epic, we had no choice but to summarize our weekend of fun in the Culture AND the Dish with Darcy™ sections. We are excited about meeting new people and the exciting adventures that await us. Visit dawnhunterart.com to view my Cajal Portfolio and dawnhuntergallery.com to view my other artwork series. About Dawn

"Unearth SC's cultural vibrancy on our page featuring top-tier art exhibitions and special events. Our visual, photographic essays provide an in-depth view of select art exhibitions in South Carolina, featuring solo shows and group exhibitions. Learn more the flourishing arts scene in SC." Culture South Carolina Sunshine™ | Special Focused Content and Listings of Cultural Events in South Carolina. Table of Contents Icons Scroll and click on an icon image below to go a Culture section you are interested in reading. Spoleto Festival USA Spoleto Festival USA is a twelve-day celebration of the performing arts held annually in Charleston since 1977. No comprehensive festival of the performing arts had taken place in the southeastern United States when Spoleto Festival USA was founded. Previous performances of opera, theater, and dance in Charleston had been sprinkled with occasional concerts of chamber music, jazz, and other musical genres. Since its inception, Spoleto has attracted some of the world's most celebrated artists and audiences from all 50 states and abroad. Today, the Spoleto Festival USA transforms the famous Forty-three Threater – a cluster of forty-three venues in Spoleto's historic district – back into the multi-talented performing arts center Charleston is accustomed to. More Walk for Peace This winter, a group of Buddhist monks traveling on foot from Texas to Washington, D.C. passed through South Carolina as part of a 2,300-mile Walk for Peace. Moving at a meditative pace, their journey emphasized peace as a daily practice rather than a destination. Across towns such as Saluda, Leesville, Fairfield County, and Columbia, communities gathered quietly—through roadside welcomes, civic recognitions, and shared pauses—to reflect on compassion, presence, and collective responsibility. The walk offered South Carolina a moment of stillness within a long national pilgrimage, reminding participants that peace begins inward and unfolds one step at a time. Photo by Perry McLeod. More Tina Williams Brewer | Stories of Grace Immerse yourself in the rich narratives of Tina Williams Brewer's story quilts at the Columbia Museum of Art. For over four decades, Brewer has woven her personal experiences, historical accounts, and vibrant textiles into her unique quilts, offering a profound exploration of African-American history and spirituality. The "Stories of Grace" exhibition, open until September 3, 2023, showcases her hand-stitched, collage mixed-media pieces that map out her heritage, the African diaspora, and the connections between past, present, and future. Journey through intricate layers of symbolism and culture, Tuesday to Sunday, with extended hours on Thursday. More Carla Gannis/ C.A.R.L.A. G.A.N. Carla Gannis' WWWunderkammer is a pioneering endeavor, challenging traditional museum narratives by reimagining the classic 'cabinet of curiosities', known as Wunderkammer. She employs cutting-edge technology to fuse physical and virtual realms seamlessly. The physical installation reflects her continuous online project found on Mozilla Hubs and high-definition desktop VR, welcoming viewers to distinct thematic 'chambers'. Each chamber explores critical facets of contemporary life - from environmental challenges to the digital revolution's impact on self-perception and language. Gannis harnesses the power of augmented reality in her gallery display, blurring the line between the virtual and the real. This approach helps her investigate the essence of human existence in the internet age while promoting universal access to knowledge. More Elizabeth Catlett Experience the captivating artistry of renowned artist Elizabeth Catlett at the Columbia Museum of Art (CMA). This significant survey exhibition comprehensively overviews Catlett's illustrious career as a printmaker and sculptor. Alongside her works, the collection includes select pieces by mentors, peers, and students who shared a personal connection with Catlett. Additionally, the installation incorporates additional artworks from the CMA Collection. Witness the profound impact of Elizabeth Catlett's artistic journey, spanning an impressive seventy years. Her art sought to give visibility and voice to underrepresented individuals, often focusing on laborers, women, and African Americans. Addressing social issues relevant to the United States and her adopted home of Mexico, Catlett's powerful figures embody resilience while acknowledging the struggles Black and Mexican working classes face. More Jordan Sheridan Introducing the winner of the prestigious 2022 701 CCA Prize, Columbia-based artist Jordan Sheridan. This biennial juried award, presented by the 701 Center for Contemporary Art in Columbia's Olympia neighborhood, recognizes the talent of South Carolina artists under 40. Jordan Sheridan is an emerging artist known for her captivating installation art. Her remarkable talent and dedication have been acknowledged with the distinction of being named an SCAC Emerging Artist for FY2022. Currently serving as a full-time faculty instructor at the University of South Carolina's School of Visual Arts and Design, she imparts her expertise to aspiring artists through her engaging painting courses. More 701 CCA Prize Finalists Welcome to the captivating 701 CCA Finalists Exhibition, now open at the esteemed 701 Center for Contemporary Art. Prepare to be mesmerized as three exceptional artists and finalists for this year's prize showcase their visionary works until January 15, 2023. Step into this exhibition and immerse yourself in a world of artistic brilliance. Each artist, including the talented Kate Hooray Osmond, Jordan Sheridan, and Brittany Watkins, pushes boundaries and invites you to explore their unique creative perspectives. From innovative techniques to thought-provoking concepts, their creations will ignite your imagination and inspire you. More Art by Krigga Enter the captivating world of the Omphalos, a convergence of time and perspective. In this exhibition, presented by the visionary artist Dogon Krigga, two distinct collections of works harmoniously blend the past and the future. Embracing the timeless beauty of Black thought and form, Dogon Krigga invites you to celebrate the resilience and boundless creativity of the Black experience in the ever-present now. Breaking away from the narrative of Black suffering that pervades historical records and art, the Omphalos seeks to cultivate a space where Blackness thrives. By highlighting the gifts, abilities, and interconnections within the Black community, Dogon Krigga's art becomes an act of rebellion and revolution. Afrofuturism is a powerful tool, reminding us of our mastery and potential in this realm while liberating our minds from societal constraints. More Tyrone Geter Step into the realm of powerful artistic expression with Tyrone Geter's exhibition at ArtFields' TRAX Visual Art Center in Lake City, South Carolina. Over the past six months, this exhibition has left an indelible mark on the art scene, showcasing Geter's masterful mixed media drawings that blend exquisite draftsmanship, torn paper, and found objects into visually captivating statements. Each artwork is a testament to Geter's immense talent and resonates as a profound experience in its own right. Geter's creations operate on multiple levels, transcending mere aesthetics. While some pieces look into his personal journey, many images explore the complex dynamics surrounding race, gender, and economic structures within contemporary American culture. More Adrian Rhodes We are delighted to feature the enthralling realm of Adrian Rhodes, winner of the esteemed 701 CCA Prize in 2020. Celebrated for her artistry in printmaking and mixed media installations, Adrian's solo exhibition "How to Untie a Tight Knot" was a result of her dedicated six-week residency at the 701 CCA. With academic roots in Rock Hill's Winthrop University, Adrian has gained recognition in the Carolinas and beyond. Her work, exploring the paradox of longing for and escaping the past, provides a captivating lens into the human psyche, using recurring motifs to express the intricacies of relationships. More Ginny Merret Meet Ginny Merett, a dynamic artist and passionate art educator, who has been a vibrant part of Columbia's art community for over thirty years. Known for her striking, graphic collages, Merett's art may seem playful and whimsical at first, but it carries profound undertones addressing societal norms, cultural, gender and racial identities. Currently, she holds the distinguished position of Artist-in-Residence at The Jasper Project. Her intriguing creations can be appreciated at Sound Bites, nestled in the heart of historic downtown Columbia, at 1425 Sumter St, Columbia, SC 29201. Don't miss the opportunity to experience her captivating work, which will remain on display until the end of July 2022. More Margaret Curtis Welcome to the world of Margaret Curtis, a prominent figure among contemporary American artists. Known for her distinctive and ground-breaking art, she is currently represented by the esteemed Tracy Morgan Gallery in Asheville, NC. Margaret's oil paintings tell stories through their imagery, and their physicality also forms a deep, visceral connection to their underlying themes. Her widely recognized and critically acclaimed artwork has recently been bestowed with the distinguished Joan Mitchell Foundation Fellowship, an award that requires an exhaustive selection process. The fellowship, amounting to $60,000 spread over four years, has enabled Margaret to augment her studio and broaden her creative horizon. More ArtFields 10th Anniversary Exhibition ArtFields celebrated its 10th year, showcasing 369 artists from 12 Southeast states in a nine-day festival from April 22-30, 2022. We were thrilled to have "The Darcy Inventory" in the competition and equally enjoyed experiencing the festival as attendees, filled with South Carolina Sunshine. The ArtFields festival, which began in 2013, aims to honor Southeast artists with celebrations and competitions, providing over $100,000 in cash prizes. This year's winners were Noah Scalin, MyLoan Dinh, Melvin Toledo, and Jonathan Imafidor. Enjoy the photo essay and immerse yourself in the art that left us in awe. More Jasper Project 10th Anniversary Party On April 14, 2022, we celebrated the 10th Anniversary of The Jasper Project at 701 Whaley. This event paid tribute to a publication that has become a cornerstone of Columbia, SC's cultural landscape. Under the guidance of Cindi Boiter, the magazine offers invaluable insights into our vibrant community, spotlighting the lives and works of local artists, performers, dancers, musicians, and writers. The celebration evening echoed with tunes from Adam Corbett, Post-Timey String Band, DJ Preach Jacobs, and Dick Not Richard, accompanied by a spellbinding performance from the Columbia Repertory Dance Co. Explore the captured moments from the event in our photo essay featured below. More Lady Gamecock Parade Main Street was abuzz with excitement as countless UofSC WBB supporters gathered to commemorate their second historic national championship. The triumphant victory was clinched on April 3 in Minnesota, where they bested the UConn Huskies. Jump into the jubilation of the event through our photo essay to view highlights from the celebration! More Anila Quayyum Agha Anila Quayyum Agha, an American artist of Pakistani origin, brings enchanting realms to life within her exhibition spaces. Her exhibit, "Let a Million Flowers Bloom," leverages halogen bulbs nestled within meticulously crafted and lacquered steel. This technique casts mesmerizing shadows that "paint" the gallery walls, creating an immersive environment that makes us feel as though we've stepped into a chapter of Lewis Carroll's Wonderland. Our take on the exhibit? It's superb! Experience the wonder for yourself from February 19 through May 29, 2022. More

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Congaree National Park Congaree National Park hosts a diversity of wild life, being the largest preserved stretch of old growth bottomland hardwood forest in the southeastern United States. The floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. What is Congaree? Our forests offer much more than just beautiful landscapes and wildlife. Each one has a different story to tell. - Raveena Tandon Congaree National Park is a favorite attraction for many hikers and kayakers. It is a 20,000-acre, federally protected wilderness. The park is known for its “giant hardwoods and towering pines.” It is a floodplain forest with one of the highest canopies in the world. The 2.6-mile boardwalk is an excellent introduction to the park. Visitors can explore the park by foot, kayak, or canoe. To ensure a safe park visit, we would like to point out that cell phone reception within the park is very spotty, therefore, it is important to be well-prepared before hiking, camping or kayaking. It is also essential that you inform someone about your plans and it is paramount that you leave your itinerary behind in case of emergencies. Equip yourself with appropriate clothing and footwear and carry necessary items such as water, snacks, first aid kit, map, and compass. Congaree National Park Photo Gallery The best time to visit Congaree National Park is during the fall, from October to early November. The crowds are low, the leaves are changing, and there are fewer bugs. Congaree National Park Basic Information Before your visit, check the weather forecast. Conditions can change rapidly, and flooding is a potential hazard, and can occurwith little or no warning. During the summer months, mosquitoes can be bothersome; bring insect repellent for a more comfortable experience and protect yourself from insect bites. Activities that are permissible in the park are hiking into the Congaree wilderness, canoeing or kayaking into the park's heart by way of Cedar Creek, and paddling the 50-mile designated recreational paddle trail. Those who want an immersive experience in Congaree National Park can "stay in one of the park's primitive campgrounds or in the park's wild backcountry." Fishing is also permitted in the park; however, it is important to be informed of the policies. The park is open 24 hours a day, every day throughout the year and closed for observed holidays. Congaree Holiday Closure Schedule Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Since 2013, ArtFields has transformed Lake City, SC into a vibrant art hub, celebrating the rich artistic talent of the Southeast. A nine-day festival turns the town into a living gallery, featuring works across various mediums and local venues. Managed by Kyle C. Coleman, the event offers $110,000 in cash prizes. As it nears its 12th anniversary, ArtFields continues to evolve, with plans for more collaborations. It's not just an art contest; it's a communal celebration of creativity. To play, press and hold the enter key. To stop, release the enter key. Interview with Kyle C. Coleman of ArtFields: Celebrating the Artistic Landscape of the Southeast "I think the fact that ArtFields has no parameters concerning, media, technique, and content, makes our event an annual mirror for Artists across the Southeast." ArtFields, a thriving cornerstone of the Southeast's art scene, has significantly influenced the creative landscape of South Carolina since its inception in 2013. The brainchild of a small-town community, it boasts a nine-day celebration and competition honoring artists from the Southeast region. The event is a testament to the transformative power of art, helping to revive the prosperity of one of South Carolina's once-flourishing agricultural communities by turning the entire town into an art gallery. ArtFields is not just a contest; it is a showcase of the Southeast's artistic talent, embodied in a plethora of mediums and displayed in various locally-owned venues. From renovated warehouses and professional art spaces, such as the Jones-Carter Gallery and the TRAX Visual Art Center, to public places like libraries, restaurants, and boutique shops, art is integrated into every nook and cranny of the town. The Ronald E. McNair Life History Center and the local history museum also participate, solidifying the event's deeply-rooted connection to the community's heritage. A critical role in ArtFields' success is the Fine Arts Manager. This role, held by Kyle C. Coleman since 2019, facilitates and oversees every aspect of the competition. The Fine Arts Manager ensures a seamless flow from managing artwork submissions to coordinating with a team of professional jurors. Moreover, Coleman also acts as a liaison between the participating artists and the hosting venues, fostering an environment of collaborative camaraderie. ArtFields 2023 Second Place "40 Burnt Books" Artist: Kristen Tordella-Williams | LOCATION: Opeelika, AL. Title: 40 BURNT BOOKS, Burnt books on custom steel brackets, 180" x 180" x 12." 2023 Competition Year. ArtFields' prize structure is another crucial element of its success. The competition offers over $110,000 in cash prizes, including a grand prize of $50,000 and a second-place award of $25,000. Additionally, two People's Choice Awards are bestowed, chosen by votes from the attending public, ensuring participation from the community. Now, as ArtFields heads into its 12th anniversary in 2024, it continues to grow, fostering artistic talent. While simultaneously transforming the small town of Lake City, SC into a vibrant cultural hub, future plans include collaboration with other organizations and the expansion of ArtFields Jr. ArtFields is poised to uphold its unique charm while embracing the evolving Southeastern art world. ArtFields is a testament to the transformative power of art and a celebration of the beauty that arises when a community comes together to honor and support its creative talents. It is an event that not only cultivates artistic talent, but also invites everyone to engage in a dialogue about the soul of the Southeast by infusing art into everyday spaces. Darcy with Isabella K. Losskarn's "Did you make that all by Yourself," Trax Visual Art Center, Lake City. 2023 Competition Year. Q & A with Kyle C. Coleman Dawn Hunter: In your role as the Fine Arts Manager for ArtFields since 2019, what major changes or innovations have you observed or implemented in the event that significantly contributed to its success? Can you share some of your most memorable experiences in this role? Kyle C. Coleman: Even before I came on board, there has been a deliberate focus on ArtFields as a celebration and competition for visual artists. Those nine days do function as an arts festival, as well, but there is focused intentionality in consistently improving the art experiences for our participants, venues, visitors, and community. There have been several instances where we’ve seen the transition from doubters to believers. We do our best to describe who we are and what we do. Often, Artists who are not aware of us have some difficulty in truly understanding ArtFields. To see those Artists in particular who approach the event with trepidation to participate f or the first time; to see the light come on when they “get it” and become staunch supporters is very satisfying. (continued below) ArtFields 2022 Grand Prize "of America: September 4, 1957" Artist: Noah Scalin | LOCATION: Richmond, VA Artist: Anne Boudreau | LOCATION: LaFayette, LA Title: Climbing the Walls. 2022 Competition Year. Photo Essay of ArtFields 10th Anniversary Exhibit Dawn Hunter: ArtFields is a unique concept that turns an entire town into an art gallery, which appears to have a deeply rooted connection to the community's heritage. How does the art displayed at ArtFields reflect the current sentiment and diversity of the Southeast region? Kyle C. Coleman: I think the fact that ArtFields has no parameters concerning, media, technique, and content, makes our event an annual mirror for Artists across the Southeast. That inclusivity naturally lends itself to prompting diverse viewpoints. We are able to see the experiences of our participating Artists through the lens of their artwork. Artist: Steven L. Anderson | LOCATION: Atlanta, GA Title: Half 483 Years. 2023 Competition Year. Dawn Hunter: ArtFields invites everyone to engage in a dialogue about the 'soul of the Southeast'. How have you seen this dialogue evolve over your tenure, and what issues or themes have become more prominent in recent years? Kyle C. Coleman: To continue the previous answer, I think those dialogues adapt and change depending on the year. For example, in 2021, there were many works that dealt with COVID and its effects on our lives. There has been a continual number of entries that discuss social justice issues and politics. There are always works that reflect the lives, motivations, and dreams of the Artists who craft them. The thought of this work as a mirror is probably the best description. Dawn Hunter: The competition offers significant cash prizes, which must be a significant lure for artists. However, aside from the prize money, how do you think ArtFields benefits the artists of the Southeast region? Can you share stories of artists whose careers were notably impacted by the event? Kyle C. Coleman: Our prizes are intended to be life and career-changing for our Artists. Beyond that, ArtFields has become a living, ever-growing community of Art and Artists. The relationships built here, among practitioners from across the region have proven to be lasting. That we have a sizeable group of Artists and patrons that visit us every year, whether they are competing or not, shows the consistent impact of ArtFields. It is a big deal to be selected to participate in ArtFields, and that doesn’t come from us, but from the sentiments of the Southeastern Artist community. ArtFields 2022 Merit Award "Join Me - A Prelude" Artist: Noah Saunders | LOCATION: Athens, GA Dawn Hunter: Can you tell us more about the future plans for ArtFields, particularly the expansion of ArtFields Jr. and the collaboration with other organizations? How will these new initiatives help continue the growth and reach of ArtFields? Kyle C. Coleman: We are striving to be better and better at facilitating meaningful art experiences for participants and visitors, alike. The recently launched "tours" of ArtFields Jr. artwork, which is a traveling exhibition featuring winners and partic ipants from each region. It will expand the exposure and opportunities for those young artists. Likewise, our Southeastern Partnerships serve to conceptually blow those dandelion seeds far beyond Lake City and provide similar opportunities to our participating Artists. Artist: Diana Farán| LOCATION: Greenville, SC Title: The Last Kiss. 2023 Competition Year. Exhibition Installation, The R.O.B., curated by Michaela Pilar Brown , 2023 Competition Year. ArtFields 2024 Competition Entry

Join Dish with Darcy as we embark on a delicious adventure with Universal Yums! Each month we sample international snack boxes filled with sweet treats, savory delights, drinks, chips, and candies. Explore our reviews and favorites from the tasty Baltic and Thailand boxes, and discover how you can enjoy snack surprises delivered right to your door! Darcy's Universal Yums Experience Visit different cultures through a mystery snack box, written by Darcy Phelps. Hi and welcome back to Dish with Darcy! Today, we’re trying something new—something called Universal Yums . Universal Yums is a subscription service that sends you a box full of delicious snacks from all over the world every month. The box’s theme (or country) changes monthly, along with the snacks. There are different box options to choose from—we went with the Super Yum Box, which costs $500 for a full year. This tier includes something sweet, something savory, a chip, a drink, and some sort of candy. The Baltic Box This is a new experiment for Dish with Darcy, and so far, it’s been a fantastic experience—the food is really tasty! Universal Yums is a fun way to get a little surprise delivered to your door every month with just a few clicks. The link will be down below so you can sign up and enjoy the same great experience. The Baltic Box Our first box featured snacks from the Baltics. Everything was delicious! My personal favorites were: Grandma’s Legendary Wafer Cake Jellyssimo Blackcurrant & Melon Jellies Barbariss Karastusjook Barberry Soda The only miss for me was the Lentil Snack Maple Bacon Chips—not my thing. Overall, I’d rate this box an 8.5/10. “The journey of a thousand miles begins with a single step.” – Lao Tzu The Thailand Box The Thailand Box Welcome back to Dish With Darcy! As you know, we’re shaking things up with Universal Yums, and this month’s box was all about Thailand. I was pleasantly surprised by how many sweets were included—though my mom was a little skeptical since she prefers savory snacks. Here’s what stood out to me: Liked: Tasto Salt & Sour Chips Sour Punk Spaghettio Soft Candy Green Tea Matcha Crème Coated Coco Biscuit Sticks Suthera Thai Coconut Rolls with Honey Cinnamon Not for me: Hi Tempura Seaweed Chicken Larb Mongu Mongu Pink Guava Flavored Drink with Coconut Jelly Bits Jack N’ Jill Fun-O Cookies & Cream Final ratings? My mom gave it a 7.5, while I’d say 8/10. Can’t wait to see (and taste!) what next month’s box brings! Final thoughts: We're having so much fun exploring global snacks through Universal Yums, and we hope you've enjoyed joining our journey. Every box brings new surprises and flavors from around the world, making snack-time an exciting adventure each month. Be sure to follow along here at Dish with Darcy as we continue to share our favorite finds (and even some of the misses!). Click the link below if you'd like to start your own snack discovery—and let us know which box you try first! Happy snacking!

Meet Udorji Oji, Columbia-based artist, currently studying Biological Sciences and Art Studio at the University of South Carolina. Known for his colored pencil work, Oji blends realism with conceptual exploration, drawing inspiration from both academia and personal history. A recent participant in major exhibitions like the SVAD Juried Art Exhibition and Artista Vista: Rooted, he is now focused on expanding his portfolio and revisiting the conceptual themes that first sparked his passion. To play, press and hold the enter key. To stop, release the enter key. Interview with emerging artist, Udorji Oji of Columbia, SC by Dawn Hunter "Learning is the only thing the mind never exhausts, never fears, and never regrets." - Leonardo Da Vinci Udorji Oji, a Columbia-based artist originally from North Augusta, South Carolina, is steadily carving out a space for himself within the state’s vibrant creative landscape. Born and raised in North Augusta, Oji has lived his entire life in South Carolina and is currently pursuing a double major in Biological Sciences and Art Studio at the University of South Carolina-Columbia. For artwork attributions, he prefers using "Artwork by Udorji Oji" in exhibits and on social media where he shares his artistic journey through his Instagram page @artsy_udorji. He developed his passion for art during his kindergarten years and continued to cultivate it through his school years where art became his most beloved subject. The seventh grade introduced him to colored pencils which became his primary artistic tool and remains his main creative medium to this day. Oji chooses colored pencils because they provide both functional and expressive artistic capabilities. Portable and clean, they allow him to shift seamlessly between quick sketches and highly detailed renderings, fitting naturally into his active academic life. Oji received his artistic education through the guidance of multiple mentors who shaped his creative development. RachelPolvadore at his high school taught him the basics of art while helping him participate in competitions and exposing him to the wider artistic world. “ This support led Oji to declare Art Studio as a second major in college. At the University of South Carolina, he has found further inspiration in faculty members such as James Busby, whose realism and abstract works outside the classroom have had a notable influence on Oji’s technique and attention to detail. In Figure Structure with Aldrich Morton, he has explored the fundamentals of life drawing, while his time in Color and Composition with yours truly, Dawn Hunter, has deepened his understanding of color theory. Title: "nymphaeaceae," Artwork by Udorji Oji, colored pencil on paper. Although Oji recently participated in two major exhibitions—the 70th Annual SVAD Juried Art Exhibition and the Artista Vista: Rooted exhibition—he is currently stepping back from showing work to focus on growth. His summer plans include expanding his portfolio, sharpening his skills, and returning to the conceptual themes he explored in high school. His recent work has been more realistic, and technique driven, but he is eager to get back to the kind of projects that once challenged him creatively. Future opportunities like the Calls for Artists: Anderson, SC & Beyond and the South Carolina State Fair Fine Arts Competitions are on his radar. With roots firmly planted in South Carolina and aspirations that reach far beyond, Udorji Oji is an artist to watch—one whose technical precision is matched by a deep desire to communicate meaning through his work. Title: “The Reason, portrait of mom” Artwork by Udorji Oji, colored pencil on paper. Q & A with Udorji Oji Dawn Hunter: Can you describe your artwork to an audience that has not yet seen it? Udorji Oji: My artwork these past couple of years have changed so much, but if I were to summarize my artwork in one word it’d have to be realistic artwork. In the past year, I’ve been doing hyperrealistic artwork as well, and tried to replicate photos as closely as possible. But as a whole, my art is realistic; I try to represent life, not just reference images or photographs, and tie in my own personal outtakes view of the world. (continued below) Exhibition signage and view of the exhibition "Rooted" at the Richland County Library, Columbia, SC. Portrait of Udorji Oji's mother standing next to a portrait he created of her inspired by Leonardo's "Mona Lisa" on display as part of the "Rooted" exhibition. Rooted Exhibition Link Dawn Hunter: What specific elements of colored pencils attract you to work with these mediums? Udorji Oji: I primarily use colored pencils for their ability to create such detailed work. Details are everything to me because they make a person really stop and pay attention to your work. To me, art should be viewed and start a conversation, whether it’s out loud or in your mind; it shouldn’t be just something you view for a few fleeting seconds and move on to the next. Title: “The Goose that Laid Corporate Greed” Artwork by Udorji Oji, colored pencil on paper. Dawn Hunter: You recently created a version of the Mona Lisa featuring your mother. Describe the inspiration behind your personal interpretation of the famous painting through this artwork. Udorji Oji: I chose to recreate the Mona Lisa because of the mystery behind it. There is so much speculation behind the inspiration of the Mona Lisa, why da Vinci took the painting everywhere he went, why the painting was never delivered to the commissioner. I wanted to make my own spin of the controversy and propose my own take of the story. I thought it was obvious that the Mona Lisa was special to da Vinci, which is why I chose my mother as the figure in the drawing because she’s special to me. I named my piece The Reason because not only is she quite literally the reason I’m breathing today, but also the reason why I’ve pursued art and continuing to do so. Dawn Hunter: What message do you want your artwork to convey to viewers during their experience of your art? Udorji Oji: I want my artwork to evoke strong emotions when they are viewed by an audience. I want strong enough emotions to where they’re inclined to question what my piece is about, look for details throughout my work and try to understand what my inspirations were while creating a specific piece. Title: “The American Dream, Bachelor Party” Artwork by Udorji Oji, colored pencil on paper. Dawn Hunter: Do you see your artistic work aligning with particular artistic traditions and styles and movements? Udorji Oji: My work is an amalgamation of so many past art movements. I love art history and while taking it in high school simultaneously with my art classes, I saw my art transforming. I accredit my current artistic style to the High Renaissance, the Baroque, Realism, and Surrealism. Title: "Bloom," Artwork by Udorji Oji, colored pencil on paper. Title: "Toxic (Boys will be Boys)," Artwork by Udorji Oji, colored pencil on paper. Dawn Hunter: Does storytelling together with memory serve as essential components in your artistic practice? Udorji Oji: Yes absolutely, storytelling is essential in my artistic practice. I love to include little easter eggs in my art that can represent anything in my life; references to my family, mentors, or friends can be seen in my art which I add not only as a memento but also as a representation of my life beyond the drawing. Title: “Self-portrait” Artwork by Udorji Oji, color pencil on paper. Dawn Hunter: What has been the most meaningful or surprising response to your art so far? Udorji Oji: The most meaningful response that has been to my art has actually been my extended family. I come from a very well-educated family, where I can’t even count on my fingers how many of them are doctors, nurses, lawyers or engineers. Over half of my cousins are either in medical school, law school, or working corporate. My immediate family have always known I enjoyed art, but my extended family didn’t truly know until my freshman year of high school. I was nervous, at first, not because I was ashamed of what I do or value STEM over humanities, but because I’ve never showed them this side of me and didn’t know what to expect. However, as they started to realize my practice, I received an abundance of love and admiration from my family. As of right now, I’m the only one known as the “artist” in my family Dawn Hunter: How do you anticipate your artistic style transforming during the upcoming years? Udorji Oji: I anticipate my art taking a more surrealistic approach in these upcoming years. I’ve always loved the Surrealism movement and the artists within it, particularly Frida Kahlo. There’s so much visual meaning behind their works and I love that they can do that and still practice realism within it. As for my academic and professional endeavors, I will also still be practicing hyperrealism and anatomical drawings to prepare for Graduate school. After I graduate, I plan to attend Augusta University for my Masters in Medical Illustration. I love Health Sciences and Biology, and the opportunity to combine it with my love for art has been a dream of mine since middle school. Art has been my personal visual aid for so long and I would love to be reason for it to be someone else’s aid as well.